Albert Camus was born on November 7, 1913, in French colonial Algeria. In 1914, his father was killed in World War I, at the Battle of the Marne. Albert, his mother, and his brother shared a two-bedroom apartment with the family’s maternal grandmother and a paralyzed uncle. Despite his family’s extreme poverty, Camus attended the University of Algiers, supporting his education by working a series of odd jobs. However, one of several severe attacks of tuberculosis forced him to drop out of school. The poverty and illness Camus experienced as a youth greatly influenced his writing.
After dropping out of the university, Camus eventually entered the world of political journalism. While working for an anti-colonialist newspaper, he wrote extensively about poverty in Algeria. From 1935 to 1938, Camus ran the Théâtre de l’Equipe, an organization that attempted to attract working-class audiences to performances of great dramatic works. During World War II, Camus went to Paris and became a leading writer for the anti-German resistance movement. He was also the editor of Combat, an important underground newspaper.
While in wartime Paris, Camus developed his philosophy of the absurd. A major component of this philosophy was Camus’s assertion that life has no rational or redeeming meaning. The experience of World War II led many other intellectuals to similar conclusions. Faced with the horrors of Hitler’s Nazi regime and the unprecedented slaughter of the War, many could no longer accept that human existence had any purpose or discernible meaning. Existence seemed simply, to use Camus’s term, absurd.
The Stranger, Camus’s first novel, is both a brilliantly crafted story and an illustration of Camus’s absurdist world view. Published in 1942, the novel tells the story of an emotionally detached, amoral young man named Meursault. He does not cry at his mother’s funeral, does not believe in God, and kills a man he barely knows without any discernible motive. For his crime, Meursault is deemed a threat to society and sentenced to death. When he comes to accept the “gentle indifference of the world,” he finds peace with himself and with the society that persecutes him.
Camus’s absurdist philosophy implies that moral orders have no rational or natural basis. Yet Camus did not approach the world with moral indifference, and he believed that life’s lack of a “higher” meaning should not necessarily lead one to despair. On the contrary, Camus was a persistent humanist. He is noted for his faith in man’s dignity in the face of what he saw as a cold, indifferent universe.
In 1942, the same year that The Stranger was published, Camus also published The Myth of Sisyphus, his famous philosophical essay on the absurd. These two works helped establish Camus’s reputation as an important and brilliant literary figure. Over the course of his career he produced numerous novels, plays, and essays that further developed his philosophy. Among his most notable novels are The Plague, published in 1947, and The Fall, published in 1956. Along with The Myth of Sisyphus, The Rebel stands as his best-known philosophical essay. In recognition of his contribution to French and world literature, Camus was awarded the Nobel Prize for Literature in 1957. Tragically, he died in an automobile accident just three years later.
In the midst of the widespread intellectual and moral bewilderment that followed World War II, Camus’s was a voice advocating the values of justice and human dignity. Though his career was cut short, he remains one of the most influential authors of the twentieth century, regarded both for the quality of his fiction and for the depth and insightfulness of his philosophy.
The Stranger is often referred to as an “existential” novel, but this description is not necessarily accurate. The term “existentialism” is a broad and far-reaching classification that means many different things to many different people, and is often misapplied or overapplied. As it is most commonly used, existentialism refers to the idea that there is no “higher” meaning to the universe or to man’s existence, and no rational order to the events of the world. According to this common definition of existentialism, human life is not invested with a redemptive or affirming purpose—there is nothing beyond man’s physical existence.
Some ideas in The Stranger clearly resemble this working definition of existentialism, but the broader philosophy of existentialism includes aspects far beyond this definition that are not present in The Stranger. Moreover, Camus himself rejected the application of the “existential” label to The Stranger. Hence, this SparkNote approaches The Stranger from the philosophical perspective of the absurd. “The absurd” is a term Camus himself coined, and a philosophy that he himself developed. Reading The Stranger with Camus’s philosophy of the absurd in mind sheds a good deal of light on the text.
Although Camus’s philosophical ideas resonate strongly within the text, it is important to keep in mind that The Stranger is a novel, not a philosophical essay. When reading the novel, character development, plot, and prose style demand just as much attention as the specifics of the absurd. This SparkNote only discusses the absurd when such discussion provides insight on the text. Otherwise, the focus of this SparkNote remains on the text itself, as with any great work of literature.
This Spark Note describes Meursault as being amoral. I completely disagree with this interpretation. It is not that Meursault does not understand right and wrong but rather that his ideas of right and wrong differ from those of society. This different moral code can be seen by the way he refuses to break his own morals. He may not value life but he does value honesty and his disbelief in a higher being. Throughout the book he never lies or pretends to have faith in God not even to save his life. His specific moral code is founded in Camus` ... Read more→
262 out of 285 people found this helpful
Albert Camus' idea of morality in 'The Stranger' is completely unconventional and this can be seen through the protagonist who is a total embarrassment to the society in which he finds himself. This disparity between what is expected of Meursault and what he displays forms the basis of Albert Camus' philosophy of morality. There is a big question mark on conventional morality which the author finds to be absurd. He seems to be questioning the fabric of societal morality on grounds of motivation; are some of those values upheld merely for con... Read more→
50 out of 60 people found this helpful
Morality is simply the way that an individual chooses between opposing values in a given situation.
So, lets say "Prolife" vs "Prochoice" as a moral issue. Regardless of your position, you are pushing values. The question isn't "is a fetus valuable?" or "is a woman's right to choose what happens to her body valuable?"
The vast majority of the world would answer yes to both. No, the question is... "which is more valuable if you can't have both?"
In this way, morality requires an active decision making.
This is wher
10 out of 10 people found this helpful