Skip over navigation

Donne’s Poetry

John Donne

Analysis

Context

Themes, Motifs and Symbols

John Donne, whose poetic reputation languished before he was rediscovered in the early part of the twentieth century, is remembered today as the leading exponent of a style of verse known as “metaphysical poetry,” which flourished in the late sixteenth and early seventeenth centuries. (Other great metaphysical poets include Andrew Marvell, Robert Herrick, and George Herbert.) Metaphysical poetry typically employs unusual verse forms, complex figures of speech applied to elaborate and surprising metaphorical conceits, and learned themes discussed according to eccentric and unexpected chains of reasoning. Donne’s poetry exhibits each of these characteristics. His jarring, unusual meters; his proclivity for abstract puns and double entendres; his often bizarre metaphors (in one poem he compares love to a carnivorous fish; in another he pleads with God to make him pure by raping him); and his process of oblique reasoning are all characteristic traits of the metaphysicals, unified in Donne as in no other poet.

Donne is valuable not simply as a representative writer but also as a highly unique one. He was a man of contradictions: As a minister in the Anglican Church, Donne possessed a deep spirituality that informed his writing throughout his life; but as a man, Donne possessed a carnal lust for life, sensation, and experience. He is both a great religious poet and a great erotic poet, and perhaps no other writer (with the possible exception of Herbert) strove as hard to unify and express such incongruous, mutually discordant passions. In his best poems, Donne mixes the discourses of the physical and the spiritual; over the course of his career, Donne gave sublime expression to both realms.

His conflicting proclivities often cause Donne to contradict himself. (For example, in one poem he writes, “Death be not proud, though some have called thee / Mighty and dreadful, for thou art not so.” Yet in another, he writes, “Death I recant, and say, unsaid by me / Whate’er hath slipped, that might diminish thee.”) However, his contradictions are representative of the powerful contrary forces at work in his poetry and in his soul, rather than of sloppy thinking or inconsistency. Donne, who lived a generation after Shakespeare, took advantage of his divided nature to become the greatest metaphysical poet of the seventeenth century; among the poets of inner conflict, he is one of the greatest of all time.

More Help

Previous Next
the sun rising

by wannabeEngTea, August 22, 2013

the sun rising

2 Comments

10 out of 29 people found this helpful

Q. Discuss John Donne as a metaphysical poet.

by touhidsm, April 30, 2014

Answer: Metaphysical poetry refers to a type of very intellectual poetry that was common in the 17th century. This type of poetry was known for bold and ingenious conceits, subtle thought and frequent use of paradox as well as the directness of language. Metaphysical poetry, in an etymological sense, is poetry on subjects which exist beyond the physical world. .... Read the full answer FREEEEE at

http://josbd.com/metaphysical_poet.html

0 Comments

1 out of 2 people found this helpful

What do you understand by a conceit? Write a note on the use of conceits in John Donne’s poetry.

by touhidsm, May 08, 2014

Read the full answer at >>

http://josbd.com/conceit.html


Answer: What is a conceit? A conceit is basically a simile, or a comparison between two dissimilar things. In a conceit, the dissimilarity between the things compared is so great that the reader is always fully conscious of it even while having to concede the likeness implied by the poet. Thus Dr. Johnson pointed out that in metaphysical poetry, the most heterogeneous ideas are “yoked by violence together.” ... Read more

0 Comments

7 out of 9 people found this helpful

See all 5 readers' notes   →

Follow Us