Maman died today. Or yesterday maybe, I don’t know.
Meursault, the novel’s narrator and protagonist, receives a telegram telling him that his mother has died. She had been living in an old persons’ home in Marengo, outside of Algiers. Meursault asks his boss for two days’ leave from work to attend the funeral. His boss grudgingly grants the request, and makes Meursault feel almost guilty for asking. Meursault catches the two o’clock bus to Marengo, and sleeps for nearly the entire trip.
When Meursault arrives, he meets with the director of the old persons’ home, who assures Meursault that he should not feel bad for having sent his mother there. The director asserts that it was the best decision Meursault could have made, given his modest salary. He tells Meursault that a religious funeral has been planned for his mother, but Meursault knows that his mother never cared about religion. After the brief conversation, the director takes Meursault to the small mortuary where his mother’s coffin has been placed.
Alone, Meursault sees that the coffin has already been sealed. The caretaker rushes in and offers to open the casket, but Meursault tells him not to bother. To Meursault’s annoyance, the caretaker then stays in the room, chatting idly about his life and about how funeral vigils are shorter in the countryside because bodies decompose more quickly in the heat. Meursault thinks this information is “interesting and [makes] sense.”
Meursault spends the night keeping vigil over his mother’s body. The caretaker offers him a cup of coffee, and, in turn, Meursault gives the caretaker a cigarette. Meursault finds the atmosphere in the mortuary pleasant and he dozes off. He is awakened by the sound of his mother’s friends from the old persons’ home shuffling into the mortuary. One of the women cries mournfully, annoying Meursault. Eventually he falls back asleep, as do nearly all of his mother’s friends.
The next morning, the day of the funeral, Meursault again meets with the director of the old persons’ home. The director asks Meursault if he wants to see his mother one last time before the coffin is sealed permanently, but Meursault declines. The director tells Meursault about Thomas Perez, the only resident of the home who will be allowed to attend the funeral. Perez and Meursault’s mother had become nearly inseparable before she died. Other residents had joked that he was her fiancé.
The funeral procession slowly makes its way toward the village. When one of the undertaker’s assistants asks Meursault if his mother was old, Meursault responds vaguely because he does not know her exact age. The oppressive heat weighs heavily on him during the long walk. He notices that Thomas Perez cannot keep up, and keeps falling behind the procession. A nurse tells Meursault that he will get sunstroke if he walks too slowly, but will work up a sweat and catch a chill in church if he walks too quickly. Meursault agrees, thinking, “There was no way out.” He remembers little of the funeral, aside from Perez’s tear-soaked face and the fact that the old man fainted from the heat. As he rides home on the bus to Algiers, Meursault is filled with joy at the prospect of a good night’s sleep.
This Spark Note describes Meursault as being amoral. I completely disagree with this interpretation. It is not that Meursault does not understand right and wrong but rather that his ideas of right and wrong differ from those of society. This different moral code can be seen by the way he refuses to break his own morals. He may not value life but he does value honesty and his disbelief in a higher being. Throughout the book he never lies or pretends to have faith in God not even to save his life. His specific moral code is founded in Camus` ... Read more→
234 out of 256 people found this helpful
Albert Camus' idea of morality in 'The Stranger' is completely unconventional and this can be seen through the protagonist who is a total embarrassment to the society in which he finds himself. This disparity between what is expected of Meursault and what he displays forms the basis of Albert Camus' philosophy of morality. There is a big question mark on conventional morality which the author finds to be absurd. He seems to be questioning the fabric of societal morality on grounds of motivation; are some of those values upheld merely for con... Read more→
45 out of 55 people found this helpful
Morality is simply the way that an individual chooses between opposing values in a given situation.
So, lets say "Prolife" vs "Prochoice" as a moral issue. Regardless of your position, you are pushing values. The question isn't "is a fetus valuable?" or "is a woman's right to choose what happens to her body valuable?"
The vast majority of the world would answer yes to both. No, the question is... "which is more valuable if you can't have both?"
In this way, morality requires an active decision making.
This is wher
9 out of 9 people found this helpful