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Act One, scene one

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Act One, scene one

Act One, scene one

Act One, scene one

Act One, scene one


My Master Thomas More would give anything to anyone. Some say that’s good and some say that’s bad, but I say he can’t help it—and that’s bad . . . because some day someone’s going to ask him for something that he wants to keep; and he’ll be out of practice.

(See Important Quotations Explained)

The play opens with a monologue by the Common Man, a character meant to represent traits and attitudes common to us all. The Common Man carts around a basket of costumes and props that he uses in his various roles in the play.

The Common Man laments having to open a play about royalty and the noble class. He thinks himself unsuited to the task at hand, but he says he will present his own version. He puts on the costume of Matthew, Thomas More’s servant, and declares the sixteenth century “the Century of the Common Man.” Matthew treats himself to some of the wine he is putting out for his master and then introduces us to More as he enters.

More playfully asks Matthew how the wine tastes, knowing full well that Matthew sampled it. Richard Rich follows More into the room, and the two engage in an argument as to whether every man is capable of being bribed. More dismisses Rich’s belief that money, status, or women can bribe anyone, but he is intrigued when Rich implies that a man can be bought with suffering. As it turns out, Rich means that men wish to avoid suffering and are attracted to the possibility of escape. More immediately recognizes this idea as one of the theories of Machiavelli, and he asks who recommended that Rich read Machiavelli’s books.

Rich admits that Master Cromwell recommended he read Machiavelli. Cromwell, Rich reveals, offered Rich a job or a favor of some sort, but Rich bemoans his joblessness and his generally low social standing. More points out that the dean of St. Paul’s school has a comfortable teacher’s job available, but Rich has no interest in what he deems a dead-end opportunity. More warns that holding an administrative office is full of temptations, and he shows Rich an Italian silver cup that a litigant used to try to bribe him. More did not realize at the time that the cup was a bribe, and now that he does, he wishes to get rid of it. Rich says he will sell the cup to buy new, more respectable clothing.

The duke of Norfolk and More’s wife, Alice, enter, arguing over whether a falcon can stoop from 500 feet to kill a heron. Norfolk baits Alice into a bet of thirty shillings, although More refuses to let her ride off with Norfolk to see who wins. Meanwhile, More’s daughter, Margaret, has entered, and Rich begins to flatter Norfolk. More playfully tells everyone that Rich has been reading Machiavelli under Cromwell’s tutelage.

Norfolk announces that Cromwell has been promoted to the position of cardinal’s secretary, and everyone is surprised that such a lowborn and generally disliked man could get such a job. More points out that Rich’s relationship with Cromwell is now more valuable and that Rich will not need any help from More at finding a job. Rich pleads that he would rather work for More than for Cromwell, but a letter from the cardinal interrupts him. The cardinal wants to see More immediately.

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Who delivers the play’s opening monologue?
Henry VIII
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Act One, scene one QUIZ

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Study Questions

by AutumnTime22, September 11, 2013

How does Thomas More differ from Thomas Cromwell on religion and politics?
Why do the characters in the reading react as they do to Richard Rich reading Machiavelli and knowing Cromwell?
How does More differ from Wolsey in his opinion on the King’s divorce?
How does Thomas More feel towards Henry VIII?
How does Henry VIII try to persuade More to change his mind?
How does More resemble Henry VIII?
How do Cromwell’s words and actions with Richard Rich demonstrate his political and moral Machiavellianism?... Read more


33 out of 43 people found this helpful

qui tacet consentire

by joziejane, December 15, 2015

"He maintains that if he does not speak his opinion concerning his disapproval of the king’s intention to divorce his wife, then, according to the Bible, his silence will connote consent, not dissent."

This scene is from late in act 2, in his trial. But the argument about qui tacet consentire - silence gives consent - is not a matter of the Bible, but a matter of law: “’The maxim is “qui tacet consentire”…. “Silence Gives Consent”. If therefore you wish to construe what my silence “betokened”, you must construe tha

a man for all season

by alleei, November 08, 2016

a man for all season

See all 5 readers' notes   →