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Chapters XV–XX
Summary: Chapter XV
Four days after visiting Wuthering Heights, Nelly waits
for Edgar to leave for church, and then takes the opportunity to
give Heathcliff’s letter to the ailing Catherine. Catherine has
become so weak that she cannot even hold the letter, but nearly
as soon as Nelly tells her that it is from Heathcliff, Heathcliff
himself enters the room. Heathcliff and Catherine enter into a dramatic,
highly charged conversation during which Catherine claims that both
Heathcliff and Edgar have broken her heart. She says that she cannot
bear dying while Heathcliff remains alive, and that she never wants
to be apart from him. She begs his forgiveness. He says that he
can forgive her for the pain she has caused him, but that he can
never forgive her for the pain that she has caused herself—he adds
that she has killed herself through her behavior, and that he could
never forgive her murderer.
The church service over, Edgar reaches the house, but
Catherine pleads with Heathcliff not to leave. He promises to stay
by her side. As Edgar hurries toward Catherine’s room, Nelly screams,
and Catherine collapses. Heathcliff catches her, and forces her
into Edgar’s arms as he enters the room, demanding that Edgar see
to Catherine’s needs before acting on his anger. Nelly hurries Heathcliff
out of the room, promising to send him word about Catherine’s condition
in the morning. Heathcliff swears that he will stay in the garden,
wanting to be near her. Summary: Chapter XVI
At midnight, Catherine gives birth to young Catherine
two months prematurely. She dies within two hours of giving birth.
Nelly solemnly declares that her soul has gone home to God. When
Nelly goes to tell Heathcliff what has happened, he seems to know already.
He curses Catherine for the pain she has caused him, and pleads
with her spirit to haunt him for the rest of his life. She may take
any form, he says, and even drive him mad—as long as she stays with
him. Edgar keeps a vigil over Catherine’s body. At night, Heathcliff
lurks in the garden outside. At one point, Edgar leaves, and Nelly permits
Heathcliff a moment alone with the body. Afterwards, Nelly finds
that he has opened the locket around her neck and replaced a lock of
Edgar’s hair with a lock of his own. Nelly twines Edgar’s lock around Heathcliff’s,
and leaves them both in the locket.
Hindley is invited to Catherine’s funeral but does not
come, while Isabella is not invited at all. To the surprise of the
villagers, Catherine is not buried in the Linton tomb, nor by the
graves of her relatives. Instead, Edgar orders that she be buried
in a corner of the churchyard overlooking the moors that she so
loved. Nelly tells Lockwood that now, years later, Edgar lies buried
beside her. Summary: Chapter XVII
Not long after the funeral, Isabella arrives at Thrushcross
Grange, out of breath and laughing hysterically. She has come at
a time when she knows Edgar will be asleep, to ask Nelly for help.
Isabella reports that the conflict between Hindley and Heathcliff
has become violent. Hindley, she says, tried to stay sober for Catherine’s
funeral, but could not bear to go. Instead, he began drinking heavily
that morning. While Heathcliff kept a vigil over Catherine’s grave,
Hindley locked him out of the house and told Isabella that he planned
to shoot him. Isabella warned Heathcliff about Hindley’s plan, and when
Hindley aimed his knife-gun out the window at Heathcliff, the latter
grabbed it and fired it back at its owner’s wrist, wounding Hindley.
Heathcliff forced his way in the window, then beat Hindley severely.
The next morning, Isabella reminded Hindley what Heathcliff had
done to him the previous night. Hindley grew enraged, and the men
began fighting again. Isabella fled to Thrushcross Grange, seeking
a permanent refuge from Wuthering Heights.
Soon after her visit to Nelly, Isabella leaves for London,
where she gives birth to Heathcliff’s son, Linton. Isabella corresponds
with Nelly throughout the following twelve years. Heathcliff learns
of his wife’s whereabouts, and of his son’s existence, but he doesn’t
pursue either of them. Isabella dies when Linton is twelve years
old.
Six months after Catherine’s death, Hindley dies. Nelly
returns to Wuthering Heights to see to the funeral arrangements,
and to bring young Hareton back to Thrushcross Grange. She is shocked to
learn that Hindley died deeply in debt, and that Heathcliff, who had
lent Hindley large amounts of money to supply his gambling addiction,
now owns Wuthering Heights. Heathcliff does not allow Hareton
to return to Thrushcross Grange with Nelly, saying that he plans
to raise him on his own. He also intimates that he plans to recover his
son Linton at some point in the future. And so, Nelly tells Lockwood,
Hareton, who should have lived as the finest gentleman in the area,
is reduced to working for his keep at Wuthering Heights. A common,
uneducated servant, he remains friendless and without hope. Summary: Chapter XVIII
Young Catherine grows up at Thrushcross Grange, and by
the time she is thirteen she is a beautiful, intelligent girl, but
often strong-willed and temperamental. Her father, mindful of the
tormented history of the neighboring manor, does not allow young
Catherine off the grounds of Thrushcross Grange, and she grows up
without any knowledge of Wuthering Heights, Heathcliff, or Hareton.
She longs to visit the fairy caves at Penistone Crags, but Edgar
refuses her request. He receives word one day, however, that Isabella
is dying, and he hurries to London to take charge of young Linton.
While he is gone, Catherine is left in Nelly’s care, and she is
able to escape the confines of the Grange.
She travels toward Penistone Crags but stops at Wuthering Heights,
where she meets Hareton and takes an instant liking to him. She
and Hareton spend a delightful day playing near the crags. Nelly
arrives in pursuit of her charge, and tries to hurry her back to Thrushcross
Grange. But Catherine refuses to go. Nelly tells Catherine that
Hareton is not the son of the master of Wuthering Heights—a fact
that makes the girl contemptuous of him—but she also reveals that
he is Catherine’s cousin. Catherine tries to deny this possibility,
saying that her cousin is in London, that her father has gone to
retrieve him there. Nelly, however, explains that a person can have
more than one cousin. At last, Nelly prevails upon her to leave,
and Catherine agrees not to mention the incident to her father, who
might well terminate Nelly’s employment in rage if he knew she had
let Catherine learn of Wuthering Heights. Summary: Chapter XIX
Edgar brings young Linton to the Grange, and Catherine
is disappointed to find her cousin a pale, weak, whiny young man.
Not long after he arrives, Joseph appears, saying that Heathcliff
is determined to take possession of his son. Edgar promises that
he will bring Linton to Wuthering Heights the following day. Summary: Chapter XX
Nelly receives orders to escort the boy to the Heights
in the morning. On the way, she tries to comfort Linton by telling
him reassuring lies about his father. When they arrive, however,
Heathcliff does not even pretend to love his son—he calls Linton’s
mother a slut, and he says that Linton is his property. Linton pleads
with Nelly not to leave him with such a monster, but Nelly mounts
her horse and rides away hurriedly. Analysis: Chapters XV–XX
Wuthering Heights is, in many ways, a
novel of juxtaposed pairs: Catherine’s two great loves for Heathcliff
and Edgar; the two ancient manors of Wuthering Heights and Thrushcross
Grange; the two families, the Earnshaws and the Lintons; Heathcliff’s
conflicting passions of love and hate. Additionally, the structure
of the novel divides the story into two contrasting halves. The
first deals with the generation of characters represented by Catherine,
Heathcliff, Hindley, Isabella, and Edgar, and the second deals with
their children—young Catherine, Linton, and Hareton. Many of the same
themes and ideas occur in the second half of the novel as in the first
half, but they develop quite differently. While the first half ends on
a note of doom and despair with Catherine’s death and Heath-cliff’s
gradual descent into evil, the novel as a whole ends on a note of
hope, peace, and joy, with young Catherine’s proposed marriage to
Hareton Earnshaw.
In the first of the chapters in this section, we witness
the event that marks the dividing line between the two halves of
the novel: Catherine’s death. The episodes surrounding her passing—her
dramatic illness, her confrontation with Heathcliff, Heathcliff’s
conflict with Edgar, and Heathcliff’s curse upon her soul to walk
the earth after her death (contrasting immediately with Nelly’s
gentle claim that she at last rests in heaven) rank among the most
intense scenes in the book. In fact, many readers view
the second half of the novel, in which Catherine figures only as
a memory, as a sort of anticlimax. While the latter chapters may
never reach the emotional heights of the earlier ones, however,
they remain crucial to the thematic development of the novel, as
well as to its structural symmetry.
Young Catherine grows up sheltered at Thrushcross Grange, learning
only in piecemeal fashion about the existence of Heathcliff and
his reign at Wuthering Heights. Unbeknownst to her, Heathcliff’s
legal claim on the Grange (through his marriage to Isabella) may
jeopardize her own eventual claim on it. Edgar Linton, however,
painfully aware of this threat, searches for a way to prevent Heathcliff
from taking the property. These events underscore the symbolic importance
of the two houses. Wuthering Heights represents wildness, ungoverned
passion, extremity, and doom. The fiery behavior of the characters
associated with this house—Hindley, Catherine, and Heathcliff—underscores
such connotations. By contrast, Thrushcross Grange represents restraint,
social grace, civility, gentility, and aristocracy—qualities emphasized
by the more mannered behavior of the Lintons who live there. The
names of the two houses also bear out the contrast. While the adjective
“wuthering” refers to violent storms, the thrush is a bird known
for its melodious song, as well as being a symbol of Christian piety.
In addition, whereas “Heights” evoke raw and imposing cliffs, “Grange”
refers to a domestic site, a farm—especially that of a gentleman
farmer. The concepts juxtaposed in the contrast of the two estates
come into further conflict in Catherine’s inability to choose between
Edgar and Heathcliff. While she is attracted to Edgar’s social grace,
her feelings for Heathcliff reach heights of wild passion.
As the second generation of main characters matures, its
members emerge as combinations of their parents’ characteristics,
blending together qualities that had been opposed in the older generation. Thus
young Catherine is impetuous and headstrong like her mother, but
tempered by the gentling influence of her father. Linton, on the other
hand, represents the worst of both of his parents, behaving in an
imperious and demanding manner like Heathcliff, but also remaining
fragile and simpering like Isabella. Hareton appears as a second
Heathcliff, rough and unpolished, but possessed of a strength of
character that refuses to be suppressed, despite Heathcliff’s attempts
to stunt his development. |
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