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Farewell to Manzanar

 Jeanne Wakatsuki Houston
 

Key Facts

 
full title · Farewell to Manzanar
 
author · Jeanne Wakatsuki Houston
 
type of work · Nonfiction
 
genre · Historical memoir; bildungsroman, or coming-of-age story
 
language · English
 
time and place written · 19721973; Santa Cruz, California
 
date of first publication · 1973
 
publisher · San Francisco Book Company / Houghton Mifflin
 
narrator · Jeanne Wakatsuki Houston
 
point of view · The narrator speaks in the first person and describes the events and characters as she herself witnessed them, with the exception of the chapters “Fort Lincoln: An Interview,” “The Reservoir Shack: An Aside,” and “Ka-ke, Near Hiroshima: April, 1946,” where she switches to third person to describe the experiences of Papa, Kaz, and Woody respectively.
 
tone · Houston is observational throughout much of the novel, relating her memories of her experiences and emotions. Toward the end of the work, when Houston revisits Manzanar to confront her past, her narrative becomes nostalgic and less straightforward.
 
tense · Houston tells the story primarily in the past tense, with occasional shifts to reflect her thoughts and feelings as she writes.
 
setting (time) · December 1942–April 1972
 
setting (place) · The California cities of Long Beach, Los Angeles, Manzanar, and San Jose
 
protagonist · Jeanne Wakatsuki Houston
 
major conflict · Jeanne struggles to gain acceptance in white American society and to find her own identity as a Japanese-American woman.
 
rising action · After being forced to leave the Manzanar Relocation Camp, the Wakatsukis try to reintegrate themselves into American society, but Jeanne's attempts to gain acceptance at school are blocked by the unspoken prejudice of her classmates and teachers in Long Beach.
 
climax · Jeanne's high school in San Jose elects her carnival queen, but Papa accuses her of flaunting her sexuality and trying to be American.
 
falling action · Jeanne conforms to Papa's wishes and wears a conservative dress for the coronation ceremony, but the crowd's murmuring makes her realize that neither the exotic nor the conservative versions of herself represent her true identity.
 
themes · Internment's destruction of family life; the everyday nature of prejudice; the difficulty of understanding one's identity
 
motifs · Displacement; Americana
 
symbols · Stones; Jeanne's dream
 
foreshadowing · The sardine fleet's slow return to the harbor foreshadows the news of the attack on Pearl Harbor; Papa's burning of his flag and documents foreshadows his arrest and interrogation as a suspected spy.
 
 
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