{"id":1389770,"date":"2016-06-01T11:00:09","date_gmt":"2016-06-01T15:00:09","guid":{"rendered":"http:\/\/community.sparknotes.com\/?p=1389770"},"modified":"2022-04-13T16:53:53","modified_gmt":"2022-04-13T20:53:53","slug":"blogging-1984-part-1","status":"publish","type":"post","link":"\/blog\/blogging-1984-part-1\/","title":{"rendered":"Blogging 1984: I (Part I, Chapter 1)"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"701\" height=\"394\" src=\"\/blog\/wp-content\/uploads\/2022\/04\/1984blogcover_LargeWide.jpg\" alt=\"\" class=\"wp-image-1449158\"\/><\/figure>\n\n\n\n<p>I first \u201cread\u201d&nbsp;<em>1984<\/em>&nbsp;in maybe grade eight, and the main&nbsp;memories are of my English teacher writing \u201cBIG BROTHER\u201d and \u201cNEWSPEAK\u201d up on the blackboard, lest we miss the \\subtlety\/ of George Orwell&#8217;s writing. As the saying goes, behind every book&nbsp;with one or more eyeballs on the front cover is an author with a Very Important, Zero-Chill Message, and George Orwell was about as chill&nbsp;as his artistic contemporary Shia LeBeouf. George wanted you to be ~ready~.<\/p>\n\n\n\n<p>Hot on the heels of the fantastic&nbsp;<em><a rel=\"noreferrer noopener\" href=\"\/blog\/blogging-the-great-gatsby\/\" target=\"_blank\">Blogging The Great Gatsby<\/a>&nbsp;<\/em>and&nbsp;<em><a rel=\"noreferrer noopener\" href=\"\/blog\/blogging-lord-of-the-flies\/\" target=\"_blank\" data-type=\"URL\" data-id=\"\/blog\/blogging-lord-of-the-flies\/\">Blogging Lord of the Flies<\/a>,&nbsp;<\/em>I hereby commit to chronicling&nbsp;my way through the venerable political text that&nbsp;brought us&nbsp;the self-same TV show&nbsp;<em>Big Brother,&nbsp;<\/em>and, by extension,&nbsp;<em>Survivor, The Hills<\/em>, and my fav reality show of all time, the panda cam&nbsp;at San Diego Zoo. I doubt I can hit the high notes Elodie has rung out, but perhaps we can toddle through this thing in time for your essay that is due\u00e2\u20ac\u00a6.<\/p>\n\n\n\n<p>As you know, you can tell everything about a book from its first and last lines,* and 1984 begins thusly:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>It was a bright, cold day in April, and the clocks were striking thirteen.<\/p><\/blockquote>\n\n\n\n<p><em>Wuh\u00e2\u20ac\u00a6 thirteen?<\/em>&nbsp;You&#8217;re thinking.&nbsp;<em>Are we on Burning Man time?&nbsp;<\/em>Ho no. The fact of there being multiple clocks all striking thirteen suggests something is very off, that some bad information is being passed around. The \u201cbright, cold day in April\u201d suggests to me either that a) no one has a tan yet, no, why are you asking it&#8217;s only April, or b)&nbsp;life in the alternate world of&nbsp;<em>1984&nbsp;<\/em>is somehow both&nbsp;bleak and overexposed.<\/p>\n\n\n\n<p>Winston Smith, the man we will be accompanying through the novel, enters his crappy apartment building, which smells like boiled cabbage (this is England pre-Jamie Oliver), and passes an enormous poster of a man&#8217;s face with a \u201cheavy black moustache and ruggedly handsome features,\u201d and eyes that follow you around the room. So \u00a0basically Joaquin Phoenix plus \u00a0the intensity of Wes Bentley&#8217;s facial hair in \u00a0<em>The Hunger Games<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img src=\"https:\/\/img.sparknotes.com\/content\/sparklife\/sparktalk\/insetjoaquin.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p>The caption beneath the poster reads: BIG BROTHER IS WATCHING YOU, which coincidentally was an abandoned slogan for the Boys and Girls Club of America. Winston takes seven flights of&nbsp;stairs up to his \u201cflat\u201d because the elevator is powered down to save energy for the upcoming&nbsp;\u00f0\u0178\u017d\u2030Hate Week\u00f0\u0178\u017d\u2030&nbsp;and I&#8217;m pretty excited to find out what that entails.<\/p>\n\n\n\n<p>Inside his flat, a \u201cfruity\u201d voice (that&#8217;s an insult, here) is making constant MSNBC-esque announcements from a metal box about pig-iron production. Winston&nbsp;can&#8217;t turn it off so he turns it down, which makes my heart race, because one of my greatest fears&nbsp;is being stuck in the back of a yellow cab unable to turn off&nbsp;the taxi&nbsp;TV thing. Mario Lopez is ALWAYS on there and I just can&#8217;t. Even worse, Winston&#8217;s telescreen is simultaneously broadcasting and recording his every movement and sound.<\/p>\n\n\n\n<p>Winston is, by the way, dressed in blue overalls, which are the official uniform of \u201cThe Party,\u201d and which subsequently&nbsp;launched the uniforms of a thousand apocalyptic dystopias.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img src=\"https:\/\/img.sparknotes.com\/content\/sparklife\/sparktalk\/hgninset1984.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p>Out the window, the city is bleak and pasted over with&nbsp;numerous Joaquin posters\u2014BIG BROTHER IS WATCHING\u2014while in the distance, a helicopter peers into people&#8217;s windows. The Ministry of Truth building rises from the rot; a tall, vast tower above decaying, bombed-out terraces.&nbsp;Did I mention it&#8217;s bleak out?<\/p>\n\n\n\n<p>The Ministry of Truth is referred to as Minitrue in Newspeak\u00e2\u201e\u00a2, which is, I suppose, the government&#8217;s form of lolcatspeak. Minitrue is where news, entertainment, and the arts originate. There is also the Ministry of Peace, which handles war-related stuff, the Ministry of Plenty, which is the economic pillar, and the Ministry of Love, center of law and order, which has no windows and is surrounded by barbed-wire fences,&nbsp;battalions of soldiers, and \u201cmachine-gun nests\u201d\u2014your typical love dungeon.<\/p>\n\n\n\n<p>Here&#8217;s a helpful way to&nbsp;remember what each ministry does:<\/p>\n\n\n\n<ul><li>Ministry of Truth \/s<\/li><li>Ministry of Peace \/s<\/li><li>Ministry of Love (jkjkjkjk, bombs and weapons)<\/li><li>Ministry of Plenty (except when you have to conserve power ahead of Hate Week)<\/li><\/ul>\n\n\n\n<p>There are also some helpful motivational slogans well known to citizens of the dank bombed-out landscape known as Oceania:<\/p>\n\n\n\n<p>WAR IS PEACE<\/p>\n\n\n\n<p>FREEDOM IS SLAVERY<\/p>\n\n\n\n<p>IGNORANCE IS&nbsp;STRENGTH<\/p>\n\n\n\n<p>Winston can&#8217;t remember his childhood, or even if England used to be a more glorious place, prior to the much hyped \u201cVictory.\u201d He has stolen home in his lunch hour, forfeiting a glorious canteen lunch so that he can\u00e2\u20ac\u00a6 what is he doing here exactly?<\/p>\n\n\n\n<p>He pulls some very nasty VICTORY GIN off a shelf and takes a teacupful, after which it looks for a minute like he might be asphyxiating from the toxicity, but then he finishes swallowing and thinks: mmm, nice. He hides his RBF&nbsp;with an agreeable expression for the benefit of the cameras, and then we get to see what naughty act of subversion&nbsp;he is up to: In a corner of the room ~hidden from the camera~, he is going to journal in a book he found in a \u201cfrowsy little junk-shop in a slummy quarter of town.\u201d (<em>Frowsy<\/em>: will be using constantly in conversation from now on.) Though it is highly illegal to keep a diary, and he would likely be executed by the Thought Police if caught, Winston dips his nib in some ink, and off he goes\u00e2\u20ac\u00a6<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>April 4th, 1984<\/p><\/blockquote>\n\n\n\n<p>*Winston is hit by writer&#8217;s block* \/ *Me every NaNoWriMo*<\/p>\n\n\n\n<p>Poor old Winston realizes that he doesn&#8217;t really know that it *is* the year 1984, only that that is what he has been told, and that it fits with the rough guess of his own age (39, but with a varicose ulcer, so a hard 39). He feels a twinge of what he calls \u201cdoublethink\u201d (Newspeak lingo), or what we might call \u201ccognitive dissonance\u201d or \u201cFOR THE LOVE OF GOD, WINSTON, WAKE UP AND SMELL THE DYSTOPIA.\u201d He is also unsure who he is writing the diary&nbsp;<em>for<\/em>\u2014remember,&nbsp;<em>xoJane<\/em>&nbsp;doesn&#8217;t exist in this alternate future-past. Broadly, he decides he is writing it for the future, for the unborn. Like Ta Nehisi-Coates.<\/p>\n\n\n\n<p>His journaling begins with an account of the film he saw the night before, a horrific piece of wartime propaganda in which the lifeboats of&nbsp;enemies were bombed into pieces on a sea&nbsp;(\u201cthen there was a wonderful shot of a child&#8217;s arm going up up up right into the air a helicopter with a camera in its nose must have followed it up\u201d) as the audience cheered\u2014good thing he started with a shot of gin, really.<\/p>\n\n\n\n<p>A woman in the theater, a prole in the \u201cprole section\u201d with a cockney accent cried out in protest at the violence and was carried off by the police:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201ci don&#8217;t suppose anything happened to her nobody cares what the proles say typical prole reaction they never\u2014\u201d<\/p><\/blockquote>\n\n\n\n<p>\u2014and he stops writing. Now, having put pen to paper, he remembers why he wanted to start a diary. That morning at work, he and his colleagues had gathered to watch the Two Minute Hate (the Xsanity of hate workouts) when a girl from the Fiction Department stalked by with \u201cthick, dark hair, a freckled face, and swift athletic movements.\u201d She is covered in grease,&nbsp;carries a spanner (\u00e2\u20ac\u00a6 Rey?) and wears a scarlet sash representing the Junior Anti-Sex League.<\/p>\n\n\n\n<p>Wait, though, it gets better: \u201cWinston had disliked her from the very first moment of seeing her\u00e2\u20ac\u00a6 It was because of the atmosphere of hockey-fields and cold-baths and community hikes and general clean mindedness which she managed to carry with her.\u201d As an avid grass hockey player, I take offense. Winston dislikes all women, and sees them as being the most gullible to sloganeering, and the most loyal to rooting out subversives to&nbsp;The Party, but this girl is different\u00e2\u201e\u00a2 in that her looks pierce his soul with a black terror.<\/p>\n\n\n\n<p>No he definitely doesn&#8217;t like her at. all.<\/p>\n\n\n\n<p>The man Dystopian Rey is with is called O&#8217;Brien, of a brutish build, and belongs&nbsp;to the Inner Party. Winston suspects that there is something unorthodox to him, on account of the general aura of intelligence and charisma that surround his \u201cprize-fighter&#8217;s build.\u201d (If you&#8217;re curious, I&#8217;m picturing a beefy Matt Damon.)<\/p>\n\n\n\n<p>Shortly, The Hate begins. The Hate is primarily just a news reel, and features Emmanuel Goldstein, a former higher-up in the Party turned revolutionary who has been sentenced to death, but seems to be off hiding in a bunker, broadcasting his calls to action like a British Fidel Castro. He looks vaguely sheep-like, with a long thin nose, and \u201cbleats\u201d about the betrayal of&nbsp;revolution in front of the Eurasian army, which has the effect of riling everyone in the room up like they are watching the OJ trial all over again. Oceania (Winston&#8217;s home country) is at war with Eurasia, we learn, and at peace with Eastasia; regardless of specifics, it is always at war with one of them, just one big military-industrial love triangle. Goldstein commands The Brotherhood, a network of underground spies and conspirators, and is set on a coup, we understand.<\/p>\n\n\n\n<p>At the conclusion of the Two Minute Hate\u2014really just a taste of what it&#8217;s like for me to listen to talkback radio for any two-minute stretch\u2014Winston&#8217;s feelings are pinging all over the place, from&nbsp;love for Big Brother and hate for Goldstein, to belief that Goldstein is telling the truth and Big Brother is evil, to this:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201cWinston succeeded in transferring his hatred from the face on the screen to the dark-haired girl behind him. Vivid, beautiful hallucinations flashed through his mind. He would flog her to death with a rubber truncheon. He would tie her naked to a stake and shoot her full of arrows like Saint Sebastian.\u201d<\/p><\/blockquote>\n\n\n\n<p>What no, her? I don&#8217;t like her at all. I mean, she&#8217;s okay.<\/p>\n\n\n\n<p>The room is throbbing with foot-stamping and a mass chanting of \u201cB\u00e2\u20ac\u00a6 B\u201d by all the worker bees, and Winston, somewhat like me in a mosh pit, feels a bit stupid about joining in. Still, he needs to look like everyone else, so he plays along, his eyes wandering the room idly and accidentally locking onto those of O&#8217;Brien in a dangerous game I call \u201cside-eyeing the government.\u201d They hold each other&#8217;s&nbsp;gaze for a fraction of a second; long enough for Winston&nbsp;to sense O&#8217;Brien telling him, \u201cI am with you.\u201d<\/p>\n\n\n\n<p>At the conclusion of this memory, he glances back down at his journal and sees he has written:<\/p>\n\n\n\n<p>DOWN WITH BIG BROTHER (x5)<\/p>\n\n\n\n<p>This, Winston knows, is Thoughtcrime.\u00e2\u201e\u00a2 If Thoughtcrime is the act of hating on things from inside the safety of your head, I am guilty of it thousands of times each day, and at least ten times each time I visit Pret a Manger. The repercussions&nbsp;of committing Thoughtcrime are that you will be woken in the night by the Thought Police, and then disappeared into some torturous prison beyond sight.&nbsp;I would say this could never happen in our world, except&nbsp;Gitmo is still open for business.<\/p>\n\n\n\n<p>At this heady moment, with Winston having committed his first outright Thoughtcrime and also having become a blogger (welcome!), he hears a sharp knock at the door.<\/p>\n\n\n\n<p>Uh oh\u00e2\u20ac\u00a6<\/p>\n\n\n\n<p><strong>Notes:<\/strong><\/p>\n\n\n\n<ul><li>Orwell crams a lot of references to Jewish people in this&nbsp;<em>entre\u00e9<\/em>&nbsp;to the novel, and it&#8217;s quite unnerving, frankly. He wrote the book in 1948, though, so it&#8217;s obvious why he might feel compelled to unpack the horrors of anti-Semitism in WWII.<\/li><li><em>Proles<\/em>: the proletariat, aka the worker class (it&#8217;s a Marxist term) or people likely to watch&nbsp;<em>Duck Dynasty<\/em>.<\/li><li>I&#8217;m putting odds for a Winston-Rey hook-up at 3\/5.<\/li><li>Orwell has said that his political intent in writing&nbsp;<em>1984<\/em>&nbsp;was to argue \u201cagainst totalitarianism and&nbsp;<em>for<\/em>&nbsp;democratic socialism\u201d\u2014I bet he and Bernie Sanders could have had a nice time hanging out in Burlington together.<\/li><\/ul>\n\n\n\n<p>*I&#8217;m not serious, unless you have literally no time to read the book\u2014then, well, it&#8217;s&nbsp;<em>something<\/em>.<\/p>\n\n\n\n<p><em>Find part two along with the rest of Janet&#8217;s 1984 blog&nbsp;<a href=\"\/blog\/\/blogging-1984\" data-type=\"URL\" data-id=\"\/blog\/\/blogging-1984\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a>, and find our Blogging the Classics index page&nbsp;<a href=\"\/blog\/blogging-the-classics\/\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a>.<\/em><\/p>\n\n\n\n<p><em><small>Image credits: Penguin, Lionsgate, Annapurna Pictures, Lionsgate<\/small><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I first \u201cread\u201d&nbsp;1984&nbsp;in maybe grade eight, and the main&nbsp;memories are of my English teacher writing \u201cBIG BROTHER\u201d and \u201cNEWSPEAK\u201d up on the blackboard, lest we miss the \\subtlety\/ of George Orwell&#8217;s writing. As the saying   <a class=\"continue-reading\" href=\"#\"><span class=\"continue-text\">continue reading<\/span><svg class=\"continue-icon\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" alt=\"\">\n    <path fill=\"#007acd\" fill-rule=\"nonzero\" d=\"M13.442 5.558L19.885 12l-6.443 6.442-.884-.884 4.934-4.934L4 12.625v-1.25l13.492-.001-4.934-4.932.884-.884z\"><\/path>\n  <\/svg><\/a><\/p>\n","protected":false},"author":208,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[22212,395,628,3346],"_links":{"self":[{"href":"\/blog\/wp-json\/wp\/v2\/posts\/1389770"}],"collection":[{"href":"\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"\/blog\/wp-json\/wp\/v2\/users\/208"}],"replies":[{"embeddable":true,"href":"\/blog\/wp-json\/wp\/v2\/comments?post=1389770"}],"version-history":[{"count":2,"href":"\/blog\/wp-json\/wp\/v2\/posts\/1389770\/revisions"}],"predecessor-version":[{"id":1449165,"href":"\/blog\/wp-json\/wp\/v2\/posts\/1389770\/revisions\/1449165"}],"wp:attachment":[{"href":"\/blog\/wp-json\/wp\/v2\/media?parent=1389770"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"\/blog\/wp-json\/wp\/v2\/categories?post=1389770"},{"taxonomy":"post_tag","embeddable":true,"href":"\/blog\/wp-json\/wp\/v2\/tags?post=1389770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}