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Chapters 21–24
Summary—Chapter 21: Eloquence—and the Master’s Gilded
Dome
Summer has almost arrived and the schoolchildren are restless.
Mr. Dobbins becomes even more harsh in his discipline, provoking
the boys to conspire against him. At the end of the year, the town
gathers in the schoolhouse for the “Examination,” in which students recite
speeches and poems and engage in spelling and geography competitions.
Tom struggles through “Give me liberty or give me death,” finally
succumbing to stage fright, and a series of young ladies then recites
the hilariously awful poems and essays they have written. Finally,
the schoolmaster turns to the blackboard to draw a map of the United
States for the geography class, and at that moment a blindfolded
cat is lowered from the rafters by a string. The animal claws at
the air and yanks off Mr. Dobbins’s wig, revealing a bald head that
the sign-painter’s boy gilded while Mr. Dobbins slept off a bout
of drinking. Summary—Chapter 22: Huck Finn Quotes Scripture
At the beginning of summer, Tom joins the Cadets of Temperance
in order to wear one of their showy uniforms. Unfortunately, to
join he must swear off smoking, tobacco chewing, and cursing—prohibitions
that prove very difficult. He resolves to hang on until Judge Frazier,
the justice of the peace, dies, because then he can wear his red
sash in the public funeral. When the judge recovers, Tom resigns from
the Cadets. The judge suffers a relapse and dies that night.
Vacation begins to drag. Becky Thatcher has gone to the
town of Constantinople to stay with her parents, and the various
circuses, parades, and minstrel shows that pass through town provide
only temporary entertainment. The secret of Dr. Robinson’s murder
still tugs at Tom’s conscience. Tom then gets the measles, and when
he begins to recover, he discovers that a revival has swept through
the town, leaving all his friends suddenly religious. That night
brings a terrible thunderstorm, which Tom assumes must be directed
at him as punishment for his sinful ways. The next day he has a
relapse of the measles and stays in bed for three weeks. When he
is finally on his feet again, Tom finds that all his friends have
reverted to their former, impious ways. Summary—Chapter 23: The Salvation of Muff Potter
Muff Potter’s trial approaches, and Tom and Huck agonize
about whether they should reveal what they know. They agree that
Injun Joe would kill them, so they continue to help Potter in small
ways, bringing him tobacco and matches and feeling guilty when he thanks
them for their friendship. The trial finally arrives, and Injun Joe
gives his account of the events. A series of witnesses testifies
to Potter’s peculiar behavior, and in each case Potter’s lawyer
declines to cross-examine. Finally, Potter’s lawyer calls Tom Sawyer
as a witness for the defense, much to everyone’s amazement. Tom,
deeply frightened, takes the witness stand and tells the court what
he saw that night. When he reaches the point in the story where
Injun Joe stabs the doctor, Injun Joe leaps from his seat, pulls
free of everyone, and escapes through a window. Summary—Chapter 24: Splendid Days and Fearsome Nights
Tom was a glittering hero once more—the pet of the old, the envy of the young. . . . There were some that believed he would be President, yet, if he escaped hanging. Tom is acclaimed as a hero and enjoys the adulation and
gratitude of Muff Potter and the rest of the town during the day.
At night, however, he is tormented by visions of Injun Joe coming
to kill him. Injun Joe has vanished, despite the town’s and a detective’s
best efforts to locate and capture him. Analysis: Chapters 21–24
Mr. Dobbins’s humiliation at the hands of the sign-painter’s
boy and the revelation that he drinks too much links him with the
Sunday school superintendent and the minister as a person in a position
of power who falls victim to Twain’s deft satire. Dobbins is a prime example
of an authority figure who, ironically, has no true authority, because
he is clearly dissatisfied with who he is. Both Mr. Dobbins’s obsession
with his anatomy textbook and his false hair manifest his desire
to be something that he is not.
In a footnote, Twain claims that the flowery, overstated
compositions presented in the Examination scene are not his own
creations but rather “are taken without alteration from a volume
entitled ‘Prose and Poetry, by a Western Lady.’” One composition
begins “Dark and tempestuous was night” in a pretentious version
of the clichéd first line, “It was a dark and stormy night.” Twain
is criticizing the shallowness of small-town intellectual pretension,
but his footnote suggests that his criticism is specifically directed
toward women, and this scene is somewhat misogynistic (woman-hating). However
one may interpret it, the Examination scene criticizes the same
flaw to which the character of Dobbins falls prey: trying to be something
one is not.
Like the Sunday school scene in which Tom claims a Bible,
Twain ends the Examination chapter with a shocking event—the cat
lifting the wig—but avoids describing the event’s aftermath. There
may be several reasons for Twain’s omission of the specifics, but
one explanation concerns the novel’s universality. Twain’s criticism
is generally directed toward universal human foibles; importantly,
he leave blanks for us to fill in, so that each reader ponders the
events within his or her own frame of reference.
In Chapter 22, Twain again pokes
fun at the fickleness of the townspeople’s religious belief. When
a revival sweeps town, all the boys “get religion,” but they go
back to their old ways within a few weeks. Tom’s understanding of
God evolves out of his superstitious way of viewing the world—when
a thunderstorm strikes, he believes that God has aimed it at him
as a personal punishment.
Tom’s decision to testify at Muff Potter’s trial marks
an important moment in his process of maturation from childhood
to adulthood. His fear for his physical safety and his superstitious unwillingness
to go back on his blood oath with Joe Harper are what have kept
him from doing the right thing. Both are sentiments associated with
childhood. While Twain does not give us a direct depiction of Tom’s
internal moral crisis, he builds an atmosphere of increasing anxiety
and indicates that Tom’s silence may have serious implications for
the wrongly accused Muff Potter. When Tom eventually changes his
priorities and acts out of his concern for Muff instead of out of
his concern for himself, he conquers his fear and achieves a greater
level of maturity.
If Tom Sawyer were a simple bildungsroman,
a narrative of moral and psychological growth, then Tom’s decision
to testify would be an appropriate ending. However, Tom
Sawyer is also an adventure story, and to add suspense
and danger to the plot, Twain allows Injun Joe to escape. Psychologically,
Tom may be on the road to adulthood, but he still has to conquer
Injun Joe outside the courtroom before his adventures can conclude. |
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