The narrator tells us that the historical accounts of Napoleon’s 1812 invasion of Russia are oversimplified and false. Napoleon did not rationally calculate the risk of invading Russia, but went in unaware of the dangers of a Russian winter. By the same token, Tsar Alexander did not lure the French into the Russian heartland, but on the contrary wished to keep them out. History has been written after the fact to lend a rational and intentional character to what originally were almost random events.
At Bald Hills, Mary endures her father’s blame for his quarrel with Andrew. She has only a vague understanding of the wars, and fears for her brother’s life. Her father still insists that Russia is safe, ignoring news that the French have already crossed Russian borders, and dismissing Andrew’s letter warning that their position at Bald Hills is dangerous. Increasingly grouchy and senile, the old prince occupies himself with his garden, construction on his estate, and his will and testament. Meanwhile, the prince’s servant Alpatych goes to the city of Smolensk to ask the governor about the risks of staying at Bald Hills. Gunfire is heard near Smolensk, indicating that the French are very close. The governor’s official report claims that Smolensk is safe, but, off the record, the governor recommends that the Bolkonskis go to Moscow. On the streets, people flee in terror, and the townspeople set Smolensk on fire to thwart the invaders.
By chance, Alpatych encounters Andrew, who writes a letter to Bald Hills telling his father and sister that it is urgent they flee to Moscow immediately. Andrew leads his regiment in retreat in the midst of a drought, his worldview altered by the abandonment and burning of Smolensk. He visits Bald Hills, now abandoned. The ruined fields and empty house deeply move him, and the sight of his soldiers bathing naked in a dirty pond—as cannon fodder—depresses and disgusts him.
In St. Petersburg, Helene’s and Anna Pavlovna’s salons continue almost unaffected by Napoleon’s invasion, with each salon holding a different opinion of the war. When Kutuzov is made commander in chief to heighten Russian military unity, he earns great praise, whereas earlier he had been criticized.
Napoleon, meanwhile, prepares to march upon Moscow. The narrator writes that historians overestimate the rationality behind Napoleon’s decision to march and his cunning use of a Cossack informer, Lavrushka, who, in reality, was a drunken looter.
The old prince and Mary are not in Moscow, but rather at Andrew’s estate at Bogucharovo, where the prince has been taken after a paralytic attack. He is too ill to travel, but Mary fears for his safety as the French approach. Tearfully, the prince finally expresses gratitude to his daughter for her lifetime of devotion to him. A local official arrives to tell Mary that she must leave, and she returns to the bedroom to find her father has died. Meanwhile, Bagration writes to the Minister of War to present the debacle in Smolensk in the best possible light. Alpatych tries unsuccessfully to force the local Bogucharovo peasants to relocate to Moscow.
After her father’s funeral, Mary lies in her bedroom until Mademoiselle Bourienne suggests that they ask the invading French forces for protection. But there are no horses to take her away, and the peasants are starving. Mary offers the peasants the grain stored at Bogucharovo and urges them to leave with her. They refuse her offer, however, thinking she wants to trick them back into serfdom.
Nicholas and two comrades ride to Bogucharovo by chance, not knowing it is a Bolkonski residence. Nicholas finds Mary stranded there, as the peasants refused to let her leave. He quickly brings order to the rioting peasants. On her way to Moscow, Mary thinks of Nicholas as her savior and wonders if she loves him. Nicholas too thinks of marrying her, a wealthy heiress and attractive as well.
Andrew, summoned to serve General Kutuzov, meets Denisov, now a lieutenant colonel, and reminisces privately about Natasha, whom Denisov had courted. Kutuzov arrives, fatter than ever. Andrew greets Kutuzov and tells him of Prince Bolkonski’s death. Denisov presents to Kutuzov his plan for breaking the French lines of communication. Andrew observes Kutuzov’s bored, faintly contemptuous seen-it-all attitude toward the officers reporting to him. At his lodging, Kutuzov interrupts his reading of a French novel to speak cordially with Andrew about the late old Prince Bolkonski and to voice frustration with military advisors. Andrew declines to serve the general at headquarters.
As the French approach Moscow, the behavior of the Muscovites becomes more frivolous. Violently anti-French publications are read throughout the city, and aristocrats try hard not to lapse into their habit of speaking French. Julie Drubetskaya, Boris’s wife, prepares to flee. Pierre risks bankruptcy to finance his own regiment, but does not himself prepare to fight. Julie teases Pierre that he is defending Natasha’s reputation for personal reasons, and also tells him that Mary is in town. Pierre is alarmed to realize that the French really will invade Moscow. Seeing a French cook being flogged as a spy, Pierre feels that he must leave the city. The thought of sacrificing his belongings for his country thrills him.
The Russian and French troops clash at the Battle of Borodino. The Russian forces are considerably weakened, though the narrator argues that Borodino can be viewed as a Russian spiritual victory. The narrator tells us that Russian historians have found a way to attribute the victory to Kutuzov’s military genius, but these historians are wrong. According to the narrator, there is nothing strategic about the choice of Borodino as battle site; like everything else in history, Borodino is the product of happenstance.
Leaving Moscow, Pierre comes upon a convoy of wounded soldiers. An army doctor tells him they have less than a third of the wagons they need to cart away the wounded from the next day’s battle. At Borodino, Pierre sees the French and the Russian encampments and watches a church procession in which Kutuzov kneels before a holy icon. Pierre encounters Boris Drubetskoy and also Dolokhov, who has weaseled his way into an important position. Dolokhov approaches Pierre and asks his forgiveness for past wrongs. Andrew, meanwhile, is miserable and disillusioned. He muses on his disillusionment with his ideals: he has lost faith in love and honor, in his father’s trust in his homeland, and in Natasha’s loyalty.
Pierre visits Andrew, who explains to him the folly of the military commanders and the unpredictability of war. Cynical about war in a general sense, Andrew still foresees a Russian victory at Borodino the next day. That night, he thinks of Natasha with longing.
In Napoleon’s quarters, the French emperor is finishing his toilette and preparing for the battle on the Russian front. He receives a portrait of his son as a gift. He sends an inspirational proclamation to the troops, and then inspects the battle site, sending out meticulously detailed instructions as to the deployment of troops. The narrator says that none of these orders were ultimately followed during the battle. Mocking the theory that Napoleon did not win at Borodino because he had a cold, the narrator again muses that history is made by ordinary men following their own will.
The next morning, Pierre awakens to the sounds of battle. Enchanted by the beauty of the scene, he rides into the midst of the fighting to observe, unaware that he is at the heart of the battlefield. Pierre shows no fear, and the officers allow him to stay. When something explodes next to him, however, he becomes terrified. Pierre returns to the battery to find that the French have captured it and that his recent acquaintances have been killed.
Napoleon, meanwhile, is surveying the battle, but neither he nor his officers really understand what is happening. His officers request reinforcements, and he grows troubled. Finally, news that the French are not doing well reaches Napoleon. He sees the strange new effects of military failure on the faces of his troops. On the other side, Kutuzov decides against a retreat, and the message spreads throughout the Russian troops, inspiring them.
Andrew’s regiment is still under heavy fire. He tries to encourage his troops, but he is wounded by an exploding shell and carried off in dazed confusion to the army hospital, conscious that there is something in life that he does not understand. In the military surgery unit, Andrew witnesses an amputation being performed next to him, and he recognizes the patient to be Anatole Kuragin. Andrew feels that compassion is the greatest human emotion.
Napoleon fails to feel any compunction when he muses on his defeat and all the lives lost. He rationalizes Borodino as merely an unfortunate miscalculation. Meanwhile, it rains on the field of corpses, and the soldiers are tired of killing. The narrator again muses on the irony that a bedraggled Russian army—one that lost a full half of its men—could be considered spiritually triumphant over the unstoppable French war machine. He concludes that the French were opposed by a spirit greater than their own.
The fact that the French army invades as far as Bald Hills, the Bolkonski estate, is symbolic of the end of the old prince’s seclusion from the modern world. A holdover from the bygone days of the previous tsar, resisting newfangled notions about modern statecraft and society, the old prince attempts to keep both himself and his daughter hidden away from the march of history. The eternal truths of geometry mean more to him than social progress or historical change. However, the prince’s growing irritability during the war years shows that he is not at peace with himself. With Napoleon’s entry into Smolensk, the prince’s naïve faith in old-fashioned times comes to a painful end. In this regard, his death is a symbol of the end of the Russian old regime: Russia will never be the same after Napoleon. Tolstoy hints that the aristocracy will lose some of its old entitlements, as we see when Princess Mary is stranded at Bald Hills because her peasants refuse to harness her horses. Similarly, the nobleman Pierre, visiting the battlefield of Borodino as the bullets whiz past, appears absurdly out of place among the practical commoners who are accomplishing the bulk of the victory. We feel that the new Russia will be less aristocratic and more down to earth.
Tolstoy’s final analysis of the Russian victory at Borodino amounts to a conclusion that a “greater spirit” than that of the French proves triumphant. The final conqueror of France has turned out to be neither brilliant Russian military strategy nor the unparalleled heroism of the Russian soldiers, but rather a mystical awareness of a Russian spiritual superiority. Tolstoy emphasizes that there is no rational explanation for why the French are not triumphant at Borodino. French troops significantly outnumber the Russians, yet somehow the ultimate spiritual victory is Russia’s. Napoleon’s self-serving rationalizations and shallow self-confidence have helped him conquer half of Europe, but they are no match for the grand spiritual example Kutuzov sets when he humbly kneels before a religious icon during a church procession. Napoleon believes in his own brilliance, but Kutuzov believes in something greater than himself. This belief is the same sense of belonging to the larger universe that Andrew contemplates when he stares at the sky at Austerlitz and that Pierre feels in his Masonic experiments. Tolstoy implies that, ultimately, it is humility rather than reason that emerges triumphant, whether on the battlefield or in the trials of everyday life.
I am currently taking Russian Literature- War and Peace by Leo Tolstoy and I know for a fact that the chronology for War and Peace goes throughout 18th century! You should really consider changing the answer on the War and Peace quiz!
The events of War and Peace begin in 1805 and proceed to around 1812. The century that begins in the year 1800 is referred to as the 19th century.
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"Natasha takes Mary into the room where Andrew is lying, and Mary is shocked to see her brother looking soft and gentle. Mary knows this appearance to be a sign of his approaching death."
Natasha tells Mary there has been a change recently in Andrew, and while Mary expects that means he has become soft and gentle because he is dying, she is shocked to find it is the opposite -- he has become hard and indifferent. His mind has became fixed on the next life and so he no longer has any emotions for anything in the current life.