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Joe is taken aback by the man's Morse code question "WHAT DO YOU WANT?" Joe has spent so long hoping merely to be heard and spoken back to that he does not know what he might want. He wonders if the hospital staff are really asking what they can give him. A slew of material goods come to mind, but Joe would have no use for any of them, so the question seems horribly inappropriate. The hospital staff should know that what Joe wants is to have parts of his body back—an impossible thing, which makes their question seem cruel.
Joe thinks about his wish to be out of his own head and able to be with people again. He realizes that he cannot ask to be taken outside the hospital, as this would cost money that he does not have. Then he realizes that he can pay his own way by serving as an educational exhibit for people, teaching them about the true horrors of war that they do not read about in newspapers. Joe taps out this request to the man. Joe becomes more excited and angry as he explains to the man that they could use Joe as a freak exhibit as "the dead-man-who-is-alive the live-man-who-is-dead."
Joe imagines the language that would be used to "sell" himself as an exhibit to families, men, girls, students, children. The selling pitch would be cold and dry, contrasting to the horror of Joe's body. Joe imagines being taken into parliaments and congresses and left in a glass case on the desk as a reminder to the men when they are busy making policies that might cause wars or support wars. Joe imagines being taken into churches and cathedrals as evidence of the murderousness of God's children. Joe imagines he will show everyone, because they are all "fools."
Joe feels the Morse code man leave the room. Joe wonders if his message came out jumbled or if the man failed to understand. Joe hopes that the man has merely gone to get a superior to get an answer. Joe feels the man returning and then feels a finger tap into his forehead, "WHAT YOU ASK IS AGAINST REGULATIONS WHO ARE YOU." The man continues tapping, but Joe is no longer paying attention. Joe's mind goes blank and he experiences pain—"a sharp terrible personal pain the kind of pain that comes only when someone to whom you have never done any harm turns on you." Joe wonders bitterly what he has done to deserve this response.
Suddenly, Joe realizes that they want only to forget about him. Joe realizes that there is no hope left for him—the loneliness of his world will never be alleviated. Then, in one last burst of hope and protest, Joe taps humbly his supplication—he wants out. Joe feels the nurse's soothing hand on his forehead then feels the man applying an alcohol swab to his arm. Joe realizes that they are sedating him again. Through horror and disbelief, Joe realizes that they will not even let him talk. He taps, slower and slower, "why? why? why?"
All at once, Joe realizes why they will not let him speak. He has a vision of himself "as a new kind of Christ as a man who carries within himself all the seeds of a new order of things. He was the new messiah of the battlefields." The truth that Joe's body would tell must be kept secret so that the generals can still recruit men to fight wars. Joe envisions the uprising that would occur if the horrible truth of war were common knowledge. The farmers, manufacturers, builders, and others would come together and refuse to be the ones who die, insisting instead that it would be those who profit from warfare that would die. Peace-loving workers would no longer kill other workers; instead they would unite and use the guns of the ruling forces against those ruling forces in order to allow for peace.
I thought I was good at writing essays all through freshman and sophomore year of high school but then in my junior year I got this awful teacher (I doubt you’re reading this, but screw you Mr. Murphy) He made us write research papers or literature analysis essays that were like 15 pages long. It was ridiculous. Anyway, I found
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