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Their Eyes Were Watching God Zora Neale Hurston
Chapters 3–4
Summary: Chapter 3
As Janie prepares for her marriage to Logan, she understands
that she doesn't love him but assumes that after marriage, love
will come naturally, as Nanny has been telling her. The wedding
is a big, festive affair, but two months later, Janie visits Nanny
to ask for advice; she fears that she will never love Logan. Nanny
berates Janie for not appreciating Logan's wealth and status. She
sends Janie on her way, again telling her that, in time, she will
develop feelings for Logan. After Janie leaves, Nanny prays to God
to care for Janie, saying that she, Nanny, has done the best that
she could. A month later, she dies. A year passes, and Janie still
feels no love for Logan and becomes even more disillusioned.
Summary: Chapter 4
Logan pampers Janie less and tries to get her to perform
manual labor, claiming that she is spoiled. One day, he leaves to
buy a second mule so that Janie can help him work in the fields.
While Logan is getting the mule, Janie spies a good-looking, sharply
dressed stranger ambling down the road. She catches his eye and
flirts a while with him; his name is Joe Starks, a smooth-tongued,
stylish man with grand ambitions. He tells her that he
is from Georgia, that he has saved up a lot of money, and that he
has come down to Florida to move to a new town that is being built
and run by blacks. He lingers around the town for a while and every
day he and Janie meet secretly. He dazzles her with his big dreams,
and Janie's hopes for love come alive again. He asks her to call
him Jody, a nickname that she has created for him. Finally, after about
two weeks of clandestine flirtation, he says that he wants her to
leave Logan and marry him.
That night, Janie and Logan fight. He again calls
her spoiled and she mentions the possibility of running off. Feeling
threatened, Logan responds desperately by insulting and belittling
Janie. The next morning, they argue more. Logan orders her to help
with the farm work; Janie says that he expects her to worship him
but that she never will. Logan then breaks down, cursing her and
sobbing. Afterward, Janie leaves to meet Jody at an agreed-upon
time and place. They marry at the first opportunity and set out
for the new town.
Analysis: Chapters 3–4
The conversation between Janie and Nanny in Chapter 3 neatly demonstrates
the difference between their respective worldviews. For Nanny, relationships
are a matter of pragmatism: Logan Killicks makes a good husband
because he is well-off, honest, and hard-working. In a harsh world,
he offers shelter and physical security. As Janie later realizes,
in Chapter 12, it makes sense that a former
slave like Nanny would have such a perspective. Her life has been
one of poverty and hardship, with any hope of material advancement
dashed by the color of her skin. Logan Killicks, a successful farmer
who owns his own land, represents an ideal that she could only dream
of when she was Janie's age.
But Janie clearly wants something more. She
is searching for a deeper kind of fulfillment, one that offers both
physical passion and emotional connection. Both the physical and
emotional are important to Janie and inseparable from her idea of
love. When explaining why she doesn't love Logan, she first mentions
how ugly she thinks he is. She then mentions how he doesn't speak beautifully
to her. She feels no connection to himneither physical, nor emotional,
nor intellectual.
Jody, on the other hand, seems to offer something more:
he spoke for far horizon. Throughout the book, the horizon is
an important symbol. It represents imagination and limitless possibility,
the type of life that Janie wants as opposed to the one that she has.
It also represents the boundary of the natural world, the border of
God's kingdom: Janie knew that God tore down the old world every
evening and built a new one by sun-up. It was wonderful to see it
take form with the sun and emerge from the gray dust of its making. What
lies beyond the horizon remains unclear; Janie doesn't know what
to expect of Jody and the new life that he offers her. In fact, she
is only certain of what he doesn't offer: he did
not represent sun-up and pollen and blooming trees. . . . These
are the figures of Janie's youthful romantic desires; she is willing
to abandon or compromise these desires in exchange for the possibility
of change.
Jody exudes possibility and freedom because he, unlike
Logan, who is solid and dependable but dull and mule-like, bursts
with ambition and power. Power, particularly the type of power expressed
by Jody, is a crucial theme throughout the book. He talks about
the future, travel, and conquest; to Janie, these ideas seem like ways
to reach the far horizon. For the remainder of his time in the book,
Jody Starks stands as a symbol of masculine aggression and power;
he attempts to purchase, control, and dominate the world around
him. As we later see, Jody's manner of interacting with the world
fails to translate into secure happiness and fulfillment for Janie.
At this point, though, she is dazzled by the power Jody offers and
believes that it can grant her a better life.
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