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Chapters 11–13

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Chapters 11–13

Chapters 11–13

Chapters 11–13

Chapters 11–13

The old woman defines life as misery, but unlike her younger companions she is not prone to self-pity. She tells Cunégonde, “I would not even have mentioned my own misfortunes, if you had not irked me a bit, and if it weren’t the custom, on shipboard, to pass the time with stories.” For her, tales of woe are neither edifying nor moving. They are simply a way of making a point and staving off boredom. Though her suffering does not move her to self-pity, it does shape the pragmatism and frankness that define her character.

The old woman’s meditations on suicide speak to one of the novel’s most pressing underlying concerns. If life is so full of unmitigated suffering, the prospect of taking one’s own life seems a reasonable option. The old woman, a Pope’s daughter, does not even consider the standard Christian mandate that suicide is a sin and that those who commit it are destined to burn in hell. Despite her pessimism, the old woman’s speech on this subject has a strange hopefulness to it. She asserts that people cling to life because they love it, not because they fear eternal punishment. Human beings naturally embrace life—a stupid move, perhaps, but one that demonstrates passion, strong will, and an almost heroic endurance.

Don Fernando represents a satire on the arrogance of the nobility. His long list of names mocks the importance that the nobility attaches to titles. Here, Voltaire once again attacks the nobility’s belief that it is naturally endowed with superior virtues that entitle it to wealth and power. Rather than being a wise or just governor, Don Fernando is a predator, a liar, a cheat, and a joke.

Cunégonde’s decision to accept Don Fernando’s proposal adds greater complexity to her character. She is the object of Candide’s lust and idealistic devotion, and Voltaire repeatedly refers to her as “the lovely Cunégonde.” But she is far from the semi-divine romantic heroine Candide believes her to be, and her calculating, self-serving decision to marry the Don is proof of this. Voltaire undercuts Candide’s romantic ideals by having him continue to worship Cunégonde even after she faithlessly marries the Don. It is possible that Voltaire also uses these ideals to emphasize Cunégonde’s lack of chastity, although it is unlikely that Voltaire means to condemn her for this. Cunégonde uses her beauty and sexuality to manipulate men, which seems a highly reasonable way of behaving in a world in which sexuality is the only asset women possess.

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CHAPTERS 11–13 QUIZ

The colonel of the rebel Jesuit army agrees to speak to Candide after being informed by Cacambo that Candide is ___.
German
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Adam and Eve

by sary56, August 20, 2013

"Moreover, in the Garden of Eden Adam and Eve enjoyed the fruits of nature without having to work..."
I don't think that's true. Genesis 2:15 says, "The LORD God took the man and put him in the garden of Eden to work it and keep it." Adam's purpose was to work even before the fall, which happens in Genesis 3. Also, I don't believe that Adam and Eve fell from God's grace. Yes, God said "you shall surely die" if you eat of the fruit, and they did, but it was actually God's grace that made them go out of the garden to prevent them from li... Read more

4 Comments

42 out of 71 people found this helpful

Life life

by Jekemi, January 05, 2014

What I got from this book is that whether Panglos is right or not. Whether Pessimism or Optimism prevailed, it doesn't do any good to philosophy over it.
Man was placed in the garden to work, not to be idle.

I believe that in the end Candide gave up on arguing - he simply realised the pointlessness of doing it and that true happiness will be by living life without thinking about it the whole time.

Thanks for your post.

Jacques

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3 out of 4 people found this helpful

This Book is About...

by AlexM4ck, April 30, 2014

Honestly I don't think this book has anything to do with religion, right or wrong. Any type of theorizing, philosophy, formal religion, or even societal emphasis on what is important is represented as something negative. For example, all church figures are corrupt, philosophers Pangloss and Martin no matter what their opinions are either ignorant or miserable. The happiest (and eventually model) character is the farmer, who thinks and works for himself. Voltaire was jaded by the corruption of religion and hopeless optimism of philosophy and ... Read more

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38 out of 47 people found this helpful

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