Like Water for Chocolate opens with a bit of wisdom from one of its central settings, the kitchen: to avoid tears when chopping onions, one must simply place a slice of onion on one's head.
Onion-induced weeping quite literally sweeps the protagonist, Tita, into the world, as she is born in the kitchen, crying, amidst of flood of her mother's tears. Her mother, Mama Elena, is unable to produce milk (due to shock at the recent death of her husband) and consequently hands off Tita almost immediately to the house cook, Nacha, who rears the child in the kitchen. Surrounded by the colors, smells, and routines of Nacha's kitchen, Tita grows up understanding the world in terms of food. She enjoys her isolation in the domain of the kitchen.
Outside the kitchen, Tita follows the demanding regimen that Mama Elena sets for her daughters. Life is full of cooking, cleaning, sewing, and prayer. This routine is interrupted one day by Tita's timid announcement that a suitor, Pedro Muzquiz, would like to pay her a visit. Mama Elena greets this announcement with indignation, invoking the De La Garza family tradition that the youngest daughter is to remain unmarried so that she can care for the matriarch in the matriarch's old age. Tita is dismayed by this rigid tradition. Outwardly, she submits to Mama Elena's wishes, but privately she questions the family tradition and maintains her feelings for Pedro. The next day, Pedro and his father arrive at the house unannounced to ask for Tita's hand. Mama Elena refuses this marriage proposal, offering instead the hand of her second daughter, Rosaura.
Mama Elena's bold disregard for Tita's feelings shocks the household, but Pedro and his father agree to the arrangement. Nacha, the maid, claims to have overheard Pedro confess to his father that he has accepted the marriage to Rosaura because it is the only way to be near Tita. However, Tita is not consoled by the report of this admission. Not even the Christmas Roll, her favorite food, can cure Tita of her sadness. She is struck by a feeling of cold; to warm herself, she resumes work on a bedspread, which she had begun crocheting when she and Pedro first began to talk of marriage.
The story of Tita's entry into the world marks the first fantastical image of Like Water for Chocolate, initiating the reader into the novel's magical realism and illustrating the intensity and improbability that characterize the events of the story. The image of Tita flowing into the world in a flood of tears prefigures the sadness and longing that will pervade her life. After Tita's birth, the flood of tears dries to leave ten pounds of salt to be collected and used for cooking. The practical attitude with which the characters greet this surreal happening helps to establish the supernatural as an accepted part of the characters' lives.
Her isolated childhood in the kitchen gives Tita an outlook on life different from that of her sisters, Gertrudis and Rosaura, and she comes to develop different ideals for herself as she matures. As a young woman, Tita rebels against the family tradition that confines her to a life without love. Her insistent questioning (even though she does not petition Mama Elena directly) of her lot in life can be identified as one of the feminist impulses in the novel. This refusal to accept an assigned and undesirable social role marks the beginning of Tita's path to self-assertion and freedom.
Violence is another trait that is not in tune with the female ideal in Mexico during the Mexican revolution, where only men are expected to be aggressive. However, while Mama Elena’s masculinity can be perceived as her having an unfavorable character, there might be an underlying reason for her becoming so hard and unyielding. It is possible that she decided to take on the role of household patriarch to keep a sense of stability on the ranch. During the Mexican revolution many women found themselves head of the household after their husban... Read more→
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"Something strange was going on. Tita remembered that Nacha had always said that when people argue while preparing tamales, the tamales won’t get cooked. They can be heated day after day and still stay raw, because the tamales are angry. In a case like that, you have to sing to them, which makes them happy, then they’ll cook."
Rosaura and Tita get into a heated argument when Rosaura accuses Tita of sneaking around with Pedro and prohibits Tita from having any more to do with Esperanza. The intensity of their argument... Read more→
The romantic love that is so exalted throughout the novel is forbidden by Tita's mother in order to blindly enforce the tradition that the youngest daughter be her mother's chaste guardian. However, the traditional etiquette enforced by Mama Elena is defied progressively throughout the novel. This parallels the setting of the Mexican Revolution growing in intensity. The novel further parallels the Mexican Revolution because during the Mexican Revolution the power of the country was in the hands of a select few and the people had no power to ... Read more→