Throughout the epic, descriptions and language
of Gilgamesh and Enkidu’s relationship suggest that the love between
them is more than platonic, but evidence does not exist to say with
any certainty that their relationship is sexual. For example, Gilgamesh
and Enkidu love each other like man and wife, which seems to imply
a sexual relationship. They kiss and embrace frequently, and in
several scenes they cuddle together against the elements when they
are on their quest to the Cedar Forest. What Gilgamesh does not do plays
a role in defining the relationship as well. After Enkidu blocks the
door of the bride chamber, we never hear about Gilgamesh sleeping
with a woman, and he even finds a reason to reject Ishtar. These
bits of evidence, however, do not add up to a definite conclusion.
Much of the language the poet uses to describe Gilgamesh and Enkidu’s
relationship may actually be metaphorical, so loving Enkidu “like
a bride” might not mean what we suspect it does. Also, we do not
know with any certainty what sort of sexual relationships were acceptable
among Mesopotamian nobility, rendering the relationship between
Gilgamesh and Enkidu even murkier.
No matter what kind of relationship Gilgamesh and Enkidu have,
women still play an important role in the epic’s action and themes.
For example, a female prostitute tames Enkidu, and Ishtar promises
Gilgamesh the world in exchange for his love. When Gilgamesh refuses
Ishtar’s advances, he unwittingly dooms Enkidu to death. The love
between him and Enkidu is tragic, while the love represented by
Ishtar and the temple prostitutes is inevitable. Gilgamesh and Enkidu
must submit to the female life force. Nearly every encounter the
friends have with women is charged with tension in some way—the
feminine is undeniably important.