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Jane Eyre

Charlotte Brontë

Chapters 11–16

Chapters 5–10

Chapters 11–16, page 2

page 1 of 2

Summary: Chapter 11

Jane’s driver is late picking her up from the station at Millcote. When she finally arrives at Thornfield it is nighttime. Although she cannot distinguish much of the house’s facade from among the shadows, she finds the interior “cosy and agreeable.” Mrs. Fairfax, a prim, elderly woman, is waiting for Jane. It turns out that Mrs. Fairfax is not, as Jane had assumed from their correspondence, the owner of Thornfield, but rather the housekeeper. Thornfield’s owner, Mr. Rochester, travels regularly and leaves much of the manor’s management to Mrs. Fairfax. Jane learns that she will be tutoring Adèle, an eight-year-old French girl whose mother was a singer and dancer. Mrs. Fairfax also tells Jane about Rochester, saying that he is an eccentric man whose family has a history of extreme and violent behavior. Suddenly, Jane hears a peal of strange, eerie laughter echoing through the house, and Mrs. Fairfax summons someone named Grace, whom she orders to make less noise and to “remember directions.” When Grace leaves, Mrs. Fairfax explains that she is a rather unbalanced and unpredictable seamstress who works in the house.

Summary: Chapter 12

It is in vain to say human beings ought to be satisfied with tranquility: they must have action; and they will make it if they cannot find it. Millions are condemned to a stiller doom than mine, and millions are in silent revolt against their lot.

(See Important Quotations Explained)

Jane finds life at Thornfield pleasant and comfortable. Adèle proves to be exuberant and intelligent, though spoiled and at times a bit petulant. Nonetheless, Jane is frequently restless and collects her thoughts while pacing Thornfield’s top-story passageway. One evening a few months after her arrival at Thornfield, Jane is alone watching the moon rise when she perceives a horse approaching. It calls to her mind the story Bessie once told her of a spirit called a Gytrash, which disguises itself as a mule, dog, or horse to frighten “belated travellers.” Oddly enough, a dog then appears as well. Once she realizes that the horse has a rider, the uncanny moment ceases. Just after the horse passes her, it slips on a patch of ice, and its rider tumbles to the ground. Jane helps the man rise to his feet and introduces herself to him. She observes that he has a dark face, stern features, and a heavy brow. He is not quite middle-aged. Upon reentering Thornfield, Jane goes to Mrs. Fairfax’s room and sees the same dog—Pilot—resting on the rug. A servant answers Jane’s queries, explaining that the dog belongs to Mr. Rochester, who has just returned home with a sprained ankle, having fallen from his horse.

Summary: Chapter 13

The day following his arrival, Mr. Rochester invites Jane and Adèle to have tea with him. He is abrupt and rather cold toward both of them, although he seems charmed by Jane’s drawings, which he asks to see. When Jane mentions to Mrs. Fairfax that she finds Rochester “changeful and abrupt,” Mrs. Fairfax suggests that his mannerisms are the result of a difficult personal history. Rochester was something of a family outcast, and when his father died, his older brother inherited Thornfield. Rochester has been Thornfield’s proprietor for nine years, since the death of his brother.

Summary: Chapter 14

Jane sees little of Rochester during his first days at Thornfield. One night, however, in his “after-dinner mood,” Rochester sends for Jane and Adèle. He gives Adèle the present she has been anxiously awaiting, and while Adèle plays, Rochester is uncharacteristically chatty with Jane. When Rochester asks Jane whether she thinks him handsome, she answers “no” without thinking, and from Rochester’s voluble reaction Jane concludes that he is slightly drunk. Rochester’s command that she converse with him makes Jane feel awkward, especially because he goes on to argue that her relationship to him is not one of servitude. Their conversation turns to the concepts of sin, forgiveness, and redemption. When Adèle mentions her mother, Jane is intrigued, and Rochester promises to explain more about the situation on a future occasion.

Summary: Chapter 15

A while later, Rochester fulfills his promise to Jane to tell her about his and Adèle’s pasts. He had a long affair with Adèle’s mother, the French singer and dancer named Celine Varens. When he discovered that Celine was engaged in relations with another man, Rochester ended the relationship. Rochester has always denied Celine’s claim that Adèle is his daughter, noting that the child looks utterly unlike him. Even so, when Celine abandoned her daughter, Rochester brought Adèle to England so that she would be properly cared for.

Jane lies awake brooding about the strange insights she has gained into her employer’s past. She hears what sound like fingers brushing against the walls, and an eerie laugh soon emanates from the hallway. She hears a door opening and hurries out of her room to see smoke coming from Rochester’s door. Jane dashes into his room and finds his bed curtains ablaze. She douses the bed with water, saving Rochester’s life. Strangely, Rochester’s reaction is to visit the third floor of the house. When he returns, he says mysteriously, “I have found it all out, it is just as I thought.” He inquires whether Jane has ever heard the eerie laughter before, and she answers that she has heard Grace Poole laugh in the same way. “Just so. Grace Poole—you have guessed it,” Rochester confirms. He thanks Jane for saving his life and cautions her to tell no one about the details of the night’s events. He sleeps on the library sofa for the remainder of the night.

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Hard Timing Following? Try this!

by Heaven_Smee, April 16, 2013

When reading this imagine that you are Jane Erye. Try and relate yourself to the situation that the character is going through. That way you can follow the mindset of the book.

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25 out of 38 people found this helpful

amazing

by anna5000, November 21, 2014

amazing
jane eyre is brill

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1 out of 3 people found this helpful

WOMEN

by char_ellzabeth, March 23, 2015

In Jane Eyre it is certain that the number of women over rides the number of men; however, in the novel you will notice that mothers are limited. There are adoptive motherly figures, for example Miss Temple and Mrs Fairfax, but the only true mother that we see (alive) is Mrs Reed, and quite simply - she is not a good mother! On the next read, look at how little mothers appear - and think/link this back to Brontë's life and her motherly influences.

Hope this gives you an extra point to look at and write on! x

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