Context
Plot Overview
Character List
Analysis of Major Characters
Themes, Motifs, and Symbols
Chapter 1, Rosa the Beautiful
Chapter 2, The Three Marias
Chapter 3, Clara the Clairvoyant
Chapter 4, The Time of the Spirits
Chapter 5, The Lovers
Chapter 6, Revenge
Chapter 7, The Brothers
Chapter 8, The Count
Chapter 9, Little Alba
Chapter Ten, The Epoch of Decline
Chapter 11, The Awakening
Chapter 12, The Conspiracy
Chapter 13, The Terror
Chapter 14, The Hour of Truth
Epilogue
Important Quotations Explained
Key Facts
Study Questions and Essay Topics
Quiz
Suggestions for Further Reading
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The House of the Spirits Isabel Allende
Chapter 13, The Terror
Summary
The mounting political tension culminates in a military
coup. Aware of what is about to happen, The president calls his
closest friends around him, including Jaime. The military forces
attack. They kill the president and arrest Jaime. Because of his
family position and his profession, Jaime is offered the possibility
of renouncing his political views in return for his freedom, but
Jaime refuses. He is killed. Esteban, unaware of Jaime's fate, celebrates
the coup. Despite a few concerns he has at not being immediately
reinstated in the Senate, Esteban tries to believe that there will
be only a brief period of dictatorship after which power will be
returned to his conservative cronies. Miguel takes leave of Alba
and joins the guerrillas.
On the day of the coup, Pedro Tercero comes to the house
in secret and asks for Blanca's help. She hides him in one of the
back rooms of the house, telling no one. For several months, she
keeps him hidden there. They renew their love with great intensity,
but Pedro Tercero begins to go stir crazy.
The stores are flooded with all of the merchandise that
was missing during the Socialist rule, but prices have risen enormously.
The poor and even the middle classes are offered no relief. Walls
are built around the poor areas of the city, and the wealthy areas
are kept bright and beautiful so that the rich residents and tourists
don't have to know about the rest of the population. The military
regime only becomes more openly fascist. They shut down schools
and censor all forms of expression. Detractors from the regime are
killed or disappeared. Alba does what she can clandestinely to help
feed the poor and to sneak political dissidents into foreign embassies
so that they can escape the country. Amanda puts Alba in contact
with priests who conduct similar work.
Esteban goes to reclaim Tres Marias. He dismisses all
of the peasants and burns their buildings to the ground. At a point
too late to effect any difference, he realizes that he has hurt
himself the most. He invites the peasants back, but they refuse.
Esteban returns to the city.
The Poet dies. There is a momentary popular surge of mourning at
his death, but the military regime soon quells it.
Blanca tells Esteban and Alba that she has been hiding
Pedro Tercero in the house since the coup and asks for their help.
Esteban calls on an old friend of his who works for one of the embassies.
Esteban himself leads Pedro Tercero out of his hiding, and the two
men reconcile. Blanca finally decides to live with Pedro Tercero.
The two of them enter the embassy of the Vatican together, and flee
to Canada.
Miguel is able to occasionally visit Alba. Alba shows
Miguel where she and Jaime stashed the weapons they pilfered from
Esteban. Miguel unearths the weapons for the guerrillas. Alba also
sells whatever she can of the family possessions, in order to help
Miguel. When she sells the portrait of Clara, Esteban tells her
she must stop, but he sets her up with a bank account which he keeps
full and which she can spend as she pleases. Under the new regime,
Esteban's business enterprises are doing extremely well, and he
has money to spare.
Unbeknownst to Esteban, the political police have Alba
under surveillance. One night, they break in, ransack the house,
and take Alba away. Esteban protests, but is unable to stop them.
The political police deliver Alba to the colonel who now heads the
military dictatorship, Esteban Garcia.
Analysis
Political commentary and analysis takes precedence over
plot development, although the plot continues to unravel. Military
dictatorship is described in all of its shocking detail. It is shown
to effect not only the poor and middle classes, but also the former
conservative upper classes. Although conservative practices were
criticized in earlier chapters, they are here distinguished form
the ruthless and overtly brutal practices of a military dictatorship.
Esteban's initial belief in the effectiveness of a military coup
and his preliminary support for it, however, blur the dividing line
between a conservative regime and a military dictatorship.
Converse to its deadly effects on most of the population,
the military dictatorship creates enormous financial benefits for
the upper classes. The presentation of this dynamic indicts capitalism
as a tool of dictatorship. Capitalism can be recuperated or redeemed
if it can be diverted into socialist practices. Esteban succeeds
in this diversion as he pours his earnings into the account he sets
up for Alba, who in turn distributes the money to those in need.
Although no particular country has been clearly named
as the setting for the novel, the description of the military regime
resembles perfectly those of the South America's Southern Cone (Chile, Argentina,
Uruguay, Paraguay, and Peru). Similarly, no exact date has been
given for the setting of the novel, but again based on references
to the appearance of automobiles and other technological inventions,
as well as the characters' precise ages, it can be assumed that
this chapter takes place in the 1970s,
precisely the time when the Southern Cone was racked by military
dictatorships. The chapter's title, "The Terror" recalls names given
to various periods in Southern Cone dictatorships, such as "The
Process" and "The Dirty War" in Argentina.
In old age and in the face of great suffering, Esteban
completes his transformation from a patriarchal tyrant to a lovable
old man. He realizes the mistakes he has made, both politically
and personally and is able to redeem himself to a certain extent
by helping his former enemies. Just as Pedro Tercero extracted Esteban
from the hand of the peasants years before, Esteban ferrets Pedro
Tercero and Blanca out of the country. A repetition, with the roles
reversed, of the exact conversation the two men had during the first
intervention underlines the parallel between the two men's actions.
Still, much of Esteban's realization comes too late. He has lost
so much of his political and physical power that, although he would
like to, he is incapable of predicting, influencing, or fighting
off the soldiers who burst into his house and take Alba away.
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