full title · Grendel
author · John Gardner
type of work · Novel
genre · Postmodern novel; prose poem; bildungsroman (novel about the growth of the protagonist)
language · English
time and place written · 1969–1970; San Francisco
date of first publication · 1971
publisher · Knopf
narrator · Grendel
point of view · Grendel narrates in the first person, conveying his inner thoughts and observations; occasionally he narrates from the point of view of another character
tone · Grendel attempts to maintain a satirical, mocking distance throughout the novel, but often finds himself slipping into an impassioned earnestness
tense · Present, but with substantial flashbacks in Chapters 1–8
setting (time) · The fourth century a.d.
setting (place) · Denmark
protagonist · Grendel
major conflict · Grendel struggles, within his own mind, to understand his place in a potentially meaningless world
rising action · Grendel’s exposure to the opposing philosophies of the Shaper and the dragon provide him with two options of how to live in a world without inherent meaning or values: he can either try to create and assert his own meaning in the world or resign and accept the fact that such an endeavor is futile.
climax · By engaging in a full-scale war with the humans, Grendel chooses to create a system of meaning for himself.
falling action · Though warfare fulfills Grendel for a time, it soon becomes just as mechanical and empty as anything else. At this point, the only way out of Grendel’s trap is death.
themes · Art as falsehood; the incompatibility of reason and emotion; the power of stories; the pain of isolation
motifs · The seasons; the zodiac; machinery
symbols · The bull; the corpse; Hart
foreshadowing · The unresponsive ram foreshadows the unresponsive humans; the allusion to the curse of Cain foreshadows the charm of the dragon and the Christian imagery that surrounds Beowulf; the dark presence that Grendel feels in the woods and the snake he mistakes for a vine foreshadow his meeting with the dragon; the onset of winter foreshadows Grendel’s death.
Spent a lot of years working on 'Beowulf' and I reckon that the monsters represent human characters. In my view: Grendel represents Agnar, son of Ingeld; Grendel's Mum represents the daughter of Earl Swerting of Sweden (and the first wife of Ingeld); and the Dragon represents Onela, king of the Swedes. I think that there has been a scribal error right at the beginning of the poem, which has made Scyld's 'bearn' (Modern English, 'bairn') into Beowulf the First. Thus the real parallels of the poem have been lost.
As far as the first tw
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I was actually think Grendel was from Beowulf. Interesting, very interesting article. Thanks.
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