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The Autobiography Of Malcolm X Malcolm X & Alex Haley
Themes, Motifs & Symbols
Themes
Themes are the fundamental and often universal ideas
explored in a literary work.
Malcolm's Changing Perspective on Racism
Malcolm's changing views of America's racial problems
reflect the development of his character. When, as a child, he sees
both of his parents destroyed by white society, he feels despair
about the plight of blacks. His attitude changes, however, after
his experiences in the black ghettos of Boston and New York develop
in him the philosophy that black people should not accept help from
white people. The teachings of the Nation of Islam that he receives
in prison effect a further change in both Malcolm's character and
his view of white people. He simultaneously abandons his wild past
and embraces a systematic hatred of whites. His later travels in
the Middle East cause another profound change; his break from the
American Nation of Islam coincides with his newfound belief that
blacks will be successful in their struggle for equal rights only
if they identify with oppressed peoples across the globe. His attitude
at the end of the work contrasts with his previous beliefs in that
he now supports white participation in the struggle for black emancipation,
whereas he earlier does not. Only after passing through so many
phases and seeing the race problem from so many different perspectives
is Malcolm able to settle on a philosophy in which he truly believes.
The Similarity Between Hustling and Activism
Though Malcolm gives up gambling, smoking, and crime while
in prison, his experience as an evangelist after prison is similar
in ways to his earlier experience as a hustler. Malcolm retains
insights, skills, and values from his years as a hustler that serve
him in his later role as a religious authority and media personality.
For example, Malcolm uses the knowledge he gains in Harlemto distrust
people, to know his enemies, and to craft his public image carefullyin
his dealings with the Nation of Islam and with the press. Near the
end of his life, Malcolm jokes to a university audience that he
took his bachelor's degree on the streets of Harlem. This comment
emphasizes the usefulness of the skills that he gained while living
a life of hustling. Though he now condemns his former lifestyle,
his words show that he appreciates what that lifestyle taught him
about how to interact with people effectively. The skills Malcolm
uses as a hustler and later as an activist are not developed with
these future roles in mind, but rather are built upon the necessary
survival skills that Malcolm learned at a young age, emphasizing
that life is a matter of survival for the urban black man. Though
Malcolm's young life is very different from his adult life, his
ability to fight for survival in America's racist culture is equally
important at both stages of his life.
Humanity as a Basic Right
In The Autobiography of Malcolm X, Malcolm
focuses on how racism against blacks dehumanizes them. The white
people around Malcolm often view him as something less than human,
and Malcolm's desire to correct this perception drives his fight
for racial equality. He experiences subtle racism in his youth from
his family and school, who treat him differently from others because
he is black. Though his foster parents and some of the people he
encounters in school are nice to him, Malcolm thinks these people
treat him nicely in order to show how unprejudiced they are. He
feels that they are using him because he is different, as though
he were a pink poodle. Malcolm in turn dehumanizes certain white
people as revenge for his own subjugation. In Boston, he displays
his white girlfriend Sophia as a status symbol, viewing her less
as a person than as an enviable object that he owns. However, when
after many years of anti–white rhetoric in the Nation of Islam,
Malcolm meets white-skinned people in Mecca who treat him as an
equal, he begins to acknowledge the humanity of individual whites.
Motifs
Motifs are recurring structures, contrasts, or literary
devices that can help to develop and inform the text's major themes.
Status Symbols
In The Autobiography of Malcolm X, characters
often associate with other people just to be seen with them, treating
them like objects rather than human beings. The autobiography points
out this habit to show how society's hierarchy of status determines
our identities and sense of self-worth. Malcolm first experiences
this hierarchy when he gets special treatment from his father because
he is the lightest-skinned of his siblings. His father's preferential
treatment illustrates how Malcolm's superficial traits, rather than
his personality, give him priority within the hierarchy of his family. When
Malcolm's Michigan foster family treats him as special and his school
elects him class president, Malcolm is at first proud but later
resentful of being a mascot for white ideals of how blacks should
behave. Neither his school nor his foster family recognizes Malcolm
as a person. Rather, they use Malcolm's skin color to demonstrate
their apparent tolerance and broadmindedness, and thereby gain status
for themselves. Malcolm himself uses his white girlfriend Sophia
as just such a status symbol, parading her like a new car for his
jealous and gawking friends at Boston bars. Much later, Elijah Muhammad
uses Malcolm X as a symbol of the Nation of Islam's vitality as
well as a strategic resource in growing his organization. In each
case a person is degraded to the status of an object in the service
of someone else's social advancement.
Travel and Transformation
The autobiography links instances of travel and transformation
to show the simultaneous physical and spiritual aspects of Malcolm's changes.
Malcolm undergoes several quick and total conversions, and each
involves first traveling to a distant, confusing place. In his travels,
Malcolm is searching for both a home and a philosophy. When he moves
to Boston, he quickly absorbs the activities of those around him,
taking up lavish street-style zoot suits, marijuana, jazz, gambling,
and petty crime. Similarly, in prison he begins to emulate intelligent
and reflective prisoners, such as Bibi, and eventually reinvents
himself as a worldly individual and devoted Muslim. When he is expelled
from the Nation of Islam and makes the pilgrimage to Mecca, not
knowing Arabic or local customs, Malcolm greatly broadens his perspective
on race in America by incorporating the wisdom he gains from his
experiences into his philosophy. The period of travel that always
precedes Malcolm's major conversions shows the influence of Malcolm's
environment on his worldview and his eagerness for his views to
be as informed as possible.
Symbols
Symbols are objects, characters, figures, or colors
used to represent abstract ideas or concepts.
The Conk
The conk, a popular hairstyle that involves straightening
out nappy hair with a host of caustic chemicals, is an emblem of
black self-denial. Blacks conk their hair in an attempt to look
more like white people, and their willingness to alter a feature
of their body violently underscores how much they want to conceal
their blackness. The conk is popular with rich and poor blacks alike,
showing how blacks of all classes experience self-hatred. Though
Malcolm conks his hair when he first moves to Boston, in prison
he realizes how much mental energy he has been wasting on trying
to conform to an impossible image of white good looks. Later, as
an orator canvassing on the street, Malcolm criticizes American
blacks for trying to change their African features. He sees the
conk as one item in a long list, including faith in Christian religion
and obsession with white women, of counterproductive black imitations
of white culture.
The Watch, Suitcase, and Eyeglasses
The wristwatch, suitcase, and eyeglasses that Malcolm
purchases upon his release from prison symbolize his commitment
as a free man to a career of efficient work, frequent travel to
spread the message of Islam, and constant study and reflection.
The watch represents Malcolm's industriousness, as he becomes extremely conscious
of his daily schedule and organizes his life carefully. The suitcase,
which Malcolm begins using in his professional life, represents
Malcolm's sacrifice of his personal life to his aspirations in the Nation
of Islam. The glasses represent his ongoing commitment to the further
development of his views as well as his broad vision for the future
of black people in America.
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