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Context
 
 
Plot Overview
 
 
Character List
 
 
Analysis of Major Characters
 
 
Themes, Motifs, and Symbols
 
 
Important Quotations Explained
 
 
Key Facts
 
 
 
 
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Woman at Point Zero

 Nawal El Saadawi
 

Themes, Motifs, and Symbols

 

Themes

 

The Connection Between Surveillance and Ownership

 
Throughout the telling of her story, Firdaus describes the act of seeing as akin to an act of possession. One of Firdaus's earliest memories as a child is the memory of her mother's eyes watching her, holding her up when she struggled to learn how to walk and negotiate the world. For the young Firdaus, this sense of belonging to her mother and being watched over by her is very comforting. She feels that being a possession of her mother is what protects her. Later, though, the act of being surveyed takes on a very different meaning. When Firdaus grows older, she no longer feels her mother's eyes supporting her. From then on, whenever Firdaus senses someone's eyes watching her, she feels threatened. When Firdaus first runs away from her uncle's house, she encounters a terrifying man who runs his eyes up and down her body, making Firdaus feel invaded, and as if her body were not her own.
 
Firdaus's life-long struggle is to claim her body as her own. When Firdaus marries Sheikh Mahmoud, his eyes never leave her dish at mealtimes, and he watches every morsel of food she eats with jealous intensity. Firdaus becomes self-conscious about eating. Firdaus describes almost all of the men she encounters in the same way—they rake their eyes over her body and, in doing so, act as though her body exists only for them. It is not until she is in prison that Firdaus learns to feel at ease during other people's examinations of her. This is because Firdaus has proven to herself that she owns herself and that she is in control of her own destiny.
 

The Nature of Power

 
For the young Firdaus, the nature of power seems at first to be very simple: men have it and women do not. Her father has power over her mother. Her uncle has power over her. When she is married, Sheikh Mahmoud has power over her. Even men on the street have power over the women they pass, merely by turning them into objects with their eyes. Bayoumi, who locks Firdaus in his apartment and lets his friends have sex with her, has power over her. It isn't until Firdaus meets Sharifa that her ideas of power begin to change. Sharifa is a wealthy, independent woman. Rather than allowing men free use of her body, as married women do, Sharifa uses the power of the desires that men have for her to her advantage. She teaches Firdaus how to command the power of her physical appearance. Still, Firdaus doesn't know what it means to possess power of her own. She learns that women can have power, too, but she cannot fully wield her own power while living under Sharifa's control.
 
When she sets out on her own as a prostitute, Firdaus finally learns what it means to have something that other people desire. This is power. She learns that she can command higher and higher prices simply by denying people what they want, or exercising the power that she has over them. Because of this, she feels that money is power. When she possesses money of her own, she has power over the people who slander her, and she can give herself a respectable name by hiring a lawyer and suing. Her brief stint as an office worker only serves to reinforce this idea, and when she goes back to prostitution, she charges more money than ever and uses her money to mingle with more powerful people. Firdaus comes to believe that she has attained real power. But the pimp who claims her proves that this is not the case. He threatens to defame her or kill her, proving that no matter how much money she has, Firdaus is still vulnerable to men because she has something to lose. When she kills the pimp and later tears up the prince's money, Firdaus finally proves that she has control over herself.
 

The Importance of Attaining Respect

 
Attaining respect does not become one of Firdaus's goals until Di'aa, who has engaged her services as a prostitute, points out to her that in spite of her financial security, she is not respectable. Until Firdaus has money of her own, the way that the world views her never really enters into her consideration. This is in part because the world has never paid her much attention before. She was just an invisible person occupying the role of daughter or wife. When she finally accumulates some wealth and power, the world takes notice. Men take notice because, in Firdaus's world, men don't want women to have power over them. By condemning her work as a prostitute as shameful, they try to minimize her power, though they are also involved in the exchange of sex and money. For the men in Firdaus's story, respectable women are women who are submissive and live under the protection of a powerful man.
 
When Di'aa tells Firdaus that she is not respectable because the work she does is shameful, she is deeply hurt. In an effort to become a more respectable woman, she gives up her nice apartment and prostitution in order to work in an office. Indeed, she becomes a “respectable” woman by placing herself under the power of men again. Firdaus's relationship with Ibrahim is a part of this quest for respectability. She's playing by the rules and, for the first time, she feels as though she's met a man she can trust. The sacrifices she's made to become respectable seem worthwhile. However, when Firdaus discovers that Ibrahim was using her for sex, she once again realizes that “respectability” is a trap that is designed to put women at the mercy of men. By quitting her job and taking up prostitution again, Firdaus rejects the pursuit of a “respectable” life in favor of a life of power and self-determination. Firdaus has come to see that respectability in her world means playing by someone else's rules.
 

Motifs

 

Sexual Pleasure

 
During her childhood, Firdaus experiments sexually with a local boy named Mohammadain. They play “bride and bridegroom,” meaning that they take off their clothes and rub against one another. Firdaus describes the sensation of pleasure she gets from her encounters with Mohammadain, which end when her mother forces her to undergo a strange surgery. It is not fully explained in the book, but Firdaus undergoes a clitoridectomy (the removal of her clitoris). After this procedure, Firdaus never again experiences sexual pleasure the way she once did. Though her mother forces her to undergo the procedure as a matter of tradition and doesn't seem to think about it politically, Firdaus considers the tradition another attempt to suppress women. By removing the clitoris, sex has become an act in which only men take pleasure. Firdaus believes that if women were equal to men, then both would find pleasure in sex.
 
Pleasure is out of the question in her sexual encounters with her old, deformed husband. To Firdaus, these encounters are horrific, and she describes the stench of his open wound and the lack of joy she feels during sex. She also describes with contempt the way men who come to her as clients will demand, during sex, to know whether or not she is taking pleasure in the act. For these men, the act is not about two people enjoying each other, but instead about proving their physical prowess. They are determined to wring pleasure from Firdaus, whether she wants it or not. Firdaus tells the men that she enjoys sex (though she does not), which stops them from asking. When Firdaus overhears her uncle and his wife having sex, the idea of it warms her, but she is unable to take pleasure in it herself.
 

Choice

 
As a woman from a poor family, Firdaus has never had to make many choices. Her clitoris is removed and she is married to a tyrannical older husband without anyone ever asking her opinion. The first real choice she has ever had to make comes when she flees her husband's home. When Bayoumi asks her whether she prefers oranges or tangerines, Firdaus is struck by the fact that nobody has ever asked her to make a decision like that before. She realizes she does not even know which fruit she prefers, because she has never had to think about what she wanted. Other people always told her what would happen. After this, choice becomes an obsession for Firdaus.
 
As a prostitute, Firdaus has the money and the power to make choices for herself. She chooses her own apartment and clothing and also begins to choose which men she will and will not sleep with. Because of this, she begins to believe in her own independence. The power to choose for herself is intoxicating. And soon, the fact that she has rejected powerful men makes her even more alluring to them. By exercising choice, Firdaus commands more and more money and gets an increasingly prestigious clientele. However, the pimp who moves in and demands control over her shatters the illusion of choice for Firdaus. Firdaus realizes that no matter how powerful she might seem, she is still a woman, and men will still attempt to exercise control over her. In Firdaus's world, there is no way for her to make real choices. Though it seems to some that a female prisoner has less power than even the lowliest wife, Firdaus feels that waiting on death row is the most liberating thing that has ever happened to her. She chooses not to appeal her sentence; she would prefer to die in order to escape the control that other people have over her. Only when dead will Firdaus be free.
 

Captivity

 
Firdaus explains that all of her life until the time she spends in prison has been spent in captivity. Though as a child, a wife, and a prostitute, she had some degree of physical freedom, she did not attain mental freedom until she got to prison. Captivity, for Firdaus, means living under someone else's power. It means not making choices for oneself and agreeing to be deceived by those in power (whether those in power are presidents or fathers or husbands). Though Firdaus is waiting to die in prison, she considers herself freer than anyone else in the world. She certainly feels freer than Nawal El Saadawi, who hopes to interview her. Nawal senses this, and it is for this reason that she is so devastated when Firdaus refuses, time and time again, to be interviewed.
 
Firdaus looks forward to death because it means that she will have a chance to start over. Though she is enclosed in a cell, she feels free. She refuses to work with the system, sign an appeal, or visit with the doctor because she does not want to feel like a captive. Signing appeals would only serve to entrap her again, as she would have to appeal to, and thereby recognize, the power of men. When she finally agrees to meet with Nawal, it is only in order to spread a message of truth and to do further damage to the world that abused her before she dies.
 

Symbols

 

Money

 
Firdaus grows up in a poor family in a community of poor families, and she further recognizes the power of money when she moves to Cairo. As Firdaus tells it, she never really had money of her own until she started prostituting herself. Before this, she was at the mercy of her stingy father, uncle, husband, and Sharifa—because they had money and she did not. All of them recognized this fact, and they were careful not to give her any money of her own, lest she escape their grasp. When Firdaus first ventures out on her own—after leaving Sharifa's house—and learns that her body has a monetary value to men, she also learns that she can command more money from them because she has something they want. To men, her body is a commodity, just as food and clothing are a commodity: the more difficult it is for them to obtain, the more money they will pay. In this way, Firdaus begins to amass money of her own. She despises her work, and she loathes the men who come to see her, but she greatly values her newfound power. She is not at the mercy of men anymore.
 
When she is slandered in public, Firdaus uses her “shameful” money to pay a lawyer to clear her name. At this point, money is everything to Firdaus. It even has the ability to cleanse her public image. But by the time Firdaus kills the pimp and demands $2,000 from the prince, money has come to mean something very different. It becomes just another symbol of the hypocrisy of her society. It gives power to the unworthy and makes the despicable seem respectable. It allows men to rule over women, and makes the prince think that he can buy Firdaus. When Firdaus tears up the $2,000, she demonstrates to the prince that his money has no power over her. Because of this demonstration, the prince declares that she must really be a princess—i.e., one outside the reach of money's power. Because of Firdaus's newfound understanding of the treachery of money, the prince is right. Firdaus is truly outside the reach of money's power.
 

Books

 
Firdaus's uncle gives Firdaus her first taste of the power of books when he secretly teaches her how to read. Books become a symbol of the kindness of her uncle, who takes an interest in young Firdaus and tries to teach her. Through reading, Firdaus comes to realize that there is more in the world than her poor village and humble family. Even before her uncle teaches her to read, she views the books he brings with him from Cairo as a kind of passport to a life in which she, too, could be a scholar. When she moves to Cairo and goes to school, Firdaus spends the few happy years of her life immersed in books and learning. The time that they spend reading together is a time of bonding between Firdaus and her uncle.
 
When her uncle gives up the life of a scholar and marries his boss's daughter, he sends Firdaus to boarding school. Essentially, her uncle gives up books in exchange for wealth and status. This feels like a betrayal to Firdaus, but boarding school proves more advantageous for her than living with her uncle and aunt. She soon develops a reputation as a bookworm, and often spends long evenings in the library. She becomes an excellent student and wins many academic prizes. Books become more important to Firdaus than people. Yet when Firdaus is married off to Sheikh Mahmoud, books virtually disappear from her life. Firdaus has to fit herself into the role of submissive wife, and there is no room for her to be a prize pupil or a reader. Books, which represented her uncle's kindness and the potential for a better life, disappear.
 
 
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