full title · Dubliners
author · James Joyce
type of work · Collection of short stories
genre · Realist fiction; urban literature
language · English (with some Irish and Hiberno-English sayings)
time and place written · Early 1900s, Ireland and Italy
date of first publication · 1914
publisher · Grant Richards
narrator · The first three stories are narrated by the main character of each story, which in all three cases is a young, unnamed boy. The rest of the stories are narrated by an anonymous third person who pays close attention to circumstantial detail though in a detached manner.
point of view · The first three stories, told from the first person, focus on the thoughts and observations of the narrators. In the stories told from the third person, the narrators detail objective information and present characters as they would appear to an outsider, but also present thoughts and actions from the protagonists’ points of view, giving the reader a sense of what the characters are feeling.
tone · Though told mainly by an anonymous narrator, the stories of Dubliners form a self-conscious examination of Joyce’s native city in Ireland. Because the narrator maintains a neutral and distant presence, detecting Joyce’s attitude toward his characters is not always easy. The abundance of details about the grim realities of the city and the focus on hardships, however, create a tragic tone and offer a subtle critique.
tense · Past tense
setting (time) · Early 1900s
setting (place) · Dublin
major conflict · Various figures struggle with the challenges of complicated relationships and life in Dublin.
themes · The prison of routine; the desire for escape; the intersection of life and death
motifs · Paralysis; epiphany; betrayal; religion
symbols · Windows; dusk and nighttime; food
foreshadowing · The death of Father Flynn in “The Sisters” announces the focus on death in later stories like “The Dead”; story titles hint at events in the stories
"She knew he had a good screw for one thing and she suspected he had a bit of stuff put by."
I think this contains a double meaning which shows clever use of language by James Joyce.
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The anonymity of the boy is suggestive of the overall theme of the story, the insignificance of the individual in the larger society. The boy is unnamed because as the story demonstrates in any number of ways, he is unimportant. He lives with relatives who are not his parents which suggests a problem; it is likely the parents have made the crossing and are not yet established to bring the child over, though another possibility is that they have died as a result of the harshness of Irish life. Other suggestions of insignificance include the i... Read more→
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