Santiago suffers terribly throughout The Old Man and the Sea. In the opening pages of the book, he has gone eighty-four days without catching a fish and has become the laughingstock of his small village. He then endures a long and grueling struggle with the marlin only to see his trophy catch destroyed by sharks. Yet, the destruction enables the old man to undergo a remarkable transformation, and he wrests triumph and renewed life from his seeming defeat. After all, Santiago is an old man whose physical existence is almost over, but the reader is assured that Santiago will persist through Manolin, who, like a disciple, awaits the old man’s teachings and will make use of those lessons long after his teacher has died. Thus, Santiago manages, perhaps, the most miraculous feat of all: he finds a way to prolong his life after death.
Santiago’s commitment to sailing out farther than any fisherman has before, to where the big fish promise to be, testifies to the depth of his pride. Yet, it also shows his determination to change his luck. Later, after the sharks have destroyed his prize marlin, Santiago chastises himself for his hubris (exaggerated pride), claiming that it has ruined both the marlin and himself. True as this might be, it is only half the picture, for Santiago’s pride also enables him to achieve his most true and complete self. Furthermore, it helps him earn the deeper respect of the village fishermen and secures him the prized companionship of the boy—he knows that he will never have to endure such an epic struggle again.
Santiago’s pride is what enables him to endure, and it is perhaps endurance that matters most in Hemingway’s conception of the world—a world in which death and destruction, as part of the natural order of things, are unavoidable. Hemingway seems to believe that there are only two options: defeat or endurance until destruction; Santiago clearly chooses the latter. His stoic determination is mythic, nearly Christ-like in proportion. For three days, he holds fast to the line that links him to the fish, even though it cuts deeply into his palms, causes a crippling cramp in his left hand, and ruins his back. This physical pain allows Santiago to forge a connection with the marlin that goes beyond the literal link of the line: his bodily aches attest to the fact that he is well matched, that the fish is a worthy opponent, and that he himself, because he is able to fight so hard, is a worthy fisherman. This connectedness to the world around him eventually elevates Santiago beyond what would otherwise be his defeat. Like Christ, to whom Santiago is unashamedly compared at the end of the novella, the old man’s physical suffering leads to a more significant spiritual triumph.
I believe the Warbler which lands on Santiago's skiff before flying off to meet the Hawks could be considered a minor character. I believe it serves as a symbol or something of the small comforts of life which are fine and enjoyable, but often leave us without warning or reason.
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In reply to The Gunner.
I think you are right, but I think you can also look at the warbler as almost a metaphor for Santiago.When the warbler lands on his line he is very tired and has just completed a long and hard journey and is resting for a bit before going off to meet the predatory hawks. This is much like Santiago's state just after he has caught the Marlin. He is very tired and worn yet has precious little time to rest before he must go and face the predatory sharks.
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I believe that the Warbler is a symbol Hemingway put in the book to represent his mother. In Hemingway's life he kind of pushed his mother away and wouldn't really focus at all on her later in his life. This is because he couldn't stand her criticizing his writing and didn't want her to be around it. Since Santiago represents Hemingway and fishing represents writing in the book I think the Warbler symbolizes Hemingway's mother.
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