Bradley himself appears to be a cold character. Particularly cruel are the letters that he writes to Christian and Francis Marloe. Both rudely tell the others that he is not interested in ever seeing them again and basically detests them. Even Bradley's letter to Julian is fairly blunt, explaining to her that he cannot teach her and referring her to her father. In addition to articulating Bradley's character through these letters, Murdoch also reveals his internal dialogue, which is often inconsistent with the politeness of his actions. While talking to Julian, for example, he is friendly, but is busy thinking about the impossibility of teaching such an unimportant girl. Likewise, he attempts to console his sister but is fixated upon getting away as soon as possible. Bradley's internal dialogue reveals him to frequently not be the kind character that others believe.
Textually, this section demonstrates the classic Murdochian technique of pressing together as many coincidental events as possible. This trend had already been seen in the first section with the arrival of Francis Marloe and the telephone call of Arnold Baffin. Here, the coincidences continue with the random encounter with Julian Baffin, who Bradley had believes was in school outside of London, the unexpected arrival of his distanced sister Priscilla, and by the arrival of Arnold, Rachel, Julian, Francis, and Christian at the exact moment that Priscilla has tried to commit suicide and is retching all over the floor. These random occurrences are widespread throughout Murdoch's fiction, and reflect her belief that one's life does not proceed with a pre-scripted purpose, but rather is the result of a series of coincidences and accidents that all conjoin together. These random juxtapositions of these six characters introduced in this chapter shall continue in the novel.