Context
Plot Overview
Character List
Analysis of Major Characters
Themes, Motifs & Symbols
Act One, scene one
Act One, scenes two–three
Act One, scene four
Act One, scenes five–six
Act One, scene seven
Act One, scene eight
Act Two, scenes one–two
Act Two, scenes three–four
Act Two, scenes five–six
Act Two, scene seven
Act Two, scene eight
Act Two, scenes nine–ten
Important Quotations Explained
Key Facts
Study Questions & Essay Topics
Quiz
Suggestions for Further Reading
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A Man for All Seasons Robert Bolt
Act One, scenes two–three
Summary: Scene two
Well . . . I believe, when statesmen
forsake their own private conscience for the sake of their public
duties . . . they lead their country by a short route to chaos.
More arrives at Cardinal Wolsey's office, and the cardinal
asks More what took him so long. Wolsey presents More with a message to
be sent to the pope, explaining that since More seemed so opposed
to the dispatch, he should look it over. More diplomatically comments
on the style of the message, but Wolsey is more interested in what
More has to say about the message's content. More mentions that
the message is addressed to a Cardinal Campeggio and not to the
English ambassador to Rome. Wolsey retorts that he personally appointed
a ninny to the office of ambassador expressly so that he could
write to the cardinal directly. Intrigued, More comments that Wolsey's
maneuver is devious, and Wolsey bemoans what he calls More's plodding
moralism.
Getting down to business, Wolsey states that King Henry
has just returned from a rendezvous with his mistress, Anne Boleyn.
According to Wolsey, Henry means to divorce his current wife, Catherine
of Aragón, in favor of Anne, who Henry suspects will be more successful
at providing him a male heir. Wolsey must now secure the pope's authorization
of Henry's divorce and remarriage, and he wants assurance that More
will not oppose the action. But More has already expressed his opinion
that the divorce should not be enacted without the pope's willing
approval.
Wolsey conveys to More the potentially detrimental implications of
opposing Henry's divorce. Wolsey claims that if the king does not produce
an heir to the throne, a change of dynasty or a bloody war of succession
will ensue. More is shaken but responds that he prays every day
that Catherine will conceive an heir. Wolsey is skeptical. More
reminds the cardinal that it took a papal dispensation, or exemption
to Catholic laws, to allow Henry and Catherine (who is Henry's brother's
widow) to marry in the first place. He wonders at the sensibility
or feasibility of discarding the pope's first dispensation.
Wolsey, in turn, wonders at More's willingness to put
his own private conscience above the interests of his country. But
More retorts that by listening to their own consciences, statesmen
avoid leading their country into chaos. Wolsey again bemoans More's moralism.
Anticipating his own death, Wolsey wonders aloud who might replace
him as Lord Chancellor when he is gone. When Wolsey suggests Cromwell,
his secretary, More is shocked and says that he would rather do
it himself than see Cromwell appointed. Wolsey says More would need
to be more practical to fill the chancellor's post and tells More
he should have been a cleric.
Summary: Scene three
Outside, More quibbles with the boatman over the fare
for a trip back to his home in Chelsea. Just then, Cromwell arrives
to remind the boatman that the fares are fixed, so he cannot charge
More a higher price just because of the late hour. Cromwell announces
that he is on his way to see the cardinal, and he guesses that More
has just come from the cardinal's office. More admits as much, and
he says that the cardinal is not in the best mood. Cromwell pays
More an insincere compliment and heads in to see the cardinal.
As More prepares to leave, Signor Chapuys, the Spanish
ambassador, arrives and tries to wheedle information out of More
about his meeting with the cardinal. More simply replies that he
and the cardinal parted amicably, if not in agreement. The ambassador interprets
More's comment to mean that More will oppose King Henry's divorce
from Catherine, who is the king of Spain's aunt. Chapuys announces
that his king would take personal offence if the divorce goes through.
With a nod and a wink (disregarded by More), the ambassador exits.
As More returns home in the boat, the boatman complains about fixed
fares and his wife's weight.
Analysis: Scenes two–three
Historically, Cardinal Thomas Wolsey, archbishop of York,
was virtually in charge of England at the beginning of Henry's reign.
The king preferred living in the countryside and hunting to the
tedium of leading. Wolsey fell out of Henry's favor when he failed
to secure a papal dispensation for Henry's divorce, because Pope
Clement VII showed his allegiance to Catherine's nephew, Charles
V of Spain. In his conversation with More, Wolsey reveals his role
as the go-between for the English king and the pope in Rome. Wolsey
must juggle the needs of the state with those of the Church, and
after Wolsey dies, his successor must bear the burden of Henry's
disapproval.
Although King Henry appears in the play only once, he
is constantly present in the thoughts and the speech of the other
characters. When Wolsey announces Henry's offstage return from his
visit with Anne Boleyn, in Act One, scene two, he establishes Henry's role
as a man whose uneasy conscience needs to be satisfied. Wolsey (and
later Cromwell) bears responsibility for assuaging Henry's conscience
when he has deliberately done something sinful. In a way, Henry's
behavior accounts for Wolsey own questionable conduct, including
Wolsey's attempts to threaten and cajole More into agreement. Henry's
actions are responsible for More's persecution. Henry's absence
from most of play implicates the characters, such as Wolsey, who
enact Henry's persecution of More. Though Henry is responsible for
More's persecution, Wolsey's willingness to accomodate Henry's hypocrisy
makes him just as guilty as the king.
Cromwell and Chapuys personify the devious and duplicitous characters
necessary to remain in Henry's good favor. Consequently, they also
personify the kind of groveling that More cannot stand. They are
political and calculating, and they couch their performances in
a falsely deferential tone. Cromwell, for instance, insincerely
calls himself More's admirer. He makes the same claim later in the
play, even as he attacks More.
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