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Uncle Tom’s Cabin Harriet Beecher Stowe
Chapters XXIV–XXVIII
Summary: Chapter XXIV
Alfred and Henrique end their visit. Eva's health begins
to fail. Marie, who has never shown any interest in her child before,
now begins to moan in motherly despair, saying that her child is
dying, and that the impending tragedy affects her more than anyone
else. At one point, Eva appears to recover, but the episode proves
only a deceptive lull in her decline. However, she continues to
treat the slaves generously, telling Tom that she would die for
the slaves of the South if it would alleviate their suffering. She
talks to her father and asks him if all the slaves could be set
free; she asks him to work for their freedom as she would have if
she had lived beyond childhood. He says that he will do what he
can but does promise to free Tom if she dies. She tells him she
will soon go to the savior's house and pleads with him to follow
her there one day.
Summary: Chapter XXV
On a Sunday afternoon, Marie lounges on the veranda complaining to
St. Clare when Miss Ophelia comes in indignantly, saying that she can
no longer stand Topsy. St. Clare asks her how, if her Gospel cannot
suffice to save one child, she expects missionaries to go out among
thousands. Eva, who has been sitting on her father's lap, now hops
down and beckons silently to Topsy to follow her. They enter a little
glass room at the corner of the veranda. She asks Topsy if she loves
anyone. Topsy replies that she has been deprived of all family,
left alone in the world without anyone to love or to love her in
return. Eva tells her that Miss Ophelia would love her if she were good.
Topsy laughs and says that Miss Ophelia cannot even bear to have
Topsy touch her, because Topsy is black. Eva lays her hand on Topsy's
shoulder and tells her that she loves her, and tells her that she should
be good for her sake. She adds that Jesus loves her as well. Topsy
begins to cry and promises to try to be good.
The adults have overheard the conversation, and Miss Ophelia tells
St. Clare that she always has had a prejudice against blacks, and that
it is true that she could never bear to have Topsy touch her. She had
not realized, however, that Topsy had known this. She says she wishes
she could learn to shed some of her prejudices, and suggests that
Eva might teach her.
Summary: Chapter XXVI
Eva requests that Miss Ophelia cut some of the curls from
her hair; she then asks that all the slaves be convened. Lying weakly
in her bed, she addresses the slaves, telling them to be good Christians
and love one another. Then she gives each of them a lock of her
hair by which to remember her. Later, after the slaves have left
the room, Eva asks her father if he is a Christian and tells him
of the land she soon will enter. He sees the fervor in her heart
but fails to feel it himself. At last, Eva dies as St. Clare, Ophelia,
and Marie look on. St. Clare asks her to tell them what she sees,
and she replies, Oh! love,joy,peace!
Summary: Chapter XXVII
After Eva's funeral, the house enters into mourning, but
the slaves are unable to express their grief, because Marie demands
all of their attention. Marie screams and carries on, but St. Clare
is too deep in mourning to shed a single tear. Tom talks to St.
Clare of the glory of heaven, but St. Clare finds himself incapable
of believing. He longs to find God, but he feels that when he prays,
no one is listening. Uncle Tom prays for him when his master cannot. When
St. Clare hears Tom pray, he almost feels the awakening of faith
inside himself.
Summary: Chapter XXVIII
Ophelia reports to her brother that she has managed to
reform Topsy's wild ways. She asks St. Clare to give her legal ownership
of Topsy, in order that she might take her to the North and set
her free. She has instilled in Topsy the values of Christianity
but knows that the experiences of slavery would beat them back out
of her. St. Clare writes the deed then and there, at his sister's
insistence. Ophelia then asks if he has made provision for his other
slaves. She reminds him that, in the case of his death, they might
go to cruel owners. St. Clare says he will provide for them someday.
He then goes off to a café to read the newspaper and is stabbed
in a fight between two drunken men. Other men from the café take
St. Clare home, who is laid out on a shutter. St. Clare asks Tom
to pray for him and then mumbles his own prayers. He says he is
coming home at last. Just before he dies, his eyes open and he says
with joy, Mother!
Analysis: Chapters XXIX–XXXIII
Critics of Uncle Tom's Cabin often find
fault with the novel's excessive sentimentality and melodrama. These
chapters, dealing with the deaths of Eva and St. Clare, figure among
the most sentimental in the book; over the scene of Eva's death
in particular, Stowe intones with overbearing force:
Farewell, beloved child! the bright, eternal
doors have closed after thee; we shall see thy sweet face no more.
Oh, woe for them who watched thy entrance into heaven, when they
shall wake and find only the cold gray sky of daily life, and thou gone
forever!
Stowe emphasizes repeatedly Eva's perfection, her exemplary
Christianity, her true innocence, her angelic nature. However, Stowe
renders Eva in this way not merely for the sake of indulging in
the thrill of histrionic grief, or to infuse her book with spectacle.
Rather, Stowe idealizes Eva in order to raise issues of religion
via the vision of heaven and the immortal soul. Indeed, Eva appears
as a Christ figure as she lies dyinga perfect being without sin,
she allows others to find salvation through her death. In asking
Ophelia to clip her curls, Eva asks to be sheared, thus again
referencing Jesus Christ. Ophelia even says outright that she hopes
to be more like Eva, because Eva is like Christ. The use of Christ
figures becomes a minor motif in Uncle Tom's Cabin,
underscoring some of the book's religious themes. The motif will
appear again during the scene of Uncle Tom's tragic death in Chapter
XLI.
After Eva's death, Stowe briefly explores the conflict
surrounding St. Clare's religious skepticism, as his persistent
inability to find God clashes with Tom's earnest desire to see his
master find salvation. And this brief conflict paves the way for
another climatic moment of intense sentimentality, this one as overtly
religious as the last. As St. Clare lies dying, he finally discovers
a religious sign, as he apparently sees his mother, an idealized
being like Eva. In this way, Stowe emphasizes the moral power of
Christianity to transform and save the soula power that Stowe hoped
would eventually alter the hearts of the slaveholders and lead to
the eradication of slavery.
This section witnesses not only St. Clare's conversion,
but Miss Ophelia's as well. Ophelia finally acknowledges her prejudices,
realizing the truth of Eva's words. She knows that she must love
Topsy as a Christian in order to help her. St. Clare's comments
also contribute to the conversion. When he asks Miss Ophelia what
good her faith is if she cannot save one child, she realizes that
the love modeled by Eva constitutes the next step in her work with
Topsy.
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