The strain of traveling and performing “tricks” takes its toll on Gulliver, and he begins to grow very thin. The farmer notices Gulliver’s condition and resolves to make as much money as possible before Gulliver dies. Meanwhile, an order comes from the court, commanding the farmer to bring Gulliver to the queen for her entertainment.
The queen is delighted with Gulliver’s behavior and buys him from the farmer for 1,000 gold pieces. Gulliver requests that Glumdalclitch be allowed to live in the palace as well. Gulliver explains his suffering to the queen, and she is impressed by his intelligence. She takes him to the king, who at first thinks he is a mechanical creation. He sends for great scholars to observe Gulliver, and they decide that he is unfit for survival, since there is no way he could feed himself. Gulliver tries to explain that he comes from a country in which everything is in proportion to himself, but they do not seem to believe him.
Glumdalclitch is given an apartment in the palace and a governess to teach her, and special quarters are built for Gulliver out of a box. They also have clothes made for him from fine silk, but Gulliver finds them very cumbersome. The queen grows quite accustomed to his company, finding him very entertaining at dinner, especially when he cuts and eats his meat. He finds her way of eating repulsive, since her size allows her to swallow huge amounts of food in a single gulp.
The king converses with Gulliver on issues of politics, and laughs at his descriptions of the goings-on in Europe. He finds it amusing that people of such small stature should think themselves so important, and Gulliver is at first offended. He then comes to realize that he too has begun to think of his world as ridiculous.
The queen’s dwarf is not happy with Gulliver, since he is used to being the smallest person in the palace and a source of diversion for the royal court. He drops Gulliver into a bowl of cream, but Gulliver is able to swim to safety and the dwarf is punished. At another point, the dwarf sticks Gulliver into a marrowbone, where he is forced to remain until someone pulls him out.
Gulliver describes the geography of Brobdingnag, noting first that since the land stretches out about 6,000 miles there must be a severe error in European maps. The kingdom is bounded on one side by mountains and on the other three sides by the sea. The water is so rough that there is no trade with other nations. The rivers are well stocked with giant fish, but the fish in the sea are of the same size as those in the rest of the world—and therefore not worth catching.
Gulliver is carried around the city in a special traveling-box, and people always crowd around to see him. He asks to see the largest temple in the country and is not overwhelmed by its size, since at a height of 3,000 feet it is proportionally smaller than the largest steeple in England.
Gulliver is happy in Brobdingnag except for the many mishaps that befall him because of his diminutive size. In one unpleasant incident, the dwarf, angry at Gulliver for teasing him, shakes an apple tree over his head. One of the apples strikes Gulliver in the back and knocks him over. Another time, he is left outside during a hailstorm and is so bruised and battered that he cannot leave the house for ten days.
Gulliver and his nursemaid are often invited to the apartments of the ladies of the court, and there he is treated as a plaything of little significance. They enjoy stripping his clothes and placing him in their bosoms, and he is appalled by their strong smell, noting that a Lilliputian told him that he smelled quite repulsive to them. The women also strip their own clothes in front of him, and he finds their skin extremely ugly and uneven.
The queen orders a special boat to be built for Gulliver. The boat is placed in a cistern, and Gulliver rows in it for his own enjoyment and for the amusement of the queen and her court.
Yet another danger arises in the form of a monkey, which takes Gulliver up a ladder, holding him like a baby and force-feeding him. He is rescued from the monkey, and Glumdalclitch pries the food from his mouth with a needle, after which Gulliver vomits. He is so weak and bruised that he stays in bed for two weeks. The monkey is killed and orders are sent out that no other monkeys be kept in the palace.
Gulliver’s continued adventures in Brobdingnag serve to illustrate the importance of physical size. Reduced to a twelfth of the size of the people who surround him, Gulliver finds all of his pride and importance withering away. Without physical power to back him up—whether the normal level that he experiences in England or the extraordinary level of his time in Lilliput—it is impossible for Gulliver to maintain the illusion of his own importance.
These chapters contain, in addition to the continuing satire of European culture, some of the most entertaining portions of the novel. Gulliver is treated like a doll, tormented by the court dwarf, and adopted, briefly, by a monkey. For the most part, these scenes serve to hammer home the image of Gulliver’s miniscule size as compared to the Brobdingnagians, but they also achieve several more significant accomplishments. The conflict with the dwarf is a good example of such a point. The dwarf, unable to gain the power that generally accompanies great physical size, has tried to make a place for himself in society by capitalizing instead on the distinctive lack of power that accompanies his tiny size. When Gulliver enters the court, he challenges the dwarf’s distinctiveness, and the dwarf responds aggressively. If there is a moral to the episode, it is that the politics of those who attempt to achieve power not through physical strength but through their distinctiveness can be just as immoral as the mainstream.
Another key episode takes place with Gulliver’s visit to the ladies of the court. The fantasy of domination and submission—realized when Gulliver becomes the sexual plaything of the ladies—is overshadowed by his outright disgust at their smell and appearance. He knows, theoretically, that if he were their size they would be just as attractive as the well-pampered court ladies of England, but since he is not, their flaws are literally magnified, and they appear to him malodorous, blemished, and crude. Swift’s point is that anything, even the smoothest skin or the most appealing political system, has imperfections, and these imperfections are bound to be exposed under close enough scrutiny. In a sense, what looks perfect to us is not actually perfect—it is simply not imperfect enough for our limited senses to notice.
At the time that Swift was writing Gulliver’s Travels, however, technology that could accentuate these imperfect senses was burgeoning, and Gulliver’s microscopic view of flies and flesh may be a reference to the relatively recent discovery of the microscope. The late seventeenth century saw the first publication of books containing magnified images illustrating that various items—fleas, hair, skin—contained details and flaws that had previously been hidden. Gulliver lives this microscopic experience directly. In a magnified world, everything takes on new levels of complexity and imperfection, demonstrating that the truth about objects is heavily influenced by the observer’s perspective.
The type of work is Satire, not Novel, because it happened before the Novel tradition started, and because it is a parody.
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