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Dickinson's Poetry Emily Dickinson
"Success is counted sweetest..."
Summary
The speaker says that "those who ne'er succeed" place the highest value on
success. (They "count" it "sweetest".) To understand the value of a nectar,
the speaker says, one must feel "sorest need." She says that the members of the
victorious army ("the purple Host / Who took the flag today") are not able to
define victory as well as the defeated, dying man who hears from a distance the
music of the victors.
Form
The three stanzas of this poem take the form of iambic trimeter--with the
exception of the first two lines of the second stanza, which add a fourth stress
at the end of the line. (Virtually all of Dickinson's poems are written in an
iambic meter that fluctuates fluidly between three and four stresses.) As in
most of Dickinson's poems, the stanzas here rhyme according to an ABCB scheme,
so that the second and fourth lines in each stanza constitute the stanza's only
rhyme.
Commentary
Many of Emily Dickinson's most famous lyrics take the form of homilies, or short
moral sayings, which appear quite simple but that actually describe complicated
moral and psychological truths. "Success is counted sweetest" is such a poem;
its first two lines express its homiletic point, that "Success is counted
sweetest / By those who ne'er succeed" (or, more generally, that people tend to
desire things more acutely when they do not have them). The subsequent lines
then develop that axiomatic truth by offering a pair of images that exemplify
it: the nectar--a symbol of triumph, luxury, "success"--can best be comprehended
by someone who "needs" it; the defeated, dying man understands victory more
clearly than the victorious army does. The poem exhibits Dickinson's keen
awareness of the complicated truths of human desire (in a later poem on a
similar theme, she wrote that "Hunger--was a way / Of Persons outside
Windows-- / The Entering--takes away--"), and it shows the beginnings of her
terse, compacted style, whereby complicated meanings are compressed into
extremely short phrases (e.g., "On whose forbidden ear").
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