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A Storm of Swords

George R. R. Martin


Themes, Motifs, & Symbols

Themes, Motifs, & Symbols

Themes, Motifs, & Symbols

Themes, Motifs, & Symbols


The Political Role of Family

Families in A Storm of Swords are extremely large and tight-knit, and they provide their members with guidance, support, identity, status, and power. Family allegiance, therefore, is of vital importance, and different families that share close ties often function like a single, extended clan. The various families of the North, for example, generally act as a united front against the major families of the South, despite whatever personal struggles may be occurring between them. These family alliances have a great deal of power, and so social contracts like marriage that formally join families together become critically important in the politics of Westeros. King Joffrey's betrothals illustrate this point. He was initially engaged to marry Sansa Stark as a way to unite their families, but when it became clear that the union afforded no political advantage, Joffrey was quickly engaged to Margaery Tyrell instead. When these same social ties are broken, the results can be what is fundamentally clan warfare. Robb Stark's decision to marry Jeyne Westerling rather than a woman from the Frey family, as he promised, provoked the Freys into a massacre of the Starks and their allies at the Red Wedding.

Breaking the Conventional Female Mold

The world we see in the novel is mostly male dominated. Male monarchs rule the lands, male advisors counsel them, male knights fight their wars, and women are married off in order to secure lands and titles. Male characters constantly threaten women with abuse, and many women are treated as property or sexual objects. (Notably, this rubric is consistent with European gender dynamics during the Middle Ages.) But the novel’s major female characters generally defy these conventional roles. Daenerys, for instance, is a strong-willed leader. Cersei wields significant power in King's Landing and is at times the de facto ruler of Westeros. But no characters chafe against conventional female roles as Arya and Brienne do. From the first, Arya has been more interested in swordfighting than needle work, which is why naming her sword Needle was loaded with irony, and she bristles when anyone suggests that she should behave a certain way because she's a girl. Brienne similarly eschews feminine trappings and refuses to be dominated by any man. She may also be the only female knight in existence, and despite the verbal and sometimes physical abuse she suffers for her dress and behavior, she continues to behave as she wants, not as others think she should.

There are instances where major female characters play traditional female roles, but even in those instances they turn these roles to their advantage. Cersei, notably, feels she must fulfill a conventional female role, even as laments at times that she wasn't born a man. She thinks she must always be beautiful, and she doesn't think she would ever be able to rule Westeros openly. But she also uses men's perceptions of her as a sex object to her advantage, often manipulating them into doing what she wants in exchange for sexual favors, or even just the hope of them. Catelyn Stark hews to a conventional female role as well, albeit in a much different way. She is a typical mother figure, and much of what she does in the novel she does in order to take care of her children, particularly Robb. That need to protect her children is the source of a great deal of her strength.

The Need for Revenge

As the war progresses, the royal houses keep track of crimes and betrayals, and for each perceived misdeed, a character often seeks revenge. The need for revenge is so prevalent in the novel that it motivates a great deal of the novel's plot and serves as a driving force for several characters. It also leads to the deaths of numerous characters. In some instances, revenge is sought for relatively minor infractions like an insult to a character's or family's honor. When Robb breaks his engagement to a Frey daughter, for instance, the Freys get their revenge by assassinating Robb and Catelyn Stark at the Red Wedding. In other instances it stems from long-standing grievances, as when Tyrion vows vengeance against Jaime and then murders his father in revenge for their mistreatment of him and Tysha, the woman he once loved.

In many other cases, characters seek retribution for the murder of their friends or family members. A reanimated Catelyn Stark joins the Brotherhood Without Banners to exact revenge on the Freys for their massacre of her family at the Red Wedding. Arya lives obsessed with gaining vengeance on those who have hurt or killed her family and friends, and she regularly recites a list of names to herself of those people so she won't forget them. Tyrion's champion at his trial, Oberyn Martell, takes up the role so that he can get revenge against Gregor Clegane, the other combatant, for violence Gregor committed against Martell's family in the past. Occasionally in these situations, the revenge exacted by one character causes another character to want retribution, perpetuating the need for revenge.

The Struggles of Identity

Several characters endure struggles with their identities in the novel, as events force them to reconsider how they think of themselves and what person they want to be. Jon Snow faces two such struggles. First, as he pretends to be a wildling, he finds himself fitting in among the wildlings more than he anticipated, and he even breaks his vows to the Night's Watch by getting involved in a romantic relationship with Ygritte. Ultimately he must decide whether he wants to become one of them or return to the Watch, and he struggles a great deal with the decision. Later, he is offered the chance to rule over Winterfell by Stannis but would have to leave the Watch to do so. This situation taps directly into the identity issues Jon had growing up, when he felt himself not fully a part of the Stark family, and he feels torn again between what are essentially two versions of himself.

Among the other instances of characters struggling with identity, including Bran Stark coming to terms with his psychic abilities and Tyrion essentially choosing to leave his family when he murders his father, Jaime Lannister's is the most notable. Jaime has built his entire life around his identity as a swordsman, but he essentially loses that identity when his sword hand is cut off. The event forces him to reevaluate his sense of self worth, and then to rebuild an identity more or less from scratch. This challenge precipitates in him the most drastic change in character that we see in the novel. He evolves from an apathetic, seemingly honorless man into one deeply concerned with honor and duty.

The Importance of Honor

Honor is a major motivating force in the book and serves as one of the major ways in which characters are defined. Often the notion of honor is about preserving one's esteem in the eyes of others just as much as it's about doing what's morally correct. The Freys took Robb Stark's engagement to Jeyne Westerling, after he promised to marry a Frey girl, as an affront to their honor, because it suggested that he held the Freys in low regard and didn't value them. That slight to their honor prompted the Freys to murder Robb, Catelyn, and the Stark bannermen at the Red Wedding. As Merrett Frey explains just before he’s hanged in the book’s epilogue, the Freys did it because they “had to cleanse the stain on [their] honor.” Similarly, earlier in the book, when Robb decides he has no choice but to execute Rickard Karstark for killing the two Lannister allies they were holding prisoner, it's both because Karstark's act was reprehensible—the two he killed were unarmed boys—and because Karstark was publicly disregarding Robb's authority by acting on his own. As Robb puts it, “Karstark killed more than a Frey and a Lannister. He killed my honor.” Robb chooses to execute Karstark, a valuable ally and friend, because he deems his honor more important than Karstark.

Often honor goes hand-in-hand with upholding one’s vows, which is why Jaime is considered among the most dishonorable figures in Westeros. He took an oath to protect King Aerys when he was first made a member of the Kingsguard, and he broke his vow by murdering Aerys. The title of Kingslayer serves as a testament to that lack of honor. The character transformation he undergoes over the course of the novel centers on him realizing honor’s value and then trying to restore his honor. Brienne of Tarth has suffered a similar dishonor in that she is widely suspected to have either killed Renly or conspired in his murder while part of his guard. Jaime gives the sword Oathkeeper to Brienne and sends her to save Sansa as a way for both to regain some measure of honor, since both promised Catelyn they would find and save Sansa. (Jaime literally says to Brienne, “Sansa Stark is my last chance for honor.”) Brienne, in fact, is primarily motivated by honor. That’s why she escorts Jaime back to King’s Landing, despite her dislike for Jaime and at great risk to herself. She promised Catelyn she would, and so she does, whatever her personal feelings. Jon Snow is also motivated by honor to a large degree. A significant factor in his returning to the Watch after living with the wildlings, and then choosing the Watch over Winterfell, is that he made a vow. Honor demands that he stick to that vow, so he puts aside his personal feelings to uphold it.



Each house has its own official mottos and unofficial sayings, which embody the family's character, and numerous slogans, sayings and jokes surface throughout the story as characters remind themselves of their background and duties. For example, the “words” of the House of Lannister, “Hear Me Roar!”, play on the family sigil, which is a lion. But there is a recurring mantra that “a Lannister always pays his debts,” and that saying is the one that more adequately sums up the Lannister family and its members. It suggests of course the vast wealth the Lannisters possess, but the “debts” it refers to aren't strictly financial. It also refers more ominously to the Lannisters' guarantee that they will avenge any wrongs done against them, and so the words serve as a reminder to everyone that the Lannisters are not to be crossed. The Stark motto, “Winter is coming,” also acts as a warning, but of a different type. In the world of the novel, winter may last a decade, and this brutal time is guaranteed to happen as it is simply a regular part of the cycle of seasons. The Starks, being among the northernmost families, endure the harshest winters, and the words indeed remind them to be prepared for winter. But they also function more broadly as a warning that one should always be prepared for trouble in any form.


The people of Westeros are familiar with a variety of songs, and they often hire minstrels to perform them. Some songs, like “The Bear and the Maiden Fair,” come up several times and in different contexts. Many of these songs are bawdy, others tell stories or recall moments in history, and generally act as a way to disseminate ideas and provide entertainment in a world without any kind of mass communication. Often, they also serve a functional or symbolic purpose in the plot. Olenna Redwyne, the “Queen of Thorns,” has her jester play very loudly in one instance so that the women’s conversation can't be overheard. In another scene, Samwell sings a song to comfort Gilly and remembers that his harsh father forbade the song because it sounded too soft and sweet, qualities his father also detested in him.


Numerous betrayals occur in the novel, and these betrayals often serve as turning points in the plot. Walder Frey feels betrayed by Robb’s decision to marry Jeyne Westerling rather than one of his daughters, which in turn leads him to plot his own betrayal. He ultimately conspires to have Robb, Catelyn, and many of the Stark bannermen murdered at what becomes known as the Red Wedding. Petyr Baelish, who has done a great deal for the Lannisters and been amply rewarded, betrays the Lannisters, unbeknownst to them, by planning Joffrey’s death by poison at his wedding. Shae betrays Tyrion by making false or exaggerated statements against him at his trial, prompting him to seek out a trial by combat. Additionally, Daenerys feels Ser Jorah and Barristan Selmy have both betrayed her by their dishonesty, and Daenerys is so hurt by Ser Jorah’s betrayal that she ultimately banishes him.



The sword Oathkeeper represents honor. It was forged from Eddard Stark’s greatsword, Ice, after it was used to behead Eddard at the order of Joffrey Lannister, and it was given to Jaime by Tywin when Jaime returned to King’s Landing. Ice had been in the Stark family for generations, and so it was an insult to the honor of the Stark family that the Lannisters, after killing Eddard, would melt it down. But Jaime changes the sword’s connotation when he names it Oathkeeper and gives it to Brienne. In essence, Jaime gives Brienne an instrument to carry out her vow to Catelyn Stark that she would find and return Catelyn's daughters. Jaime at the same time upholds his promise to Catelyn that he would send her daughters back if he were returned safely home. In the novel, honor is intrinsically tied to keeping one's oaths and doing what is morally correct, and so the act restores Jaime's honor and allows Brienne to uphold hers. The act also removes the sword's connotation of insult to the Starks as it is now a tool intended to help the Stark girls, so it restores the sword's honor in a sense as well. In these various ways the sword becomes a symbol of honorable behavior.

The Wall

On the one hand, the Wall is a simple defense against the wildlings, but the Wall also acts as a figurative boundary between the natural and supernatural. The Wall exists as a literal defense against the supernatural, specifically the undead creatures called the Others. For the mysterious figure called Cold Hands, who appears to be supernatural, the Wall also presents a literal barrier, as he is unable to pass beneath it after escorting Sam and Gilly south. In fact, the Wall itself even seems to have some magical or supernatural power, evidenced by the fact that Coldhands can't pass it despite there being a gate. Moreover, as Bran's supernatural psychic abilities develop, he feels pulled north toward the Wall, and eventually Coldhands guides him beyond it, suggesting there's some supernatural force on the other side that he must encounter. In the story, it acts as a literal and symbolic boundary between the natural and rational world of the Seven Kingdoms and the magical region north of the Wall full of mysterious and unexplainable forces. (Supernatural events do, of course, take place south of the Wall at times, but they're relatively rare and often disregarded by those who aren't eye witnesses as exaggeration.)


Daenerys's three dragons symbolize Daenerys's growing power. The dragons are obviously a powerful weapon in themselves, and it is said in the novel that the Targaryens ruled Westeros for so long specifically because they controlled dragons. But the dragons also lend Daenerys another type of power. Even though they're not yet formidable, being young and relatively small still, because they are the only three dragons in existence people interpret them as a symbol of Daenerys's great destiny. The reasoning among the people that encounter her that's implied in the novel is basically that if she has these rare and terrible creatures, she must have them for a reason. In that way they represent her growing following, and thus her overall power. In much the same way that the dragons are still young and growing, Daenerys's following is also still young and growing, and as the dragons grow and become stronger in the story, so does Daenerys's following. Over the course of the novel, she gains first a small army, then a sizeable force, and finally she rules an entire city. With each step, her power gradually grows, just like her dragons.

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