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Lucy: A Novel Jamaica Kincaid
Analysis of Major Characters
Lucy Josephine Potter
Lucy, the novel's protagonist and narrator, seeks independence from the
colonial and maternal forces that shaped her youth, but her journey to North
America to serve as an au pair for a wealthy family only
highlights many of the influences that have hindered her and reveals the
ambivalence behind her apparent drive for freedom. For all her bitter remarks
about her mother and her native land, she frequently experiences intense
homesickness and longing for her mother's love. Though she no longer lives under
British rule, she resents the upper-class privileges of her American employers.
She replicates her difficult relationship with her mother in her dealings with
Mariah and, to a lesser extent, Peggy. As she did at home, she embarks on sexual
relationships with men who please her physically but leave her emotionally
detached. Lucy realizes early on that her hopes of creating a glorious new life
for herself bear little resemblance to reality, and with each new
disappointment, Lucy develops a fatalism that at once strengthens her and makes
her vulnerable. Though Lucy's harsh view of the world prepares her for the
hardships of living on her own terms, it also, at times, drives her to despair.
Much of Lucy's quest for freedom results in isolation. She spends her
first weeks as an immigrant without much human connection, and though she grows
close to Mariah, Miriam, and Peggy, her most important relationships eventually
unravel, and she finds herself, for the first time, truly living on her own. She
has even further separated herself from her mother, and, by implication, her
entire homeland, by giving a false report of her whereabouts. While Lucy, to
some degree, has achieved her independence, it doesn't bring her the joy she
imagines. On the contrary, the novel's conclusion finds her tearfully yearning
for the capacity to love. Lucy's alienation is typical of the immigrant
experience, but only some of her loneliness clearly relates to her new
surroundings. Her estrangement goes back to her place of birth and follows her
beyond her adjustment to America. For Lucy, isolation transcends immigration to
form an essential part of her existence, regardless of location or
circumstance.
Mariah
Mariah, Lucy's employer, represents both Lucy's past and her present.
Though Mariah, an affluent North American white woman, is very different from
Lucy's mother, Lucy comes to view her as a mother figure who to some extent
embodies the best and worst of her mother. Like Lucy's mother, Mariah tries to
mold Lucy in her own image, imposing her views on everything from daffodils to
women to her Great Lakes home, but she also shares the warmth and tenderness
that Lucy's mother exhibited during Lucy's childhood. In response, Lucy displays
a similar ambivalence towards Mariah as she does toward her own mother, wavering
between deep affection, pity, and resentment. The ways in which Mariah differs
from Lucy's mother also shed light on Lucy's past. When Lucy appreciates
Mariah's good humor and tolerance, she exposes the lack of such traits in her
mother. Despite her rage toward her mother, however, she also betrays her
admiration for her when she derides Mariah for lacking the strength her mother
would show in dealing with Lewis.
Mariah epitomizes traits of the new world to which Lucy has fled. Her
wealth and privilege initially strike Lucy as the keys to happiness, though Lucy
often disdains the naïve arrogance that accompanies Mariah's good fortune.
Mariah's liberal attitude toward her children impresses Lucy, who hopes to
emulate Mariah when she has her own family. Yet as Lucy learns that Mariah's
advantages fail to protect her from the unhappiness of a bad marriage, Mariah's
way of life loses its charm, and Lucy comes to understand the universality of
human dissatisfaction and suffering, a knowledge that both matures and embitters
her. Mariah, for her part, shows her imperious side once Lucy decides to leave
her behind, which calls her generous and egalitarian impulses into question and
underscores the ultimate distinctions between Lucy and herself. Though Mariah
aids in Lucy's journey to independence, Lucy must break with her in order to
truly pursue her freedom.
Annie Potter
Annie Potter, Lucy's mother, constitutes a major force in the novel,
despite her physical absence. Often referred to as godlike, she provides the
motivation for much of Lucy's behavior, for Lucy has made escaping her mother's
influence the supreme goal of her life. But as Lucy herself admits, she and her
mother have much in common, so much so that as a child, Lucy thought of her
mother as an extension of herself. Like Lucy, Annie possesses a sharp tongue and
a strong mind, and she vacillates between nurture and withdrawal. Unlike Lucy,
however, Annie has spent her life playing the part of the proper woman,
attempting to instill in Lucy values of prudence and submission that Lucy
believes go against both their natures. Whereas Lucy's mother has made little
use of her intelligence and married a man who has a bevy of other women, Lucy
takes pains to avoid following the same path.
Lucy's anger at her mother, however, goes beyond a disagreement about life
choices and principles. Lucy calls her mother the great love of her life, and
much of her rage is derived from what she sees as her mother's rejection of that
love with the birth of her brothers. From the difficult relationships that Lucy
builds with the other women to her lack of true intimacy with men, the specter
of Lucy's lost love for her mother haunts her every move. Lucy's feelings for
her mother replicate her attitude toward her colonized homeland, which she both
longs for and spurns in her mission to honor her true self. Only when Lucy
attempts to resolve those feelings, by at once showing compassion for her mother
and removing her from her life, can she begin to move forward by leaving
Mariah's home. Thus, Lucy's mother both inspires and undermines Lucy's quest for
freedom, as Lucy attempts to flee the most important and persistent emotional
bond of her existence.
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