Among the most important motifs of the novel are Beret's homesickness, the references to Scandinavian folklore and Per's fairy tale vision, and the allusions to the Israelites of the Old Testament. Beret's homesickness is the dominant motif of the novel because it challenges the frontier myth of nineteenth century America. Her depression reveals the cost many nineteenth- century immigrants had to pay when they came to America: in order to achieve their dream, they had to make many sacrifices and cut themselves off from everything that was once familiar to them. Beret's homesickness is intertwined with what is perhaps the main theme of the novel, Rölvaag's realistic, unromantic portrait of pioneer life. The numerous references to Scandinavian folklore, including the references to trolls and gnomes and other creatures, reveal the characters' superstitious beliefs, and also help to identify the settlers' cultural heritage. To Per, "trolls" refer to all the obstacles he feels that he has to overcome to find success in America. His vision throughout most the novel remains optimistic, as he considers himself to be a hero of a fairy tale who will eventually live happily ever after in America. The motif of Per's fairy-tale daydream represents his euphoric vision, and it contrasts sharply with Beret's homesickness. While Per looks to the future, Beret looks to the past. Furthermore, the numerous allusions to the Israelites of the Old Testament compare the Norwegian settlers of the novel with the Jews. In the Old Testament, God led the Jews from their persecution in Egypt to the land of Israel—the Promised Land—after years of leaving them wandering in the desert in order to test their fortitude. Like the Israelites, the settlers of the novel are immigrants who believe that they have found their own Promised Land in the rich farmlands of the Great Plains. Like the Israelites, however, the settlers also face years of hardship and tests of fortitude.