According to The Alchemist, Personal Legends serve as the only means by which an individual can live a satisfying life. In fact, the universe can only achieve perfection if all natural things continuously undergo a cycle of achieving their Personal Legend, evolving into a higher being with a new Personal Legend, and then pursuing that new goal. This concept, that the individualistic pursuit of a Personal Legend exists as life’s dominant—perhaps only—spiritual demand, lies at the center of the unique theology of The Alchemist. As we see when Santiago must give up his flock and leave Fatima, material success and even love pose obstacles to Santiago achieving his Personal Legend and must be delayed or ignored altogether. Those who put off their Personal Legends, such as the crystal merchant, suffer regret and fail to experience the wealth and other favors that the universe bestows upon those who follow their Personal Legends. In the novel, even alchemy, the central symbol of the book, entails coaxing metal to achieve its own Personal Legend to turn into gold. As a result, the idea that all individuals should live in the singular pursuit of their individual dreams emerges as the primary theme of The Alchemist.
In The Alchemist, the spiritual unity represented by the Soul of the World binds together all of nature, from human beings to desert sand. This idea underlies the parallel we see in the novel between the alchemist purifying metal into gold and Santiago purifying himself into someone capable of achieving his Personal Legend. According to the novel, the Soul of the World has created an ultimate desire, or Personal Legend, for everything, whether Santiago or a piece of iron. To accomplish its Personal Legend, each thing must learn to tap into the Soul of the World, which purifies it. That continual purification ultimately leads to perfection. This notion of humans, metals, and all other things sharing the same goal demonstrates that all elements in nature are essentially different forms of a single spirit.
Furthermore, over and over again we see that Santiago must communicate with nature in what the novel calls the common language of the world. Santiago’s horse, for instance, communicates with him by showing him evidence of life in an apparently barren expanse of desert, and Santiago must employ the help of the desert, the wind, and the sun in order to turn into the wind. As the alchemist says when he leaves Santiago, everything from a grain of sand to God himself shares the same spiritual essence. This pantheistic view dominates The Alchemist, and along with the individual, evolutionary theology expressed in the theme of alchemy, it forms the book’s core spiritual message.
Fear persistently comes up throughout Santiago’s journey as the primary obstacle to Santiago’s successfully achieving his Personal Legend. Santiago experiences several forms of fear: a childhood fear of having the gypsy woman interpret his dream; a material fear of losing his wealth by departing to Tangier or by joining the desert caravan; the physical fear of dying in the battle at Al-Fayoum; and the spiritual fear that he will fail to turn himself into the wind when the alchemist forces him to try.
Santiago’s mentors, from Melchizedek to the alchemist, condemn fear by comparing it to materialism, and they describe it as a product of misunderstanding how the universe treats those pursuing their Personal Legends. Fear, they suggest, should become irrelevant, even in the face of death, if you faithfully pursue your dreams.
Just as those who disregard fear appear as enlightened figures, fear dominates The Alchemist’s weakest characters. The crystal merchant in particular represents someone who has allowed fear to rule his life. Although he wants to make the pilgrimage to Mecca required of every Muslim, he fears that once he’s made the trip he will have nothing else to live for. As a result, he remains deeply unhappy, reinforcing the notion that fear acts as an obstacle to a happy and fulfilled life.
More main ideas from The Alchemist
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