Analysis of Major Characters
Tim O'Brien
Tim O'Brien is both the narrator and protagonist of The
Things They Carried. The work recounts his personal experience
in the Vietnam War and allows him to comment on the war. He enters
the war a scared young man afraid of the shame that dodging the
war would bring him and leaves the war a guilt-ridden middle-aged
man who tells stories about Vietnam in order to cope with his painful memories.
To cover the distance between himself and what he recounts, O'Brien
weaves a prominent thread of memory through the work. Reading these
stories is similar to spending extended time with an old soldier,
allowing his memories to come to him slowly.
O'Brien's point of view shapes the events he relates.
In many, if not most, cases, O'Brien holds himself up as evidence
for the generalizations he makes about the war. He is our guide
through the inexplicable horror of the war and the main example
of how extreme situations can turn a rationally thinking man into
a soldier who commits unspeakable acts and desires cruel and irrational
things. Occasionally, O'Brien fades away and lets another character
or a seemingly omniscient third person tell the story. This technique lends
a universal human quality to the stories' themes and gives us the
opportunity to understand the Alpha Company from several different
perspectives.
O'Brien uses storytelling as solace and as a means of
coming to terms with the unspeakable horrors he witnessed as a soldier.
His comments suggest that although he has become a successful writer and
that his negotiation of memory through storytelling has been a good
coping mechanism, he still thinks that certain realities cannot be
explained at all. His experience with those untouched by the war, such
as his daughter Kathleen, exposes an irony in his faith in storytelling.
He knows that he can grapple with his feelings of disbelief and
painful confusion by telling others what happened and how, but he
cannot express every feeling.
Jimmy Cross
Jimmy Cross's character represents the profound effects
responsibility has on those who are too immature to handle it. As
a sophomore in college, he signs up for the Reserve Officers Training
Corps because it is worth a few credits and because his friends
are doing it. But he doesn't care about the war and has no desire
to be a team leader. As a result, when he is led into battle with
several men in his charge, he is unsure in everything he does.
Cross's guilt is palpable every time one of his men dies,
but it is most acute in the case of Ted Lavender. Right before Lavender
is killed, Cross allows himself to be distracted and deluded by
the thoughts of his coveted classmate, Martha, who sends him photographs
and writes flowery letters that never mention the war. His innocent
reverie is interrupted by Lavender's death, and Cross's only conclusion
is that he loves this faraway girl more than he loves his men. Cross's
confession to O'Brien, years later, that he has never forgiven himself
for Lavender's death testifies to his intense feelings of guilt
about the incident.
Jimmy Cross can be viewed as a Christ figure. In times
of inexplicable atrocity, certain individuals assume the position
of a group's or their own savior. Such men suffer so that others
don't have to bear the brunt of the guilt and confusion. Cross is
linked to Christ not only on a superficial levelthey share initials
and are both connected to the idea of the crossbut also in the
nature of his role. Like Christ, who suffers for his fellow men,
Cross suffers for the sake of the entire platoon. In The Things
They Carried, Cross bears the grief of Lavender's death for the
members of his troop, such as Kiowa, who are too dumbfounded to
mourn. In the same story, he makes a personal sacrifice, burning
the letters from Martha so that her presence will no longer distract
him. In each case, Cross makes a Christ-like sacrifice so that his
fellow menNorman Bowker and Kiowa, in this casecan carry on without
being crippled by grief and guilt.
Mitchell Sanders
Mitchell Sanders is a likable soldier and a devoted friend.
He has a sense of irony, picking lice off his body and sending them
back to his draft board in Ohio, and a sense of loyalty, refusing
to help O'Brien inflict revenge on the medic Bobby Jorgenson and
standing by Rat Kiley in his decision to escape Vietnam by shooting
himself in the toe. He also has a strong sense of justicewhen Cross
leads the troops into the sewage field where Kiowa eventually meets
his death, Sanders refuses to forgive him because the evidence shows that
he should have known better.
Sanders often applies this pragmatism to his storytelling.
He believes that a good war story often lacks a moral and that sometimes
a story without commentary or explanation speaks for itself because
he understands that war stories are never simple or cut-and-dried.
In his story about the platoon driven crazy by phantom voices in
the jungle, for example, he offers no explanation of what the voices
were. Instead, he focuses on the soldiers' experience of the voices,
which he considers more relevant and concrete. Sanders is in this
way a mouthpiece for O'Brien, who presents the stories that constitute The
Things They Carried not to teach a moral but to portray
an experience.
Kiowa
In life, Kiowa is diligent and honest, introspective and
compassionate. He is practical, carrying moccasins in order to be
able to walk silently and helping his fellow soldiers to rationalize
their own unfortunate actions, especially O'Brien's killing of a
young Vietnamese soldier. A Baptist and a Native American, he brings
a perspective different from that of his fellow soldiers to the
unfortunate events that befall the Alpha Company.
Kiowa's death is symbolic of the senseless tragedy of
war. He dies in a gruesome way, drowning under the muck of a sewage
field about which his lieutenant, Jimmy Cross, has a bad feeling.
Kiowa's entirely submerged body represents the transitory nature
of life and the horrifying suddenness with which it can be snatched
away. There is no dignity to Kiowa's death; he becomes another casualty
in a war that strips men of their identity and turns them into statistics.