General Yepanchin is happy to introduce Prince Myshkin to Madame Yepanchin and their daughters and to have him join the ladies for lunch. The general is eager to divert his wife's attention from the subject of the pearls that the general recently bought for Nastassya Filippovna. The general begs his wife to see the prince, whom he calls a child and a simpleton.
During lunch, Madame Yepanchin and her daughters find Myshkin quite engaging and they are interested in him. After lunch, the prince tells them that when he first traveled abroad, he felt very sad until he saw a donkey in Switzerland. The Yepanchin girls laugh and the prince joins them, not minding the fact that they are laughing at him just as much as they are laughing with him.
Myshkin tells the Yepanchin ladies the story of a man who is condemned to die but who is pardoned just before the execution. The prince is deeply fascinated by the man's thoughts during the five minutes before his death. He then tells the girls and their mother about a time he witnessed a public execution in Lyons, France. He suggests the face of a condemned man about to die as a subject for Adelaida's new painting.
When the girls beg Myshkin to tell them of being in love, the prince denies that he has ever been in love. He proceeds to tell the story of Marie, a girl from the Swiss village where he lived. Marie was seduced and then abandoned by a traveling merchant, and was then condemned by everyone in the village, including her own mother and the pastor. In order to comfort Marie and to express his pity for her, Myshkin brought her some money and kissed her. Soon, Marie was befriended by some of the children of the village. Though the children believed that the prince loved her romantically, in reality Myshkin only felt great pity for her. The villagers began to dislike the prince because they accused him of corrupting the children. Shortly thereafter, Marie died of consumption. The children continued to take care of her grave. Myshkin then tells the Yepanchins that he loves children; in fact, he prefers their company to that of adults because he does not know how to behave around the latter.
Finally, Myshkin announces that he can read faces. He describes Madame Yepanchin's face as that of a child; she exclaims that he is absolutely correct and praises him for his astuteness. The prince is hesitant to comment on Aglaya's face. After her sisters urge him, he admits her extraordinary beauty, but says that she is not as beautiful as Nastassya Filippovna. The prince says that he saw Nastassya Filippovna's portrait earlier, and the girls demand to see it. Myshkin goes to ask Ganya for the portrait, and Ganya is somewhat angry at the prince for telling the ladies about what he witnessed that morning. Suddenly Ganya asks Myshkin to deliver a note to Aglaya secretly. The prince agrees and returns. On his way back he looks at the portrait of Nastassya Filippovna once again. Amazed at her beauty and overtaken by a feeling of compassion, he kisses the painting.
Madame Yepanchin calls Ganya in and asks him if he is planning on getting married. Ganya replies that he is not. As he says this, he seems very agitated and throws sporadic glances at Aglaya. Later, Aglaya pulls the prince aside and asks him to read Ganya's note. In the note, Ganya promises to cancel his marriage with Nastassya Filippovna if Aglaya says but one word opposing it. Aglaya is disgusted at Ganya's weakness and his attempt to shift the burden of the decision to her. Aglaya asks Myshkin to return the note to Ganya, and she warns the prince that Ganya will never forgive him after such a message.
When the prince relates all of this to Ganya, the latter is beside himself with rage. He accuses the prince of telling the women too much of what he had heard that morning. Ganya calls Myshkin an idiot. The prince calmly tells Ganya that he does not like the insults, and he suggests they go their separate ways. Suddenly Ganya begs the prince for forgiveness and invites him to his apartment.
These chapters characterize Madame Yepanchin as a blunt, commanding woman set in her ways. She is honest in telling her opinions and does not mind that others may deem her frankness uncivil. Madame Yepanchin is practical, preferring the concrete to the abstract. For example, when Adelaida tells Myshkin that she does not know how to look at art, Madame Yepanchin exclaims that she finds this comment utterly ridiculous—one must simply look with the eyes and there is nothing more to it. She does not like the fact that Ganya is secretive about his upcoming marriage, so she urges him to tell truth about whether or not he is planning to marry Nastassya Filippovna. Madame Yepanchin admits that she is eccentric, but does not mind it in the least. She is very warm toward the prince and, by the end of their conversation, thinks they are very much alike.
Meanwhile, we see more about Myshkin's character as well. Though it is only his first meeting with the Yepanchins, the subjects he brings up are not exactly light conversation. He talks about a man condemned to death—and gets very agitated in doing so—as a possible subject for a painting. He also talks about capital punishment and tells the story of the poor Marie. Myshkin speaks about the subjects that concern him most and he does so very passionately. He also speaks exactly what is on his mind. For instance, he tells Aglaya—straight to her face, and in front of her sisters and her mother—that she is not as beautiful as Nastassya Filippovna. Despite his candor, however, the prince is quite harmless. When the Yepanchin girls imply that he is a donkey, he merely laughs. When Ganya screams and insults him, the prince calmly asks Ganya to desist. He then suggests that they part, exemplifying the Christian virtue of "turning the other cheek." On the whole, the prince appears incapable of becoming frustrated or angry.
The story of Marie reveals much about Myshkin. Like Nastassya Filippovna, Marie is another example of a fallen woman whom the prince has saved or will try to save. Myshkin feels deep compassion for both women; his kiss of Marie mirrors his kiss of the portrait of Nastassya Filippovna. The story of Marie also allows the prince to talk about his special connection with children. Though he is not himself a child, he feels most comfortable in their company, suggesting that he prefers their honesty and innocence.
All in all, Myshkin is a very enigmatic character to those around him. As such, it is interesting and worthwhile to follow the different ways other characters assess him. Throughout the novel, others attempt to fit Myshkin into different molds. Aglaya thinks the prince is playing the role of an idiot. Adelaida believes him to be a philosopher. Madame Yepanchin swears that he is just like her. General Yepanchin initially believes the prince is after something. Ganya thinks Myshkin is an idiot, but later, at the end of Chapter 7, he is convinced the prince is not entirely honest and that he hides a secret ambition in wishing to appear less intelligent than he really is. All the characters strive to understand the essence of the prince, and tend to do so by projecting their own personalities upon him.
The young prince is supposed to symbolize the good. The image of "Christ", the kindness at his own expense. Though because of his epilepsy everyone takes advantage of his naiiveness, and he is looked at like an idiot. So I believe since Fyodor had epilepsy himself he was aware of the losing of knowledge, that can make one feel stupid, hence "the idiot." I know from having many seizures that over time they do affect our brain in various ways. I am not the only one to feel that way, but I never thought any book could incorporate that feeling a... Read more→
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