At last, Paul’s car approaches the church. Paul parks his car nearby and brings Jefferson’s notebook to Grant. Paul says that as Jefferson walked toward the electric chair he exuded more strength than any man in the room. He tells Grant he considers him a wonderful teacher for helping Jefferson, but Grant says that he did very little and that maybe Jefferson caused the change. Or, he says sarcastically, maybe God changed Jefferson. Paul offers Grant his hand and asks to be his friend. Grant takes the hand. When Grant goes back to his students, he faces them and cries.
Like the first chapter in the novel, Chapter 30 relates information from an undisclosed perspective, blurring our conception of reality. The chapter follows the thoughts and actions of characters besides Grant, indicating that either Grant uses his imagination in writing these sections or that Gaines temporarily uses an omniscient narrator to show us different perspectives. This shift in perspective enables Gaines to present his detailed account of Grant’s individual story in the context of a greater story—the plight of his community, and even the plight of the white people in the town. The final chapters focus more and more on Grant’s connection to other people. In particular, while standing outside the schoolhouse, Grant shows his connection with numerous people, both from his past and from his present. His heart yearns for Reverend Ambrose, Vivian, his baseball buddies, and Jefferson. The novel ends with Grant’s noticeable connection with the white deputy, Paul. Moreover, the connection of Paul’s and Grant’s hands and Grant’s subsequent weeping in the schoolhouse recall specific moments in Jefferson’s development during Grant’s visits. Gaines has already shown the pressing of hands between Jefferson and Grant and the weeping that followed Grant’s eloquent speech. Here, he gives the impression that Grant too is a humble hero, connected with humanity. Finally, Grant’s crying in front of his students shows that he is finally ready to connect with the children with whom his has been so strict throughout the novel. He is ready to be a leader because he is ready to be vulnerable.
Before dying, Jefferson completes his transformation into a dignified, compassionate, exemplary human being. When Paul enters the cell to shave Jefferson, he notices that Jefferson stands up immediately and that the radio has been turned off. Before, Jefferson’s bunk and his radio allowed him to isolate himself. He used to lie on the bed and listen to the radio in order to block out the world. In leaving these props behind, Jefferson shows that he wishes to face reality. Of all the people involved in the execution, only Jefferson faces the event unflinchingly. He becomes even more strongly identified with Christ in these last chapters. He seems to convert Paul, who says Jefferson was the “strongest man in the room.” Grant addresses his thoughts to Jefferson in the final chapter as if praying to Jesus Christ for forgiveness or assistance. Grant asks Jefferson to forgive him and says, “My faith is in you, Jefferson.” For Grant, Jefferson has become a hero to emulate in times of despair.
Gaines does not impose a tidy transformation on Grant, who persists with his sarcasm, fear, and self-loathing until the last page of the novel. Although he despises himself for it, he cannot muster up the courage to attend the execution, and he cannot muster up the humility to kneel and pray with his students. He refuses to cry for Jefferson, asking himself if he wants to start weeping for all of the persecuted black men and women in the world. When Paul visits and makes heartrending overtures of sorrow and friendship, Grant hardly answers him. He expresses outrage at the whites’ God, and he provokes Paul’s disapproval by saying sarcastically that perhaps God helped Jefferson.
Still, much in Grant has changed. He risked emotional pain by reaching out to Jefferson. He begs Jefferson’s forgiveness for possibly allowing him to lose faith in God. He grudgingly accepts Paul’s overtures, agreeing to shake the proffered hand. He gives Jefferson credit for becoming strong and good. He cries at the end of the novel, allowing himself to weep for Jefferson even if it might mean he has to start weeping for all black people, and allowing himself to feel the emotion he has repressed throughout the novel.