Context
Plot Overview
Character List
Analysis of Major Characters
Themes, Motifs & Symbols
Prologue
Book I, Chapter 1
Book I, Chapter 2
Book I, Chapter 2 (continued)
Book I, Chapters 3–4
Book I, Chapters 5–6
Book I, Chapter 7
Book I, Chapter 8
Book I, Chapters 9–10
Book I, Chapter 11
Book I, Chapter 12
Book II, Chapter 1
Book II, Chapter 2
Book II, Chapter 3
Book II, Chapter 4
Book II, Chapters 5–6
Book II, Chapter 7
Book II, Chapter 8
Book II, Chapter 9
Book II, Chapter 10
Important Quotations Explained
Key Facts
Study Questions & Essay Topics
Quiz
Suggestions for Further Reading
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The Fellowship of the Rings J. R. R. Tolkien
Book II, Chapter 10
Summary The Breaking of the Fellowship
That night, Aragorn is uneasy and wakes during Frodo's
watch. He asks Frodo to take out his sword, Sting. The sword glows
faintly, indicating that Orcs are nearthough they do not know how
near.
The next morning, Aragorn declares that Frodo must decide where
the Ring is to go; the rest of the Company may continue where they
will. Frodo asks for an hour alone to decide, and he walks up through
the woods on Amon Hen. Secretly, Boromir follows, and, once in the
isolation of the woods, he approaches Frodo. Boromir tries to convince
the hobbit to turn toward the safety of Minas Tirith, and not to
throw the Ring away when it could be used as a weapon against Sauron.
When Frodo disagrees, Boromir grows angry and is suddenly taken
with an uncontrollable desire for the Ring. He leaps toward Frodo,
who is forced to put the Ring on his finger and disappear. The madness
then leaves Boromir. Realizing what he has done, he falls to the
ground and weeps.
Frodo runs breathless to the top of Amon Hen. From this
high point, and with the vision the Ring gives him, he can see many thingsbut
mostly war, gathering on all fronts. He looks toward Mordor and
beholds Barad-dûr, the Dark Tower of Sauron, and he feels Sauron's
Great Eye searching for the Ring-bearer. The Eye has almost found
Frodo when a voice suddenly comes into his head, telling him to
take the Ring off his finger. Frodo struggles between the two forces,
the Voice and the Eye, before he suddenly realizes that the choice
is ultimately his to make. He removes the Ring, and the Great Eye
does not find him. Frodo now knows that he must go on to Mordor
alone. The Ring has already corrupted one of the CompanyBoromirand
Frodo loves those whom he can trust too much to lead them to what
seems a certain death. Going back into the cover of the forest,
the hobbit slips the Ring on his finger again.
Meanwhile, the others down at the shore begin to worry,
debating among themselves where the Ring should go and wondering why
Frodo is taking so long to decide. Boromir returns, sad and grim,
and tells them that he scared Frodo off, though Boromir does not
reveal that he tried to take the Ring from the hobbit. The Company,
filled with concern, scatters and calls out for Frodo. In vain, Aragorn
insists that they divide up into pairs and search. He runs off after
Sam and sends Boromir to look after Merry and Pippin.
Aragorn quickly catches up to Sam and tells him he thinks
there is danger near. The Ranger decides to go up to the top of
Amon Hen to look around. Sam hurries after Aragorn for a bit, but
soon loses sight of him. Sam stops, realizing that Frodo is probably
making for the boats, intending to go to Mordor alone. He quickly
dashes down to the shore and sees a boat slipping into the river,
seemingly on its own. He tries to run after it, nearly drowning
himself. Frodo is forced to save Sam and to come back to shore and
take off the Ring. Sam refuses to be left behind; Frodo, with some
relief, accepts his friend's company. Sam grabs his pack, and they
push off from shore, toward Mordor.
Analysis
We get an interesting insight into Frodo's self-discovery
when he sits at the top of Amon Hen wearing the Ring. With the special
sight the Ring gives him, he sees much around him, but he also opens
himself up to Sauron's searching Eye, with its fierce eager will
that urges him to keep the Ring on his finger. Then Frodo hears
a voice telling him to take off the Ring. For a long moment, he
is caught between those two forces: perfectly balanced between
their piercing points, he writhed, tormented. Then, suddenly, he
becomes aware of himself: Frodo, neither the Voice nor the Eye:
free to choose, and with one remaining instant in which to do so.
We might read this conflict in a straightforward Freudian manner.
Sigmund Freud was a doctor and philosopher who, around the turn
of the twentieth century, created the field of psychoanalysis, which
developed and popularized the notion of the unconscious mind. In
a Freudian reading, the Eye of Sauron, with its fierce will and
desire for the Ring, becomes what Freud called the id, the part
of the psyche that is all instinctual, animal desire. The Voice,
with its stern command to take off the Ring and defy Sauron, is
effectively the superego, the part of the psyche that is rational
and obedient to societal demands for what is right and just. Frodo
himselfneither Voice nor the Eyeis the ego, the part of the
psyche that must negotiate between the id and superego.
Though Tolkienwho resisted highly theoretical interpretations of
his workwould likely find any reading linking him to Freud somewhat
inappropriate, the point remains that the scene at Amon Hen serves
as a dramatic representation of the role of free will and the part
it plays in the battle between reason and desire. Frodo, in saying
that he is affected by duty and desire, but not totally identified
with either, describes the condition of every human being, pointing
out the basic conflict that Freud discerned at the core of human
nature. What makes Frodo unique is that he is willing to meditate
on the matter. His introspective moment at Amon Hen is a time of
self-exploration, which in turn is a sign of wisdom. It is impossible
to imagine an evil warlord like Sauron meditating on his conflict
between duty and desire. Frodo's wisdom also distinguishes him from
characters like Boromir, for example, who are inordinately subject
to stormy fits of passion and desire. Though we are given indications
throughout The Lord of the Rings that Frodo is fated
to be the Ring-bearer, Tolkien uses episodes such as the one at Amon
Hen to remind us that self-knowledge, and the wisdom that springs
from it, make Frodo worthy of his destined role.
Frodo and Boromir are the two focal points of the conclusion
of The Fellowship of the Ring, and the contrast
between them shows us the diverging developments they have undergone
in the story thus far. At the beginning, Frodo and Boromir are committed
to the same cause, and they appear to be of more or less similar
character. Frodo, however, has kept his original honesty, as we
see from his sincere conversation with himself at Amon Hen, while
Boromir has become deceptive, not admitting to the rest of the Fellowship
that he has tried to take the Ring from Frodo. Frodo has also kept
his original selfless devotion to the Fellowship, which has led
him to break away from the rest of the group in order to spare them
the dangers and hardships he knows they would face if they stayed
with him. Sam shows a similar sense of devotion in insisting on
following his master, come what may. Boromir, by contrast, has become
selfish, betraying his companions for the goal of possessing the
Ring. The contrast in moral attitudes between Frodo and Boromir
could hardly be greater. The Fellowship of the Ring ends
with the struggle between Frodo and Boromir not only for reasons
of plot, but also for symbolic meaning. Two examples of opposite
moral paths bracket the closing of the first volume of The
Lord of the Rings, hinting at the enormous moral opposition
to come.
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