If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat.
A young black girl named Maya stands in front of her church congregation on Easter, unable to finish reciting a poem. She wears an unflattering altered taffeta dress that, she notes, is probably a secondhand dress from a white woman, and she fantasizes that one day she will wake up out of her “black ugly dream” and be white and blond instead of a large, unattractive African American girl. After being humiliated in front of everyone and tripped by another child, she ends up running out of church peeing, crying, and laughing all at the same time.
Prior to this incident, when Maya is three years old and her brother, Bailey, is four, their parents divorce. Their parents send the children by train with a porter from California to Stamps, Arkansas, to live with their paternal grandmother, Annie Henderson, and her disabled adult son, Willie. The porter abandons the children the next day in Arizona, and the two young children make the rest of the trip to Stamps with pieces of paper tacked on their bodies listing their final destination. Mrs. Henderson, whom the children soon begin to call Momma, owns and runs the only store in the black section of Stamps. The Store is the center of the community, and Momma is one of the community’s most respected residents.
During the cotton-harvesting season, Momma awakes at four in the morning to sell lunches to the crowd of black cotton laborers before they begin the day’s grueling work. In the morning, the laborers appear full of hope and energy, but by the end of the day, they barely have enough energy to drag themselves home. They always earn less than they thought they would, and they often voice suspicions about illegally weighted scales. The stereotype of happy, singing cotton pickers enrages Maya. The laborers never earn enough to pay their debts, much less enough to save a penny.
Willie, who was crippled in a childhood accident, acts as the children’s disciplinarian. Willie becomes the butt of jokes in the community, in part due to his handicap, but also because he lives a relatively stable life while most able-bodied black men can barely support themselves. Maya returns home from school one day to see him, for the first time, hiding his handicap from two strangers who have stopped briefly at the Store. Maya understands and sympathizes with the tiring pity and contempt Willie must feel, and the incident makes her feel closer to him. During this time, Maya falls in love with reading, especially William Shakespeare, though she feels a bit guilty because Shakespeare was a white man.
One afternoon, Mr. Steward, the white former sheriff, comes to warn Momma that the whites are on the warpath because they say a black man has “messed with” a white woman. Momma hides Willie in the potato and onion bins in case the mob comes to the store looking for a scapegoat to lynch. Luckily it does not, but Maya clearly notes Willie’s moans coming from the bins.
As a child, Maya constantly hears from others that she is ugly. She has kinky hair and dark skin, and she is large for her age. Bailey, on the other hand, is a small, graceful and attractive child. Whenever somebody remarks on Maya’s ugly appearance, Bailey makes sure to avenge his sister by insulting the offending party. Maya considers Bailey the most important person in her world.
Through a series of personal events, feelings, and thoughts, Maya Angelou is able to captivate its readers with her recounting of her life from her early years up to late adolescence. As readers, we are able to see how Maya grows from the insecure little girl in Arkansas to the strong woman who realizes that she can trust herself and will be able to keep moving forward, which is clearly shown when she realizes that she can take care of her son.
During the last chapter of the book, I feel that Maya does a great job describing the feeli... Read more→
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