[T]o betray society in order to be true to his own conscience . . . this is what prostrated him.
After leaving Valjean at his house, Javert wanders the streets of Paris lost in thought. For the first time in his life, he is racked by indecision. He feels that turning in Valjean would be ignoble and undignified, but as an officer of the law he feels he cannot let his man go. Javert’s only goal in life is to be beyond reproach, but Valjean’s mercy makes it impossible for him to remain true to this goal. With a final note of resolution, Javert writes a letter to the prefect of the Parisian police with several suggestions about various matters of discipline and prison life. Javert then walks to the raging Seine, spends some time watching the waters flow by, and finally throws himself in and drowns.
Marius makes a slow recovery in his grandfather’s home, unaware that it is Valjean who rescued him from the barricades. Marius has suffered a broken collarbone and lost a lot of blood from his many wounds. After six months with a raging fever, he makes a full recovery, and his thoughts turn immediately to Cosette. Eager to reestablish good terms with his beloved grandson, Gillenormand grants Marius permission to marry Cosette. He does so with some reservation, since he still believes that Cosette is a simple working-class girl without any money. When Gillenormand finally meets Cosette, he is amazed by her beauty and shocked when Valjean tells him that Cosette will have a dowry of 600,000 francs. Cosette and Marius are not interested in such financial matters, and Marius declares his undying love for Cosette.
Because Valjean is the only one who knows about Cosette’s illegitimate birth, there are no more obstacles in the way of Cosette and Marius’s marital bliss. A few days before the wedding, Valjean fakes an accident with his writing hand. The others do not realize that it is merely a ruse so that he will not have to forge a false name on the marriage certificate. The ruse works, and Gillenormand signs all the necessary documents instead. The wedding day is a happy one, and Cosette moves into the Gillenormand household. Valjean, however, spends the night lost in thought, distraught that he is losing the only person he has ever loved.
Now that Cosette is married, Valjean feels compelled to confess his criminal past. He goes to Marius’s house and tells the young man everything. Marius is shocked by Valjean’s revelations and at first refuses to believe them. Valjean almost breaks down in his attempts to convince Marius that he is telling the truth. Marius finally accepts Valjean’s statements as the truth and offers to arrange for a pardon, but Valjean refuses. Cosette, flushed with happiness, comes into the room and jokes with the two men, and she pouts playfully when they send her away. Marius agrees with Valjean that it would be best if Valjean never saw Cosette again. In the end, however, Valjean caves and asks that he be allowed to see Cosette in the evenings at least. Marius agrees. Once Valjean leaves, Marius begins to regard his father-in-law as a criminal, a belief that is cemented by the fact that Marius thinks Valjean really did execute Javert on the barricade. Marius also begins to doubt the legitimacy of Cosette’s dowry.
Unknown to Cosette, Marius slowly pushes Valjean out of her life. Marius ensures that Valjean’s visits become less frequent, and when Valjean does come to the house he is received only in the unfurnished cellar below the parlor. Depressed at having lost Cosette forever, Valjean returns to his apartment. He takes to his bed and catches a fever. As he lies in his room in misery, Valjean thinks that he will never see Cosette again and that death cannot come soon enough.
Thénardier visits Marius a few weeks later, disguised as a statesman. He tells Marius that he has information about Valjean that he is willing to sell. Marius tells Thénardier his disguise is useless, since he knows who Thénardier really is, and contemptuously pays Thénardier five hundred francs. Thénardier reveals that Valjean earned Cosette’s dowry legitimately from his work as a manufacturer under the name Madeleine. He also tells Marius that Javert was not murdered, but actually killed himself.
Marius wonders aloud that Valjean might actually be an honest man. Thénardier contradicts him, saying that Valjean is in fact a thief and a murderer. To prove it, he tells Marius of his encounter with Valjean and his victim in the sewer. He produces the piece of cloth that he tore from the victim’s jacket as proof. Marius rushes to a closet and pulls out his bloodied jacket, and the fragment of fabric fits exactly. He throws money at Thénardier and orders him out of the house. The incorrigible Thénardier, we are told, uses the money to leave for America, where he becomes a slave-trader.
Marius realizes that Valjean is the man who saved him on the barricades and brought him home through the sewers. Overcome with guilt, Marius tells Cosette about his discovery. The couple rushes to Valjean’s apartment to see him. They find him ill and bedridden, but he is overjoyed to see them. Overcome, Valjean embraces Cosette one last time and dies in happiness.
[Valjean] had fallen back, the light from the candlesticks fell across him; his white face looked up toward heaven. . . .
Though Valjean’s compassion helps persuade Javert to release him, what ultimately defeats Javert is not emotion but logic. Valjean’s unconditional love for others weakens the stern Javert not because it moves him, but because it makes it impossible for him to justify his inflexible interpretation of the law. Suddenly, Javert and his dogged sense of duty no longer appear honorable and beyond reproach. In the end, Javert cannot bring himself to arrest Valjean because such an action would make no sense. Javert does not believe that Valjean is innocent, but he does believe that Valjean is good, and that to arrest him would debase the moral authority of the law. For the exceedingly practical Javert, therefore, the only way out of his dilemma is to remove himself from it altogether, and suicide becomes the next logical step. While his suicide is a powerful and poignant moment, Javert himself never becomes emotional. He dies in the same way he has lived: determined and resolute.
Hugo employs all of his descriptive talents as Javert prepares to make his final exit in Book Four of the novel’s final section, and we see Hugo’s descriptive style at work throughout this section. We see Javert “plung[ing]” into the streets—a word choice that foreshadows his imminent leap into the river. We also see him passing a number of Parisian locales that have played a prominent role in French history. Even when Javert is alone, Hugo manages to incorporate historical references and vivid urban descriptions. Hugo also infuses this section of Les Misérables with symbolism, especially in the scene in which Javert walks past the Grève, a place where public executions are staged. The mention of this particular site standing empty reveals the hollowness of Javert’s adherence to the law and hints at the harsh judgment he will impose on himself.
Thénardier’s final appearance in the novel resolves the story’s last major conflict and raises questions about the nature of injustice everywhere. Thénardier intends to extort money from Marius and defame both Cosette and Valjean, but instead he ends up bringing about their reconciliation. We may question whether the ending is truly just , since Thénardier is never held accountable for his crimes while Valjean becomes ill and dies. From Hugo’s perspective, however, both characters get the end they deserve. Thénardier, who has never felt real satisfaction and fulfillment, will continue to live in vain. Valjean, on the other hand, dies happy and content, and he is redeemed in the eyes of others. Thénardier’s journey for America has a double meaning. On the one hand, the departure of one of Paris’s worst criminals suggests that French society as a whole is being purged of liars and cheats. On the other hand, it allows Hugo to broaden his sights and suggest that injustice is a worldwide problem. By making Thénardier become a slave-trader, Hugo points to foreign injustices, such as slavery in America.
Valjean’s final words indicate the fulfillment of the promise he makes to Myriel, the bishop of Digne, at the very beginning of the novel. In the spirit Myriel has instilled in him, Valjean preaches forgiveness, explaining that love is the most important thing that exists and that even people such as the Thénardiers must be forgiven. In the same way that Valjean’s dying words recall his promise to Myriel, the physical setting of the room evokes his stay at Myriel’s house in Digne. The description of Valjean’s death reminds us of the description of the sleeping Myriel: “[T]he light from the candlesticks fell across [Valjean]; his white face looked up toward heaven.” The candlesticks are the same ones that Myriel gives to Valjean so many years earlier, and the light they cast symbolizes Myriel’s approval and recognition of a virtuous man’s redemption.
and gavroche dies and the rest of france build a barricade and end the french revolution
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Les Miserables is based around the turning point in French history, and it explores the nature of this change in terms of society, and uses this as a basis for explaining the revolution. It explains how the ‘miserables’, or ‘victims’, damned into a life of thievery and being the scum of the Earth aren’t inherently bad. The society which has not given them a chance forces them to be bad, or do bad things. Instead of understanding their inner goodness and their plight to change their ways, or giving them some kindness or hope, they a... Read more→
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It says: "Fantine falls in love with Tholomyès, a debonair upper-class student who obeys upper-class social customs and leaves Fantine even though she is pregnant with his child." This is wrong. Fantine was not pregnant. Ten months after the affair ended, Cosette was almost 3 years old; therefore she was already born when he left Fantine.
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