full title · Cat on a Hot Tin Roof
author · Tennessee Williams
type of work · Drama
genre · Tragedy
language · English
time and place written · Written in New York, 1939
date of first publication · 1940; first production in New York, 1955 under the direction of Elia Kazan
publisher · New Directions
narrator · None
point of view · Point of view is not located as there is no narrator figure
tone · Tragi-comic
tense · The play unfolds in the time of the present
setting (time) · Summer, mid-1950s
setting (place) · The bed and sitting room of Big Daddy's Mississippi plantation home.
protagonists · Maggie, Brick, Big Daddy
major conflict · Big Daddy has come home from the clinic on his 65th birthday, and his children plan to tell him he is dying of cancer. Mae and Gooper have brought their entire brood in an attempt to jostle Brick and Maggie out of their share of the estate. Their marriage is childless and on-the-rocks; Brick has quit his job and taken to drinking upon the death of Skipper, a friend for whom he harbored sexual desire.
rising action · Big Daddy corners Brick and forces him to recount what really happened with Skipper, robbing him of his crutch, and bribing him with the promise of liquor.
climax · At the end of Act II, Brick admits Skipper's confession of love and reveals Daddy's cancer.
falling action · Gooper and Mae attempt to get Big Mama to sign a preliminary will; Maggie lies about being pregnant and attempts to force Brick to conceive a child with her.
themes · Manliness and homosexuality, the lie, the father and son, the cat on a hot tin roof
motifs · The children, the off-stage telephone, the exotic lands
symbols · The crutch, the bed, the console
foreshadowing · Maggie announces her plot to conceive a child at the end of Act I; Brick decides to reveal Daddy's cancer in return for the revelation of his homosexual desire
It is disconcerting that you refer to Big Daddy and Big Mama as Daddy and Mama.
1 out of 1 people found this helpful
There are missing words, confusing statements, lack of punctuation, and more all throughout. I'm not saying I could or could not do particularly better, but it makes it incredibly difficult to figure out what is going on. I like to read the summary of each act (scene when possible) before reading it in the play because I have difficulty keeping up with the action in plays because I have trouble registering the characters and found that the summary here actually confused me more. Also, Act III: Part 2 is mislabled as Act IV: Part 2.