author · Anonymous; referred to as the Gawain-poet or the Pearl-poet
type of work · Alliterative poem
genre · Romance, Arthurian legend
language · Middle English (translated into modern English)
time and place written · Ca. 1340–1400, West Midlands, England
publisher · The original work circulated for an unknown length of time in manuscript format. It now exists as MS Cotton Nero A.x, fols. 91r–124v, held at the British Library. Many different modern English and original-language editions exist.
narrator · Third person omniscient
point of view · The Gawain-poet tells the story mainly from Gawain’s point of view. However, he also occasionally narrates moments that happen outside the scope of Gawain’s direct experience, most notably the host’s daily hunts.
tone · The narrator’s tone toward Gawain’s story hovers between straightforward praise and irony-tinged ambivalence. He occasionally refuses to give a straightforward account of characters’ motives, leaving it ambiguous whether he approves or disapproves of the codes of courtly behavior and ethics that he describes. At times his tone can be nostalgic for the mythical past, but at other times he verges on criticizing a former age that is neither innocent nor pure. He often achieves this level of ambiguity through the use of signs and symbols with undefined meanings.
tense · Past; some commentaries on the action in the present tense
setting (time) · The mythical past of King Arthur’s court (sometime after Rome’s fall, but before recorded history)
settings (place) · Camelot; the wilderness; Bertilak’s castle; the Green Chapel
protagonist · Sir Gawain
major conflict · The major conflict is largely Gawain’s struggle to decide whether his knightly virtues are more important than his life. Before he knows that the Green Knight has supernatural abilities, Gawain accepts the Green Knight’s challenge to an exchange of blows. Once the Green Knight survives the blow, Gawain has a year and a day before he must seek out the Green Knight to receive the return blow, which will almost surely mean his own death. Once he has found the castle of a host who promises to show him the way to the Green Chapel, he struggles to protect and maintain his knightly virtues while remaining courteous to his host’s wife, and he struggles to keep his pacts with the Green Knight and his host, despite his fear of death.
rising action · Gawain accepts the Green Knight’s covenant and chops off the Green Knight’s head, but he survives the blow. Two months before he is due to meet the knight for his own decapitation, Gawain sets out through the wilderness in search of the Green Chapel. He happens upon a castle, where he stays until he must leave for his challenge. At the castle, Gawain’s courtesy, chastity, and honesty are all tempted. Gawain then journeys to confront the Green Knight at the Green Chapel.
climax · Gawain encounters the Green Knight at the Green Chapel. After feinting with his axe twice, the Green Knight strikes Gawain on the third swing, but only nicks his neck.
falling action · The Green Knight explains all the mysteries of the story. He and Gawain’s host at the castle are the same man, named Bertilak. Morgan le Faye, the old woman at the castle, is actually behind all the events of the story. Gawain admits his breach of contract in having kept the green girdle and promises to wear the girdle as a banner of his weakness.
themes · The nature of chivalry; the letter of the law
motifs · The seasons; games
symbols · The pentangle; the green girdle
foreshadowing · The Green Knight’s reiteration of Gawain’s promise as he leaves Camelot foreshadows Gawain’s eventual encounter with the knight. The description of the changing seasons at the beginning of Part 2 foreshadows Gawain’s emotional development in the following parts. The strange, hallucinatory appearance of Bertilak’s castle foreshadows the untrustworthy nature of its inhabitants. The lady’s offer of a green girdle foreshadows Gawain’s ability to cheat death.
Ya miss something, SparkNotes. First you say that the Green Knight dismounts his horse to be decapitated, then you say he didn't fall off of his horse. You should have said "he didn't fall onto the ground as expected."
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