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Siddhartha Hermann Hesse
Themes,
Motifs, and Symbols
Themes
Themes are the fundamental and often universal ideas
explored in a literary work.
The
Search for Spiritual Enlightenment
In Siddhartha, an unrelenting search
for truth is essential for achieving a harmonious relationship with
the world. The truth for which Siddhartha and Govinda search is
a universal understanding of life, or Nirvana. Siddhartha and Govinda
both have a fundamental desire to understand their lives through
spirituality, seek to do this by reaching Nirvana, and start with
the conviction that finding Nirvana is possible. Although Nirvana
leads to a perfect relationship with the world and is thus an end
goal that each man aspires to reach, Siddhartha and Govinda differ
in what they're willing to do in search for this truth. In Siddhartha's
case, when he becomes suspicious that one path may lead to a dead
end, he quickly alters his course. He is willing to abandon the
path of the Brahmins for the path of the Samanas, to leave the Samanas
for Gotama, and then to make a radical departure from spiritual
teachers and search in the material world with Kamala and Kamaswami.
He does not relent in his search and instead continues to follow
whatever path becomes available if he has clearly not yet reached
Nirvana.
Govinda is much less flexible in his quest for spiritual
enlightenment. In his quest, he restricts himself to the spiritual
and religious world and persists in his need for teachers. Although
Siddhartha is willing to break with religion itself and to abandon
all his training, Govinda is willing to seek truth only as long
as it appears within the narrow confines of Hinduism or Buddhism
and is transmitted by a respected teacher. As a result, Govinda
is unable to see the truth around him, since he is limited by his
belief that truth will appear in the way he has been taught by his
teachers. This distinction between Siddhartha's unrelenting search
and Govinda's limited search is the reason why Govinda can attain
enlightenment only through an act of grace on Siddhartha's part,
whereas Siddhartha is able to find truth through his own powers.
Inner vs. Exterior
Guidance
In Siddhartha, Siddhartha learns that
enlightenment cannot be reached through teachers because it cannot
be taughtenlightenment comes from within. Siddhartha begins looking
for enlightenment initially by looking for external guidance from
organized religion in the form of Brahmins, Samanas, and Buddhists.
When these external spiritual sources fail to bring him the knowledge
and guidance he needs, he discards them for Kamala and Kamaswami
in the material world, again using an external source in his quest. These
sources also fail to teach him wisdom, and he knows he must now
find wisdom on his own. This realization itself comes from within.
Siddhartha leaves the Brahmins, the Samanas, Gotama, and the material
world because he feels dissatisfied, not because an external source
tells him to go. His eventual attainment of Nirvana does not come
from someone imparting the wisdom to him but instead through an
internal connection to the river, which he finds contains the entire
universe.
Vasudeva is a teacher of sorts for Siddhartha, and thus
an external guide, but Vasudeva never attempts to tell Siddhartha
what the meaning of life is. Instead, Vasudeva directs Siddhartha
to listen to the river and search within himself for an understanding
of what the river says. Vasudeva does not tell Siddhartha what the
river will say, but when Siddhartha reveals what the river has told
him, Vasudeva simply acknowledges that he too has received the same
wisdom. The river itself never actually tells Siddhartha what its
revelations mean. Instead, the river reveals the complexity of existence
through sound and image, and Siddhartha meditates on these revelations
in order to gain an understanding of them. Govinda, on the other
hand, persists in looking to teachers for his wisdom, and in the
end, asks Siddhartha to teach him the path to enlightenment. Because
of this reliance on an external explanation, Govinda continuously
fails to find Nirvana. His final success, however, does not come
as explicit directions from Siddhartha on how to achieve enlightenment. Instead,
Siddhartha acts as a conduit for Govinda, as the river did for him.
He asks Govinda to kiss his forehead, an act that enables Govinda
to see the nature of existence in an instant. Govinda's final revelation
thus comes through his own interpretation of what Siddhartha shows
him in the kiss. Though interior and exterior paths to enlightenment
are both explored in Siddhartha, the exterior path is
roundly rejected. Nirvana comes from within.
The Wisdom of Indirection
Throughout the novel, Siddhartha pursues Nirvana differently,
and though at first his tactics are aggressive and deliberate, he
eventually finds that a more indirect approach yields greater rewards.
Both Siddhartha and Govinda initially seek Nirvana aggressively
and directly. Govinda remains dedicated to the relentless practice
of Buddhist devotions that are specifically intended to bring about enlightenment,
but Siddhartha eventually rejects these methods and instead relies
on intuition for guidance. Siddhartha points out that by focusing
only on the goal of Nirvana, Govinda failed to notice the tiny clues
along the way that would have pointed him in the right direction.
In effect, Govinda tries too hard. Siddhartha ultimately understands
that because the essence of enlightenment already exists within
us and is present in the world at every moment, prescriptive paths
simply lead us further from ourselves and from the wisdom we seek.
An indirect approach is more likely to take into account all elements
of the world and is therefore better able to provide the necessary
distance from which to see the unity of the world.
Motifs
Motifs are recurring structures, contrasts, or literary
devices that can help to develop and inform the text's major themes.
Love
The role of love in Siddhartha's life changes throughout
his search for enlightenment. The many ways love appears and the
difficulties love poses are vital to the eventual success of Siddhartha's
quest. Love first appears between Siddhartha and his father, a love
Siddhartha rejects when he leaves his father to follow the Samanas. Love,
at this stage, restricts Siddhartha's ability to realize spiritual wisdom,
and he must abandon it. In the Buddha, Siddhartha sees love in action,
primarily in the form of compassion, but Siddhartha rejects this
love because it is part of teachings that do not lead him to enlightenment.
Kamala teaches Siddhartha the physical aspects of love, as well
as the importance of love itself. However, Siddhartha is incapable
of giving and receiving genuine love at this stage. He has removed
himself from the world so thoroughly that he is not motivated by
what the world has to offer him.
With his son, Siddhartha finally feels love, but since
love is an attachment to the world, it threatens to divert Siddhartha
from his course. Until now, Siddhartha has gained wisdom in the
absence of love, and the love he feels for his son becomes a test
of this wisdom. Enlightenment cannot exist without love, and Siddhartha
must accept love, painful as it might be, if he is to achieve Nirvana. Through
Kamala and his son he has learned to love the world and accept it,
not resist it, in its entirety.. Siddhartha is a part of the world,
yet at the same time he can transcend it.
Om
The concept of Om, which signifies the
oneness and unity of all things, marks key moments of awakening
for Siddhartha. Siddhartha's ability to finally comprehend Om
is his entrance into enlightenment, but along the way he encounters
the idea a number of times, each time sparking a change within him.
He first encounters Om in his training as a Brahmin.
He realizes that though he has been taught what Om
should mean, none of those around him have fully achieved an understanding
of it in their own lives. People who chant the word and understand
the concept intellectually surround him, but their lives do not
reflect the enlightenment that comes from fully embracing the energy
of Om. He hears Om again when
he stands near the river contemplating suicide. Realizing that life
itself is indestructible, he must learn to just be, not try to
force his life along specific paths. Essentially, he is trying to
merge with Om, which he recognizes as being all
around him, rather than continuously search for a philosophy that
accesses it on an intellectual basis. At the end of the novel, the
more he listens to the river, the more aware he becomes of the complexity
of Om and how it involves not only the physical
and spiritual world but also time itself. When he finally comprehends
the word in its entirety and understands that all things exist at
the same moment, all possibilities are real and valid, and time
itself is meaningless, he finally achieves enlightenment.
Polarities
In Siddhartha, Siddhartha finds that
enlightenment does not come from mastering either the material or
spiritual world but from finding the common ground between these
polarities of existence. In the first third of the book, Siddhartha
rejects the material world. The Brahmins, Samanas, and Buddhists
all maintain that the material world is illusion, or Maya, that
distracts a seeker from the spiritual truth. Adopting this belief,
Siddhartha completely denies his body and, instead, focuses his
efforts on refining his mind and memorizing the knowledge his teachers
pass along to him. In the second third of the book, Siddhartha rejects
the spiritual world and enters the material world, but relentlessly
pursuing carnal desire does not lead him to wisdom either. Siddhartha
battles with other polar opposites as well, such as time/timelessness
and attachment/detachment, but in these, too, he finds that embracing
one and rejecting the other does not lead to enlightenment. The
river suggests this battle visually: the opposing banks represent
the polarities, and the river itself represents the ideal union
of them. Siddhartha finds enlightenment only when he understands Om,
the unity of polarities. He achieves transcendence when he can accept
that all is false and true at the same time, that all is living
and dead at the same moment, and that all possibilities are united
in the spirit of the universe.
Symbols
Symbols are objects, characters, figures, or colors
used to represent abstract ideas or concepts.
The River
The river in Siddhartha represents life
itself, time, and the path to enlightenment. As a representation
of life, it provides knowledge without words, and Siddhartha's reward
for studying it is an intuitive understanding of its divine essence.
The river's many sounds suggest the sounds of all living things,
and the flow of the river, as well as the fact that its water perpetually
returns, suggests the nature of time. The ferryman points Siddhartha
in the right direction, but the river itself is Siddhartha's final
instructor.
The Ferryman
In Siddhartha, the ferryman is a guide
for both the river and the path to enlightenment. The ferryman is
positioned between ordinary world and enlightenment, and those who
seek enlightenment and are open to guidance will find what they
need within the ferryman. Many teachers of wisdom appear during
Siddhartha's search, but each fails to lead Siddhartha to enlightenment.
The ferryman, however, shows Siddhartha how to find enlightenment
within himself. The first time Vasudeva meets Siddhartha, Siddhartha
wants only to cross the river, and that is all Vasudeva helps him
do. Vasudeva is not a teacher who will simply tell Siddhartha what
he should know, but a guide who will lead him where he wishes to
go. Years later, Siddhartha searches for knowledge from the river
itself, and Vasudeva guides him in his attempts to hear what the
river has to say. Siddhartha himself becomes a ferryman after he
reaches enlightenment. He guides people back and forth across the
river and eventually helps Govinda find enlightenment. In Siddhartha, only the
ferrymen are able to help others find enlightenment.
The Smile
The only characters in Siddhartha who
smile are those who have achieved enlightenment, and the smile evokes
their spiritual perfection and harmony. Smiles are scarce among
the Hindus and Samanas and in the material world, since enlightenment
cannot be faked or forced. Only after going through the requisite
stages leading to enlightenment can one express the beatific smile.
Siddhartha first sees the smile in Gotama. The smile evokes Gotama's
saintliness and peace, and it impresses Siddhartha. Even when Siddhartha argues
with him, Gotama responds with a smile, indicating the balance of
an enlightened soul. Similarly, the smile marks Vasudeva as an enlightened
soul, and he too impresses Siddhartha with his peaceful state. Vasudeva
often smiles rather than talks, suggesting that enlightenment is
communicated without words. Siddhartha himself does not exhibit
a smile until he has achieved his own enlightenment, and this smile,
in part, enables Govinda to realize that Siddhartha is like Gotama.
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