full title · The Brothers Karamazov
author · Fyodor Dostoevsky
type of work · Novel
genre · Realist novel; novel of ideas; symbolic novel; dynastic novel
language · Russian
time and place written · 1879-1880; Russia, primarily St. Petersburg
date of first publication · 1879–1880
publisher · The Russian Messenger began publishing the novel serially in 1879.
narrator · An unnamed, first-person narrator who acts as a storyteller, relating events in which he plays no part. The narrator frequently refers to himself as “I,” and his erratic voice leaves a noticeable sardonic mark on an otherwise serious novel.
tone · The narrator’s tone is one of serious comedy. He takes his story seriously and comprehends the importance of the questions it raises, but nevertheless writes with a warm linguistic inventiveness that sometimes masks the coldness of his subject.
tense · Past
setting (time) · Mid-nineteenth century
setting (place) · A town in Russia
protagonist · Alyosha Karamazov
major conflict · Dmitri and Fyodor Pavlovich’s rivalry over Grushenka, Ivan’s inner turmoil, and Alyosha’s good-hearted attempts to help those he loves find happiness dramatize the philosophical conflict between religious faith and doubt.
rising action · Fyodor Pavlovich and Dmitri begin to fight over the family inheritance just before Alyosha’s faith is shaken by the death of Zosima. Ivan expresses his philosophical viewpoint through the story of the Grand Inquisitor, and Dmitri becomes increasingly desperate to win Grushenka.
climax · Ivan’s nervous breakdown in Book XI after the revelation that Smerdyakov is the murderer represents the final collapse of the psychology of doubt and the moment at which the position of faith seems inarguably superior, at least within the logic of the novel.
falling action · Dmitri is wrongly convicted of murdering his father, and Dmitri and Katerina reconcile their differences. Alyosha’s final speech to the schoolboys at the funeral of Ilyusha illustrates that he has taken on the role of Zosima.
themes · The conflict between faith and doubt; the pervasiveness of moral responsibility; the burden of free will
motifs · Crime and justice; the profound gesture; redemption through suffering
symbols · Characters who represent ideas, as Ivan represents doubt; Zosima’s corpse
foreshadowing · The narrator’s many leading comments; Zosima’s prediction that Dmitri will suffer greatly; the anecdote of the murderer in Zosima’s deathbed speech; Smerdyakov’s subtle clues that he intends either to have Dmitri murder Fyodor Pavlovich or to murder Fyodor Pavlovich himself.
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