full title · The Stranger or L’étranger
author · Albert Camus
type of work · Novel
genre · Existential novel; crime drama
language · French
time and place written · Early 1940s, France
date of first publication · 1942
publisher · Librairie Gallimard, France
narrator · In Part One, Meursault narrates the events of the story almost as they happen. In Part Two, he narrates the events of his trial from jail, then moves into a more immediate narration in Chapter 5.
point of view · Meursault narrates in the first person and limits his account to his own thoughts and perceptions. His description of the other characters is entirely subjective—that is, he does not attempt to portray them in a neutral light or to understand their thoughts and feelings.
tone · Detached, sober, plain, at times subtly ironic
tense · Shifts between immediate past (or real-time narration) and more distant past, with occasional instances where Meursault speaks in the present tense.
setting (time) · Slightly before World War II
setting (place) · Algeria
protagonist · Meursault
major conflict · After committing murder, Meursault struggles against society’s attempts to manufacture and impose rational explanations for his attitudes and actions. This struggle is embodied by Meursault’s battle with the legal system that prosecutes him.
rising action · Meursault relationship with Marie, his involvement in Raymond’s affairs, his trip to Masson’s beach house, and his taking of Raymond’s gun are the choices Meursault makes that lead up to his killing of the Arab.
climax · Meursault shoots a man, known as “the Arab,” for no apparent reason.
falling action · Meursault is arrested for murder, jailed, tried in court, and sentenced to death. He then has an epiphany about “the gentle indifference of the world” after arguing with the chaplain about God’s existence.
themes · The irrationality of the universe; the meaninglessness of human life; the importance of the physical world
motifs · Decay and death; watching and observation
symbols · The courtroom; the crucifix
foreshadowing · Madame Meursault’s friends watching Meursault foreshadows the jury’s watching him in judgment.
This Spark Note describes Meursault as being amoral. I completely disagree with this interpretation. It is not that Meursault does not understand right and wrong but rather that his ideas of right and wrong differ from those of society. This different moral code can be seen by the way he refuses to break his own morals. He may not value life but he does value honesty and his disbelief in a higher being. Throughout the book he never lies or pretends to have faith in God not even to save his life. His specific moral code is founded in Camus` ... Read more→
210 out of 231 people found this helpful
Albert Camus' idea of morality in 'The Stranger' is completely unconventional and this can be seen through the protagonist who is a total embarrassment to the society in which he finds himself. This disparity between what is expected of Meursault and what he displays forms the basis of Albert Camus' philosophy of morality. There is a big question mark on conventional morality which the author finds to be absurd. He seems to be questioning the fabric of societal morality on grounds of motivation; are some of those values upheld merely for con... Read more→
37 out of 45 people found this helpful
Morality is simply the way that an individual chooses between opposing values in a given situation.
So, lets say "Prolife" vs "Prochoice" as a moral issue. Regardless of your position, you are pushing values. The question isn't "is a fetus valuable?" or "is a woman's right to choose what happens to her body valuable?"
The vast majority of the world would answer yes to both. No, the question is... "which is more valuable if you can't have both?"
In this way, morality requires an active decision making.
This is wher
8 out of 8 people found this helpful