The concept of authorship, especially as it relates to Don Quixote’s control of his own fate, plays a large role in the Second Part. The idea of vague authorship illuminates the conflict between the imaginary world and the real one, a conflict that Don Quixote himself embodies. Essentially, Cervantes allows the characters to influence their own story like authors. When Don Quixote expresses his concern over the accuracy of the First Part of the novel, he, the main character of the First Part, doubts the accuracy of his own story. Moreover, despite the fact that Cervantes states in the First Part that he is the translator of Cide Hamete Benengeli’s work, he now refers to an unidentified translator without providing any clues about this translator’s identity. We are thus left with an even blurrier picture of the truth.

The trickery of Don Quixote’s friends in this opening section reveals their desire to see Don Quixote once again go out to pursue his fantasies. The priest, who spends so much time in the First Part trying to coax Don Quixote home, delights in the fact that his friend is apparently still mad. Similarly, Sampson Carrasco’s lie to the housekeeper that he will talk sense into Don Quixote exposes his knavery and his willingness to play with Don Quixote’s imagination. The priest and Samson mimic Sancho, who buys into Don Quixote’s whims even though he knows that his master is insane. By encouraging Don Quixote’s madness, these characters reveal their own desire for adventure. They express this desire vicariously through Don Quixote.