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Giants in the Earth

 O. E. Rölvaag
 

Key Facts

 
full title ·  Giants in the Earth: A Saga of the Prairie
 
author · O.E. Rӧlvaag
 
type of work · Novel
 
genre · Historical fiction; American epic; frontier novel; immigrant novel
 
language · Norwegian; translated into English by the author
 
time and place written · 1922–1923; Minnesota
 
date of first publication · 1924–:1925
 
publisher · H. Aschehoug and Co. (Norway); Harper and Brothers (U.S.)
 
narrator · Omniscient narrator
 
point of view · The omniscient third-person narrator reveals the thoughts and actions of the major characters of the novel, primarily focusing on the thoughts and actions of Per and Beret
 
tone · The narrator's attitude to the immigrants is sympathetic. At times, the narrator implies optimism, recording the hopes of the immigrants; at other times, the narrator implies pessimism, recording the fears of the immigrants and the threats unforeseeable to everyone except the omniscient narrator
 
tense · Immediate past
 
setting (time) · 1873–1881
 
setting (place) · Spring Creek, Dakota Territory (now South Dakota)
 
protagonists · Per and Beret Hansa
 
major conflict · Per thrives in his new environment in America, but Beret cannot adapt to the new country and feels homesick and depressed
 
rising action · Beret's pregnancy and her growing depression; the plague of locusts
 
climax · Possibly the moment when Per discovers the land stakes in Book I, or the locust attack in Book II, when Per discovers his wife's undeniable insanity
 
falling action · The arrival of the minister; the minister's sermon; Beret overhearing Per talk to Hans Olsa about how much he loves her
 
themes · The falseness of the American frontier myth; the cost of immigration; the struggle between humans and nature
 
motifs · Beret's homesickness; Scandinavian folklore; the Israelites of the Old Testament
 
symbols · Beret's emigrant chest; Peder Victorious; the West
 
foreshadowing · The discovery of the Indian grave; Per's discovering of the stakes belonging to Irish settlers; the narrator's frequent reports of the power of the landscape and nature, such as in the very first chapter and the very last chapter; Beret's need to cover her windows to shut out the prairie
 
 
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