SparkNotes: Free Study Guides No Fear Shakespeare: The Bard made easy SparkCharts: Just the facts TestPrep: SAT, ACT, and more 101s: College texts condensed Subject Finder: Browse by subject SparkCollege: Get in! SparkLife: 100% study-free home_bottom home_top BN_link
 
◄ PREVIOUS
Epilogue
NEXT ►
Key Facts
 

Crime and Punishment

 Fyodor Dostoevsky
 

Important Quotations Explained

 
1. What was taking place in him was totally unfamiliar, new, sudden, never before experienced. Not that he understood it, but he sensed clearly, with all the power of sensation, that it was no longer possible for him to address these people in the police station, not only with heartfelt effusions, as he had just done, but in any way at all, and had they been his own brothers and sisters, and not police lieutenants, there would still have been no point in this addressing them, in whatever circumstances of life.
 
 
2. I've known Rodion for a year and a half: sullen, gloomy, arrogant, proud; recently (and maybe much earlier) insecure and hypochondriac. Magnanimous and kind. Doesn't like voicing his feelings, and would rather do something cruel than speak his heart out in words. At times, however, he's not hypochondriac at all, but just inhumanly cold and callous, as if there really were two opposite characters in him, changing places with each other. At times he's terribly taciturn! He's always in a hurry, always too busy, yet he lies there doing nothing. Not given to mockery, and not because he lacks sharpness but as if he had no time for such trifles. Never hears people out to the end. Is never interested in what interests everyone else at a given moment. Sets a terribly high value on himself and, it seems, not without a certain justification.
 
 
3. The old woman was a mistake perhaps, but she's not the point! The old woman was merely a sickness . . . I was in a hurry to step over . . . it wasn't a human being I killed, it was a principle! So I killed the principle, but I didn't step over, I stayed on this side . . . All I managed to do was kill. And I didn't even manage that, as it turns out . . .
 
 
4. What is it, to run away! A mere formality; that's not the main thing; no, he won't run away on me by a law of nature, even if he has somewhere to run to. Have you ever seen a moth near a candle? Well, so he'll keep circling around me, circling around me, as around a candle; freedom will no longer be dear to him, he'll fall to thinking, get entangled, he'll tangle himself all up as in a net, he'll worry himself to death! . . . he'll keep on making circles around me, narrowing the radius more and more, and—whop! He'll fly right into my mouth, and I'll swallow him, sir, and that will be most agreeable, heh, heh, heh!
 
 
5. How it happened he himself did not know, but suddenly it was as if something lifted him and flung him down at her feet. He wept and embraced her knees. For the first moment she was terribly frightened, and her whole face went numb. She jumped up and looked at him, trembling. But all at once, in that same moment, she understood everything. Infinite happiness lit up in her eyes; she understood, and for her there was no longer any doubt that he loved her, loved her infinitely, and that at last the moment had come. . . .
 
 
 
Help | Feedback | Make a request | Report an error | Send to a friend

◄ PREVIOUS
Epilogue
NEXT ►
Key Facts
 
 
 
 
 
 
Message Boards
Ask a question or start a discussion on the community boards.
  • Crime and Punishment
  • Russian Literature
  •  
     
     
     
    Printable PDF
    Download a printable version of this SparkNote.
     
    Listen on Your iPod
    Download and listen to this SparkNote at audible.com
     
     
     
    Classic Books
    Read the classic text for free online.
  • Crime and Punishment
  •  
    SparkCharts
    A textbook's worth of information on an easy-to-read chart.
  • Literary Terms
  •  
     
     
     
     
    Contact Us | Privacy Policy | Terms and Conditions | About | Sitemap
    ©2008 SparkNotes LLC, All Rights Reserved.