Themes are the fundamental and often universal ideas explored in a literary work.
Because Gilead was formed in response to the crisis caused by dramatically decreased birthrates, the state’s entire structure, with its religious trappings and rigid political hierarchy, is built around a single goal: control of reproduction. The state tackles the problem head-on by assuming complete control of women’s bodies through their political subjugation. Women cannot vote, hold property or jobs, read, or do anything else that might allow them to become subversive or independent and thereby undermine their husbands or the state.
Despite all of Gilead’s pro-women rhetoric, such subjugation creates a society in which women are treated as subhuman. They are reduced to their fertility, treated as nothing more than a set of ovaries and a womb. In one of the novel’s key scenes, Offred lies in the bath and reflects that, before Gilead, she considered her body an instrument of her desires; now, she is just a mound of flesh surrounding a womb that must be filled in order to make her useful. Gilead seeks to deprive women of their individuality in order to make them docile carriers of the next generation.
Gilead creates an official vocabulary that ignores and warps reality in order to serve the needs of the new society’s elite. Having made it illegal for women to hold jobs, Gilead creates a system of titles. Whereas men are defined by their military rank, women are defined solely by their gender roles as Wives, Handmaids, or Marthas. Stripping them of permanent individual names strips them of their individuality, or tries to. Feminists and deformed babies are treated as subhuman, denoted by the terms “Unwomen” and “Unbabies.” Blacks and Jews are defined by biblical terms (“Children of Ham” and “Sons of Jacob,” respectively) that set them apart from the rest of society, making their persecution easier. There are prescribed greetings for personal encounters, and to fail to offer the correct greetings is to fall under suspicion of disloyalty. Specially created terms define the rituals of Gilead, such as “Prayvaganzas,” “Salvagings,” and “Particicutions.” Dystopian novels about the dangers of totalitarian society frequently explore the connection between a state’s repression of its subjects and its perversion of language (“Newspeak” in George Orwell’s 1984 is the most famous example), and The Handmaid’s Tale carries on this tradition. Gilead maintains its control over women’s bodies by maintaining control over names.
In a totalitarian state, Atwood suggests, people will endure oppression willingly as long as they receive some slight amount of power or freedom. Offred remembers her mother saying that it is “truly amazing, what people can get used to, as long as there are a few compensations.” Offred’s complacency after she begins her relationship with Nick shows the truth of this insight. Her situation restricts her horribly compared to the freedom her former life allowed, but her relationship with Nick allows her to reclaim the tiniest fragment of her former existence. The physical affection and companionship become compensation that make the restrictions almost bearable. Offred seems suddenly so content that she does not say yes when Ofglen asks her to gather information about the Commander.
Women in general support Gilead’s existence by willingly participating in it, serving as agents of the totalitarian state. While a woman like Serena Joy has no power in the world of men, she exercises authority within her own household and seems to delight in her tyranny over Offred. She jealously guards what little power she has and wields it eagerly. In a similar way, the women known as Aunts, especially Aunt Lydia, act as willing agents of the Gileadean state. They indoctrinate other women into the ruling ideology, keep a close eye out for rebellion, and generally serve the same function for Gilead that the Jewish police did under Nazi rule.
Atwood’s message is bleak. At the same time as she condemns Offred, Serena Joy, the Aunts, and even Moira for their complacency, she suggests that even if those women mustered strength and stopped complying, they would likely fail to make a difference. In Gilead the tiny rebellions of resistances do not necessarily matter. In the end, Offred escapes because of luck rather than resistance.
More main ideas from The Handmaid’s Tale
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