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Their Eyes Were Watching God Zora Neale Hurston
Chapters 7–8
Summary: Chapter 7
As the years pass, Janie grows more and more defeated.
She silently submits to Jody's imperious nature and performs her
duties while ignoring her emotions. She considers running away but
doubts that she can find refuge anywhere, feeling that she has grown
unattractive. She feels her spirit detach from her body; she watches
herself work at the store and submit to Jody while her mind is really
elsewhere. This detachment allows her to accept stoically a life
that she has grown to hate.
One day, Janie notices that Jody has begun to look quite
old. He has trouble moving around and his body bulges and sags.
Jody, too, seems aware of this physical change, and he pesters Janie
about her age and appearance, attempting to get her to worry about
her own appearance and ignore his. But Janie sees through his ploy.
She realizes how ugly and old he feels.
Jody keeps deteriorating and, as a result, his verbal
attacks become more vicious and frequent. One day, Janie makes a
clumsy mistake while cutting a plug of tobacco for a customer. Jody
begins berating her in front of the store crowd, not only mocking
her incompetence but also insulting her looks. Janie finally releases
her pent-up aggression. She insults his sagging body and declares
that he looks like de change uh life when naked. The force of
the insult stuns the men on the porch. Jody feels impotent, his
reputation in the town diminished and his power vanishing. He lashes
out in a blind rage, fiercely hitting Janie and driving her from
the store.
Summary: Chapter 8
After the confrontation, Jody moves into another room
in the house. His health keeps deteriorating and he grows desperate,
consulting with quacks who promise miracle cures. He avoids contact with
Janie and stops eating her cooking. Janie learns from Pheoby that
there is a rumor around town that Janie is trying to poison Jody for
revenge. Nevertheless, Janie sends for a real doctor from Orlando.
The doctor examines Jody and determines that his kidneys have stopped
working and that he will soon die.
Janie begins to pity Jody and wants to see him one last
time. Jody refuses, but Janie decides that it will soon be too late,
so she enters his room. He is cold and distant, and their conversation
quickly deteriorates into an argument. He says that she never appreciated
all that he did for her; she responds that he never let her express
her emotions. She then tells him that he is dying and Jody finally
realizes the truth. He breaks down, releases one long, anguished
sob, and begs Janie not to tell him such things. Nevertheless, she
berates him, accusing him of tyranny and egotism. She adds that
he was always trying to change her and was never satisfied with
who she really was.
Jody pleads with Janie to stop but she continues. She
sees that he is struggling with death and is filled with pity. He
dies, and she thinks about all the time that has passed since she
met him. She looks in a mirror and sees that she has aged but is
still beautiful. She rips off her head-rag, freeing her imprisoned
hair, but then realizes that she must appear to be mourning. She
ties it back up, assumes a mask of sadness, and yells out the window
that Jody has died.
Analysis: Chapters 7–8
These two chapters focus on the disintegration of Jody
and Janie's marriage, culminating in Jody's death. Janie's interest
in the marriage has already waned by this point. She loses hope
when it becomes clear that her relationship to Jody will not realize
her dreams. Jody, on the other hand, loses everything, including
the will to live, as soon as he loses the ability to exert control.
Despite their obvious differences, Jody and Janie's situations are,
in a way, similar. Both realize that they have constructed
lives that have not delivered the fulfillment that they expected.
But Janie is able to survive her disillusionment and, by the end
of Chapter Eight, has begun to once again head in the direction
of her dreams. Jody, however, doesn't survive; in part, his destruction
results from Janie's reassertion of herself.
In Chapter 6 we see how intimately
Jody's control is related to language. He uses language to belittle
Janie while at the same time forcing her to remain silent. The one-sidedness
of this dynamic is the only real tool left with which Jody can preserve
the imbalance of power in his relationship with Janie. Jody tries
to use his control of discourse to compensate for his physical deterioration
and ultimate inability to control the world. His insults attempt
to reshape the world around him by incorrectly describing Janie's
appearance while ignoring his own.
Janie's two outbursts further underscore the importance
of language. When she speaks, she asserts herself and her own power;
this assertion, of course, deeply troubles Jody. Janie's sharp retort
in Chapter 7 about Jody's feebleness completely
shatters Jody's misconceptions about the extent of his power: he
is robbed . . . of his illusion of irresistible maleness. Janie
has reversed their situations. Earlier, Jody prevents her from speaking
and asserting her identity; now, he himself is left without a voice:
Joe Starks didn't know the words for all this, but he knew the
feeling. Stung by words, shown the limitations of his power, and
robbed of his ability to speak, Jody breaks down. He resorts to
physical violencea display of beastlinessbecause his lofty aura
has dissipated completely.
Jody's disintegration is completed in Chapter 8,
and, once again, he is undone by the power of Janie's speech. She
finally lashes out at him in full, expressing her feelings and criticizing
his faults. Janie compromises the source of Jody's powerhis assumed
superiorityrendering him impotent and weak. It is no coincidence
that he dies as Janie finishes her scolding speech.
Janie's first act of liberation after Jody's death is
to release her hair from the shackles of the head-rag. She reasserts
her identity as beautiful and arousing womanan identity that Jody
has denied her by trying to suppress her sex appeal and making comments about
her aging appearance. Her braid again functions as a phallic symbol,
representing her potency and strength. Jody has kept Janie's power
tied up, but now she is free and can release it. But Janie's act of
tying her hair back up demonstrates that she understands that the community
will judge her if she appears so carefree; unlike Jody, who exerts
his authority without regard for others, Janie wields her power
with restraint.
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