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Georgia O'Keeffe
1887–1905: Childhood Years
Sun Prairie 1887–1902
In a farmhouse in Sun Prairie, Wisconsin, on November
15, 1887, Ida and Francis O'Keeffe became parents to a baby girl.
They named her Georgia Totto after her Hungarian grandfather, George Victor
Totto. He had emigrated to the United States, escaping persecution
because of his role in a Hungarian uprising against Austrian rule.
In America, he met his future wife, Isabel Wyckoff, who traced
her descendants to Dutch settlers in the mid-seventeenth century.
They moved to Sun Prairie in 1858. Although the Totto farm was
prosperous, farming was too difficult, and George Totto felt the
desire to return to his native Hungary and claim his family fortune.
Isabel was burdened with the responsibility for six children after
George's departure, but she did not resent him.
The O'Keeffes, an immigrant family from Ireland, had settled
in the same town of Sun Prairie, Wisconsin, ten years before the
Tottos, in 1848. Georgia's mother and father, Ida and Francis O'Keeffe, grew
up as neighbors. When they were older, both families favored a
marriage between the two and a consolidation of the two farms. Although
Ida aspired to become a doctor, she obediently and reluctantly
agreed to the marriage in 1884.
Coming from an educated family, Ida promoted the education and
intellectual development of her children, especially her daughters.
Indeed, Georgia's mother spent much time educating all of her children,
but Georgia was not the favorite and consequently received less
attention from her mother. Growing up in a family with five brothers
and sisters, Georgia's character developed to be quiet, introspective,
and independent. While she was stimulated by her mother's academic
supervision, her overlooked position in the family facilitated her
own attention to material surroundings as opposed to personal relationships.
Colors and objects fascinated Georgia from an early age, and her
life on the farm fostered a close relationship with nature and
an understanding of natural processes. She developed a determined
personality and had already dedicated herself to becoming an artist
by the time she was in eighth grade. In an effort to promote artistic
development in her daughters, Ida started to organize art lessons
for her daughters, starting when Georgia was around twelve years
old.
In 1901, Georgia continued her formal high school education
at the exclusive Sacred Heart Academy, where she was exposed to
the harsh discipline and criticism of nuns who disregarded privacy
and enforced a rigorous routine. Despite the strict environment,
Georgia she benefited from the art classes and was awarded a medal
of improvement in art. She excelled in other subjects, such as
ancient history, algebra, physiography, and English. In 1902, her
sisters enrolled in the school, and Georgia moved to Madison to
live with her Aunt Lola. Her parents had left their children to
travel to Virginia, where they wanted to relocate the family. Although
their business was prosperous, Ida and Francis thought that moving
to a warmer climate would lessen Francis' chance of developing
tuberculosis, a disease that had killed his brothers. Meanwhile,
Georgia spent her last year in Wisconsin, attending Madison High
School, where she was first prompted to look closely at flowers
in an art class. Fascinated by the colors and shades, this memory
significantly influenced her later painting.
At the age of fifteen, Georgia moved with her family to
Williamsburg, Virginia, marking the end of her childhood years.
Departing from her small Wisconsin town was a young artist, stubborn
in her non-conventional habits, self-reliant, and ready for new
experiences. Her siblings later described her as being authoritative
in her actions and viewpoints, insisting on driving the family
buggy, and stubbornly insisting that God was female. Georgia's family
life at the farm had been peaceful and stable economically, a prospect
that would change after the move. However, in her adult life she
never became excessively nostalgic about these years, and her later
relationships with family members continued to be relatively detached.
Virginia School Years 1903–1905
Upon moving to Virginia in 1903, Georgia enrolled at Chatham Episcopal
Institute, a boarding school. Despite the fact that she did not
dress or act like the other fashionable and socially sophisticated students,
she was accepted and well liked because of her indifference to
established norms. She taught the other students how to play poker,
was constantly engaging in practical jokes, and drew caricatures
of the teachers. Later she became the art editor of the school
yearbook, and the other editors wrote the following poem about her:
A girl who would be different in habit,
style, and dress, A girl who doesn't give a cent for men–and boys
still less.
O is for O'Keeffe, an artist divine; Her paintings
are perfect and her drawings are fine.
More importantly, at Chatham, Georgia met an exceptional
art teacher, Mrs. Willis, who had been educated at the Art Students League
in New York City. Willis recognized Georgia's talents and individuality,
overlooked her behavioral tribulations, and permitted her to work
at her own pace. While Georgia was at school, she enjoyed summers
with her family vacationing at the York River, and her family lived
comfortably in a large frame house in Williamsburg. However, Francis
had not been able to establish a stable career for himself, and
he experienced a series of failed business ventures. The family
wealth gained from selling the farm in Wisconsin had diminished
to the point that the family had to move to a smaller house and
take on boarders. There was still enough money, however, to finance
Georgia's higher education. Consequently, in 1905, after she received
her high school diploma, her parents agreed to send her to Chicago
to study painting at the Art Institute of Chicago.
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