Beauchamp arrives at Albert’s home with bad news. He has just returned from a voyage to Yanina, where he has found incontrovertible proof of the allegations against Morcerf. Beauchamp promises to suppress this information due to his friendship with Albert. Albert is devastated by the revelation regarding his father but grateful to Beauchamp, whom he now forgives.

Monte Cristo invites Albert to travel with him to his home in Normandy. They spend three pleasant days at the coast before an urgent letter from Beauchamp summons Albert back to Paris. The letter includes a newspaper clipping, from a paper other than Beauchamp’s, that links Morcerf’s name with the Ali Pacha affair. Now there can no longer be any doubt that Albert’s father is in fact the man accused of betraying Ali.

Albert arrives at Beauchamp’s house demanding information. Beauchamp tells him all he knows: a man came from Yanina bearing a stack of condemning documents and gave them to a rival newspaper editor. Since the article was printed, something even more damning has taken place. At the daily meeting of the Chamber, the government body to which Morcerf belongs, it was decided that an extensive investigation should be opened into the matter. At Morcerf’s request, the investigation was set to begin that evening.

Beauchamp tells Albert that during the hearing, Haydée appeared and testified that Morcerf betrayed her father, Ali Pacha. She claimed that Morcerf allowed her father to be killed by his enemies, stole his treasures, and then sold Haydée and her mother into slavery. Haydée presented a document recording the fact that Monte Cristo had purchased her from the dealer who purchased her from Fernand Mondego. The document mentioned Mondego by name. Haydée further supported her claim by asserting that her father’s betrayer had a scar on his right hand, a scar that Morcerf possesses. The judges of the Chamber subsequently found Morcerf guilty of the crimes alleged.

Albert swears to Beauchamp that he will kill the man responsible for his father’s disgrace or die trying. Beauchamp tries to dissuade Albert, but fails. He agrees to help Albert track down his enemy and, to that end, confides that Danglars had been making inquiries about Morcerf in Yanina.

Albert rushes to Danglars’s house and challenges both Danglars and Andrea Cavalcanti to a duel. Danglars tells Albert that it was Monte Cristo who suggested he write to Yanina. Albert then realizes that Monte Cristo must have known all along about his father’s past, since he has known all along about Haydée’s past. He deduces that Monte Cristo must be behind the plot to expose his father and decides that Monte Cristo is the one he must challenge to a duel.

Albert’s reaction to the revelation of his father’s shameful past consists entirely of undirected rage and an overwhelming desire for violence. He makes it clear that he wants to kill someone and that he does not particularly care whom he kills. Initially, Albert is even willing to kill his best friend, Beauchamp, for the simple reason that Beauchamp is associated with the newspaper in which the defaming article first appears. Afraid that Danglars will refuse to fight, Albert challenges Andrea Cavalcanti to a duel, even though he knows full well that Andrea has nothing to do with Morcerf’s exposure. Finally, when confronted with the fact that Monte Cristo is his true enemy, Albert remarks, “I only fear one thing, namely to find a man who will not fight.” Albert’s reaction, though hotheaded and irrational, fits well with the rugged individualism heralded in the novel. Albert desires to act because he does not want to be a pawn of fate or of any other powerful, unfriendly forces. His overwhelming desire is not so much to kill but rather to avoid passivity: he will act simply for the sake of acting, even if there is no rational reason to do so. In this strong drive to assert himself against the forces of fate that are attempting to oppress him, Albert resembles Monte Cristo.

It is unclear, however, to what extent Monte Cristo truly holds Albert accountable for the sins of his father. Initially, Monte Cristo shows a markedly strong aversion to Albert, recoiling when he first shakes his hand in Italy and clearly hating him for being Fernand’s son. Franz d’Epinay notices this aversion and warns Albert to keep his distance from the mysterious Monte Cristo. Yet, as the story progresses, we see Monte Cristo reluctantly growing fond of Albert and struggling with his positive feelings for him. When Albert reveals his strong devotion to Mercédès in Chapter 55, for instance, declaring that he could never hurt his mother by marrying Eugénie, Monte Cristo seems irritated by the presence of such a noble sentiment in Albert. Monte Cristo is forced to acknowledge that Albert is a good man and should not be viewed merely through the lens of his father’s sins.

When Fernand’s downfall seems imminent, Monte Cristo even begins to feel pangs of pity for Albert. With Danglars’s revelation to Monte Cristo that he has succeeded in obtaining the information from Yanina, for instance, Monte Cristo finds it impossible to look at Albert, and he turns away “to conceal the expression of pity which passed over his features.” The fact that Monte Cristo whisks Albert off to Normandy just when the story about his father is about to break can itself be interpreted as an act of pity, as Monte Cristo may be trying to spare Albert the pain of witnessing his father’s humiliation firsthand. Then again, we might just as easily see the trip to Normandy as an attempt to deprive Fernand of his son’s support just when he needs it most. In the next chapter, Monte Cristo’s attitude toward the duel only casts his feelings for Albert into further doubt.