|
|
◄
PREVIOUS
Analysis of Major Characters
|
NEXT
► The Lord of the Rings: From Novels to Films
|
The Lord of the Rings Peter Jackson
Themes, Motifs, and Symbols
Themes
Themes are the fundamental and often universal ideas
explored in a literary work.
The King vs. the Steward
At the beginning of The Lord of the Rings, Middle-earth
is weak and disunited, with little trust existing among the various
races. Dissension plagues the different human kingdoms, and one
of the main problems is that the true leaders are not in their rightful
positions. In The Return of the King, Théoden of
Rohan proves himself to be a good, noble leader when he heeds Gondor’s
cry for help, but he was not always so effective. For a while, a
spell cast by Sauron incapacitated him, and his kingdom was effectively
ruled by the evil wizard Saruman. Even after Théoden’s strength
is restored, he is incapable of uniting all humanity. Only the king
of Gondor can do that.
Until the conclusion of the trilogy, Gondor is without
a king. The throne is instead occupied by the steward Denethor,
a weak-willed man who seems to be losing his mind. The perilous
state of Denethor’s sanity suggests the weakness of Gondor when
it is ruled by a steward rather than a king. Boromir, Denethor’s
son and heir to the stewardship, also displays considerable moral
weakness when he attempts to steal the ring from Frodo. Aragorn,
the true heir to the throne and the future king of Gondor, is able
to resist the temptation of the ring. Just as Saruman had to be
cast out of Rohan to restore that kingdom to strength, the real
king of Gondor must assume his throne for that kingdom to thrive.
Throughout the trilogy, this tension between true leader and acting
leader means the difference between life and death, success and
defeat, and unity and dissent among the people of Middle-earth.
The Limits of Fellowship
Though the fellowship is integral to the success of Frodo’s
mission, it cannot make the entire journey with Frodo or help him
at the journey’s end. The fellowship serves as a kind of backup
for Frodo, keeping enemies at bay and Middle-earth as calm as possible
so he can fulfill his mission. Frodo must ultimately make the journey
with only the company of Sam. The entire fellowship is committed
to Frodo’s success, but their roles are ultimately limited by the
nature of the task at hand. The journey is such that only the two
small hobbits are capable of making it successfully.
The nature of the ring itself puts its own limits on fellowship.
The ring is a heavy burden for whoever carries it, and it forces
its bearer into tremendous isolation. Gollum was a victim of the
ring, and his peaceful life as a hobbit ended when he gave in to
its temptation. He retreated into a cave and became isolated from
the world. The ring isolates Frodo, too, even though Sam accompanies
him. While the entire fellowship is in great danger, only Frodo
is haunted by visions of Mordor and Sauron. He is unable to share
this torment with the others, so it becomes the very basis of his
isolation. At the end of The Fellowship of the Ring,
Galadriel tells Frodo that bearing the ring is a solitary task,
prompting him to leave the others. Though Sam refuses to leave Frodo
alone and gives him much comfort, he remains blind to his friend’s
inner torment. Even after the ring is destroyed, Frodo remains isolated.
He is unable to readjust to life in the Shire and eventually leaves
the other hobbits behind. His experience as ring-bearer has permanently
isolated him from his peers.
The Shire As a Fantasy of Home
At the very start of their journey, Sam notes to Frodo
that they have just passed the spot that marks the farthest he’s
ever before been from home, the first of many thoughts the hobbits
will have about home and their distance from it. Nostalgia for home,
even to the point of homesickness, plagues Frodo and Sam throughout
their journey, and Sam speaks of it most often. When Sam and Frodo travel
to Mordor, Frodo’s intense focus on the journey to Mount Doom is
balanced by Sam’s focus on the return journey. The Shire is a lush,
happy place untouched by the tumult disturbing much of Middle-earth
and, compared to the rocky, dangerous terrain Frodo and Sam face
on their journey, seems for them a kind of paradise. However, their
talk of returning to the Shire is rooted in more than the physical
Shire itself. The Shire suggests a childlike innocence, which the
hobbits left behind with the very first step of their journey. It
also suggests a different kind of life, where hobbits live simply, unworried,
and free from war, greed, evil, death, and all the other vices and
hardships that complicate life in much of Middle-earth. In Frodo’s
and Sam’s memories, the Shire becomes a sort of Eden, where life
was perfect and could be perfect again, if they can only get back.
The thought of returning animates them and gives them strength in
their darkest moments.
The paradise of the Shire, however, is an illusion. Though
the Shire remains lush and the hobbits who live there remain happy
and joyful, especially when Frodo and Sam return, the innocence
and ignorance Frodo and Sam once enjoyed in the Shire are gone forever. They
have seen and experienced too much, and they have become adults
now, with many painful memories. Though Sam adapts to his new status
in the Shire and thrives in the happiness it offers, Frodo cannot
regain a sense of equilibrium even being back at home. Returning
to the Shire had seemed to promise the end of fear and worry, but
Frodo must journey on.
Motifs
Motifs are recurring structures, contrasts, or literary
devices that can help to develop and inform the text’s major themes.
Mordor
Frodo and Sam’s destination is Mordor, specifically the
volcanic Mount Doom, in which they intend to destroy the ring of
power. Though their journey is hard, their destination is almost
always in sight, at the edge of the horizon. However, actually reaching
Mordor proves to be extremely difficult. The hobbits frequently
find themselves going in circles. When they finally arrive at Mordor, Faramir
captures them and brings them back to Osgiliath. Later, Gollum leads
them back to the gates of Mordor, only to propose a different way
in. Sam and Frodo seem to be always on their way to Mordor, but
they never quite arrive. Mordor is the place that drives their every
action and the goal they hold above all else. The closer they get,
the further off Mordor seems, and their journey takes on epic proportions,
outlasting two tremendous battles.
The journey to Mordor is fraught with setbacks not only
because Mordor is located in difficult terrain and guarded by dangerous monsters,
but also because this journey represents another journey, a spiritual
quest that Frodo, as well as Sam and other characters, must undertake.
This journey takes Frodo to a private Mordor, the dark core of his
soul, where even his pure heart is no match for the temptations
of the ring. The many delays in the journey to the actual Mordor
suggest the many trials and tribulations Frodo must face in confronting
his internal Mordor. The hobbits eventually reach Mordor, and Frodo
faces his inner darkness. Though he returns to the Shire, the Mordor
he’s seen within himself precludes his journey coming to a completely
peaceful end.
The Temptation of the Ring
The temptation of the ring is the motivating force behind
every action in The Lord of the Rings, whether
characters are fighting the temptation, nurturing it, denying it,
or preventing someone else from giving in to it. Characters of every
race pursue the ring. The ringwraiths and Sauron seek it constantly.
Gollum attacks Frodo several times to try to take it from him. The
sons of Denethor, Boromir and Faramir, both try to take it from
Frodo. The ring tempts Gandalf and Galadriel, each of them drawn
to the thought of the immense power it could give them. Even pure-hearted
Sam briefly wonders how it would be to possess the ring. No one,
apparently, is immune to its temptation, and Frodo is no exception. Though
he is chosen as ring-bearer because he is most resistant to the
ring’s lure, Frodo must constantly fight his desire for it. He is sometimes
tempted to hand it over to his more powerful friends, while at other
times he wants to keep it for himself. When he finally arrives at
Mount Doom, Frodo elects to keep the ring, despite the tremendous
anguish it has caused him. At no other moment in the trilogy is
Frodo more tempted by the ring’s power. Frodo gives up the ring
only because Gollum appears and fights him for it, a fight that
leads to its destruction. The ring that has possessed so many and
that has served as a kind of connective tissue among all the races of
Middle-earth is ultimately destroyed by its own power.
Journeys
The Lord of the Rings is a trilogy about
a journey, but this large journey consists of many smaller journeys
that advance the greater one. Individuals and groups are constantly
setting off for someplace, to pursue a goal of their own, rescue
someone, or escape. Merry and Pippin engage in an unintentional
journey when they join forces with Frodo and Sam early in The
Fellowship of the Ring. Aragorn takes many dramatic journeys
across Middle-earth on his horse, a Lone-Ranger-type figure taking
the brave and necessary steps to save his people. Gollum journeys
with Frodo and Sam and also within his own conflicted soul. The
elves journey to their land of immortality, though Arwen elects
to remain behind—her own journey will be one that leads her to Aragorn
and a mortal life. The last time we see Frodo in The Return
of the King, he is embarking on yet another journey, this
time with the elves, to pursue his next adventure. A constant feeling
of movement stretches through all three films, and, though the destinations
are always clear, the journeys often seem to have no end in sight.
Symbols
Symbols are objects, characters, figures, or colors
used to represent abstract ideas or concepts.
Water
Throughout The Lord of the Rings, water
serves as a lifesaving force for the good beings of Middle-earth.
Gandalf and Aragorn are saved from death after long falls when they
land in bodies of water. When Arwen races to Rivendell on horseback
with a badly injured Frodo, she escapes the pursuing ringwraiths
when they are flooded by water. Similarly, Isengard loses its power
when its plain is flooded. Water also suggests the afterlife. The
elves depart Middle-earth on a boat and sail out to a great body
of water. When Boromir dies, his dead body is placed on a pyre and
sent down a river. Although he is dead, this journey suggests that
he will live on in the memory of others.
The Ring
The ring is the center of the trilogy, and it gains multiple,
changeable meanings as Frodo’s journey proceeds. Created by the
evil Sauron, it is at first synonymous with its maker’s evil power.
Those who encounter the ring are overcome with longing for power
over others, and the ring could give more power to Sauron. For all,
the ring suggests the dangerous urges that lurk even in the most
pure-hearted beings of Middle-earth. It also suggests slavery and
weakness, since whoever gives in to the temptation of the ring becomes
a slave to it. Gollum is an example of what happens physically when
one succumbs to the ring. Man, too, is weak, and Isildur failed
to destroy the ring in Mordor. The fact that weakness affects every
race of Middle-earth shows the extent of the ring’s power.
As the trilogy proceeds, new symbols emerge to counteract
the temptation of the ring. The sword Anduril suggests good and
unity, rather than evil and disunity. When Elrond presents the sword
to Aragorn, he says that the fate of Arwen has been linked to the
fate of the ring: as the ring grows stronger, she grows weaker.
Arwen, therefore, serves as a kind of symbol herself, the very opposite
of Sauron: the anti-ring, the symbol of hope and good.
Mount Doom
Mount Doom is both the birthplace of the ring and the
place where it can be destroyed. This is Frodo’s ultimate destination,
and it also presents him with his greatest challenge. Destroying
the ring is in many ways more difficult than reaching Mount Doom,
and twice we see characters fail when faced with the task. Isildur,
after defeating Sauron’s armies, enters the fiery mountain intending
to destroy the ring, but at the last moment he turns back and decides
to keep it for himself. When Frodo brings the ring to Mount Doom,
he, too, intends to destroy it, but like Isildur, he decides at
the last minute to keep it. Though the ring is ultimately destroyed
after Frodo and Gollum’s struggle for it, Frodo did not let it go
on his own. Though he passes many tests on his journey, Frodo fails
in this final test at Mount Doom. Mount Doom in this case suggests
the darkness and weakness that exists even in the most pure-hearted,
a lure so powerful that even the most determined voyager needs additional
help to resist temptation. Mount Doom also marks the furthest Frodo
gets from the security and familiarity of the Shire. He is as out
of place at Mount Doom as the ring was in the Shire, and this is
the place where Frodo comes closest to actually giving himself over
to evil.
  Help |
Feedback |
Make a request |
Report an error |
Send to a friend
◄
PREVIOUS
Analysis of Major Characters
|
NEXT
► The Lord of the Rings: From Novels to Films
|
|
|