From Lennie’s arrival at the riverbed to the end of the story
In the same riverbed where the story began, it is a beautiful, serene late afternoon. A heron stands in a shaded green pool, eating water snakes that glide between its legs. Lennie comes stealing through the undergrowth and kneels by the water to drink. He is proud of himself for remembering to come here to wait for George, but soon has two unpleasant visions. His Aunt Clara appears “from out of Lennie’s head” and berates him, speaking in Lennie’s own voice, for not listening to George, for getting himself into trouble, and for causing so many problems for his only friend. Then a gigantic rabbit appears to him, also speaking in Lennie’s own voice, and tells him that George will probably beat him and abandon him. Just then, George appears. He is uncommonly quiet and listless. He does not berate Lennie. Even when Lennie himself insists on it, George’s tirade is unconvincing and scripted. He repeats his usual words of reproach without emotion. Lennie makes his usual offer to go away and live in a cave, and George tells him to stay, making Lennie feel comforted and hopeful.
Lennie asks him to tell the story of their farm, and George begins, talking about how most men drift along, without any companions, but he and Lennie have one another. The noises of men in the woods come closer, and George tells Lennie to take off his hat and look across the river while he describes their farm. He tells Lennie about the rabbits, and promises that nobody will ever be mean to him again. “Le’s do it now,” Lennie says. “Le’s get that place now.” George agrees. He raises Carlson’s gun, which he has removed from his jacket, and shoots Lennie in the back of the head. As Lennie falls to the ground and becomes still, George tosses the gun away and sits down on the riverbank.
The sound of the shot brings the lynch party running to the clearing. Carlson questions George, who lets them believe that he wrestled the gun from Lennie and shot him with it. Only Slim understands what really happened: “You hadda, George. I swear you hadda,” he tells him. Slim leads George, who is numb with grief, away from the scene, while Carlson and Curley watch incredulously, wondering what is “eatin’ them two guys.”
Once again, the scene opens on the clearing in the woods, with the riverbed and its surroundings described as beautiful and idyllic toward the end of a day. Many details are repeated from the book’s opening passages, such as the quality of the sunlight, the distant mountains, and the water snakes with their heads like “periscopes.” This time, however, even the natural beauty is marred by the suffering of innocents. Steinbeck vividly describes a large heron bending to snatch an unsuspecting snake out of the water, then waiting as another swims in its direction. Death comes quickly, surely, and to the unaware. When Lennie appears, the fate that awaits him is obvious.
The final scene between George and Lennie is suffused with sadness, even though Lennie retains his blissful ignorance until the end. To reassure Lennie, George forces himself through their habitual interaction one last time. He claims that he is angry, then assures him that all is forgiven and recites the story of their farm. For George, this final description of life with Lennie, of the farm and the changes it would have brought about, is a surrender of his dreams. The vision of the farm recedes, and George realizes that all of his talk and plans have amounted to nothing. He is exactly the kind of man he tried to convince himself he was not, just one among a legion of migrant workers who will never be able to afford more than the occasional prostitute and shot of liquor. Without Lennie, George relinquishes his hope for a different life. Lennie was the only thing that distinguished his life from the lives of other men and gave him a special sense of purpose. With Lennie gone, these hopes cannot be sustained. The grim note on which the story closes suggests that dreams have no place in a world filled with such injustice and adversity.
The other men who come on the scene see only the body of a half-wit who killed a woman and deserved to die. Only Slim, the wisest and most content man on the ranch, understands George’s profound loss and knows that George needs to be consoled. Carlson and Curley watch Slim lead George away from the riverbank; their complete puzzlement is rooted more in ignorance than in heartlessness. Carlson and Curley represent the harsh conditions of a distinctly real world, a world in which the weak will always be vanquished by the strong and in which the rare, delicate bond between friends is not appropriately mourned because it is not understood.
Although most sites will say that the point of view for Of Mice and Men is third-person omniscient, it is really third-person limited. This is when the story is told from the point of view of a third-person limited narrator, who knows only the thoughts and feelings of a single character, while other characters are presented only externally.
75 out of 155 people found this helpful
Of mice and men is a fantastic book and film, it really shows how hard it was to live back then. George and lennie are your typical migrant workers but lennie has a mental disability, which means george has got to walk him thorugh every day life. They both have this wonderful dream where they own there own ranch amd that lennie gets to tend the rabbits.
63 out of 142 people found this helpful
We read the novel for my 9th grade English class, and I'm supposed to be writing and essay about it right now, but oh well. It was an amazing book, though many of my classmates disliked it. The characters were impressive and I really liked old Candy. It was good for historical reference and offered a look at the depression.
The shot book got me attached to the characters, and I almost cried at the end, but I was in class.
Overall I'd give it an 9 out of 10
40 out of 53 people found this helpful